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Koko-Di-Koko-Da / Swallow

Koko-Di-Koko-Da / Swallow

KOKO-DI-KOKO-DA (LONDON FILM FESTIVAL 2019) Johannes Nyholm’s film starts with a mother, Erin (Ylva Gallon) suffering a bout of food poisoning which leaves her face swollen so that she looks, as her husband Tobias (Leif Edlund Johansson) jests, like Freddy...
Frightfest 2019 Part Three

Frightfest 2019 Part Three

DEPRAVED In 1991’s No Telling, Larry Fessenden’s first take on the Frankenstein story – and first film, in fact – the mad scientist has, by the end of it, managed to weld a Border collie and a calf together, which would only have made the third act in a...
Frightfest 2019 Part Two

Frightfest 2019 Part Two

BLOOD AND FLESH: THE REEL LIFE AND GHASTLY DEATH OF AL ADAMSON The Cineworld discovery screen offered up David Gregory’s documentary about Al Adamson, the 60’s /70’s exploitation director responsible for such films as 1965’s Psycho-A-Go-Go and...
Frightfest 2019 Part One – Home Discomforts

Frightfest 2019 Part One – Home Discomforts

Set in my ways as I am I prefer to buy my Frightfest tickets in person, at whatever passes for a ‘box office’ nowadays. Over the years this has become more and more difficult and now entails leaving it to the very last moment. This time around I thought my...
Our Time / Once Upon A Time In Hollywood

Our Time / Once Upon A Time In Hollywood

OUR TIME There was quite a high turnout for this three-hour epic of directorial self-laceration from Mexican director Carlos Reygadas, although admittedly this was at the Minema screen at the Curzon Bloomsbury, which seats about 20 people. I had a guy ahead of me...
Strongroom (1962)

Strongroom (1962)

Vernon Sewell’s career in British film started, weirdly enough, with a German film – Morgenrot (1933) a collaboration with Gustav Klimt’s illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next...