reviews Archive

OUR TIME There was quite a high turnout for this three-hour epic of directorial self-laceration from Mexican director Carlos Reygadas, although admittedly this was at the Minema screen at the Curzon Bloomsbury, which seats about 20 people. I had a guy ahead of me ...Read More

Vernon Sewell’s career in British film started, weirdly enough, with a German film – Morgenrot (1933) a collaboration with Gustav Klimt’s illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative directorial credit came 10 ...Read More

In 1965 Dr. Terror’s House of Horrors kicked off a series of ‘anthology’ horror films, mostly made by Amicus, of which Tales That Witness Madness (not made by Amicus) is often dismissed as a peculiarly ropey example, although its director Freddie Francis – who ...Read More

LOVE EXPRESS: THE DISAPPEARANCE OF WALERIAN BOROWCZYK Kuba Mikurda’s documentary presents a pretty standard view of Borowczyk, which won’t be a problem for people who have no idea who Borowczyk is I suppose, and they are the vast majority of the population, and perhaps ...Read More

This begins generically but effectively with a screaming girl being pursued across the (German, it turns out) countryside by a nightmarishly-contorted Frankenstein’s monster whose face we never see; this proves, however, to be part of a TV programme being shot in the real Frankenstein’s ...Read More

THE DEVIL OUTSIDE In writer-director Andrew Hulme’s second film (after gangster drama Snow In Paradise, which I haven’t seen but will be sure to catch up with – no doubt on London Live – one day) our adolescent hero Robert (Noah Carson) finds the ...Read More

MANDY Mandy sold out very quickly at the London Film Festival, so I was pleased, having failed to secure a ticket, to see that it was showing in that very same week at the Prince Charles Cinema, which meant that I could see it ...Read More