by Martin | Feb 25, 2023 | movies, reviews
ENYS MEN Mark Jenkin’s follow-up to the attention-grabbing and fiercely Cornish Bait is being sold as ‘folk-horror’ but it’s a bit more experimental than that might suggest. I don’t know if anyone has complained. Certainly I won’t,...
by Martin | Jan 29, 2023 | movies, reviews
COMA I am increasingly belated. Already it is 2023 and I still haven’t got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn’t yet escaped the preceding lockdown years – obviously nobody was expected...
by Martin | Dec 18, 2022 | movies, reviews
‘Keep On Rollin’, says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at...
by Martin | Oct 22, 2022 | movies, reviews
POSSESSION OF JOEL DELANEY This screening (part of Dukefest, a small festival curated by the Duke Mitchell Film Club) was busy, though thankfully not so busy that when a person of enormous stature sat in front of me I couldn’t just shift to the seat next to me....
by Martin | Jul 30, 2022 | movies, reviews
MEN I see that the Barbican are putting on a summer season of ‘post-horror’ films. Is that a film you see after a horror film, for light relief perhaps? Well no, apparently – it’s just another iteration of our old friend ‘elevated...
by Martin | Jul 17, 2022 | movies, reviews
I used to say that Michael Powell’s Peeping Tom was my favourite film. That I don’t say it now has nothing to do with the quality of the film or my changing perception of it; more, it’s down to a realisation that there are too many films, and that I...
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