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Weapons /Bring Her Back

Weapons /Bring Her Back

WEAPONS There was a lot of hype around writer-director Zach Cregger's follow-up to the promising Barbarian – I remember noticing a website ranking the characters in Weapons in order of how 'iconic' they are. No doubt it is old-fashioned of me to expect to wait a few...

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The Entity (1982) / Night Watch (1973)

The Entity (1982) / Night Watch (1973)

THE ENTITY It has always struck me that the general tone of life in America is one of hysteria. When I said this once to my cousin, who lives in Texas, she maintained that, rather than hysterics, Americans are 'survivors'. If someone claims to be a survivor merely on...

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Nosferatu / Babygirl / Companion

Nosferatu / Babygirl / Companion

NOSFERATU 'Yes we have Nosferatu, we have Nosferatu today.' Not much chance of this (the best joke in Mel Brooks' 1995 spoof Dracula: Dead and Loving It) making it into Robert Eggers' latest spin on F. W. Murnau's 1922 film, an unauthorised version of Dracula also...

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FrightFest 2024 – Mental Health Issues

FrightFest 2024 – Mental Health Issues

The big screen at the relocated FrightFest (Odeon Leicester Square) is almost scarily big now: I couldn't face it. For single ticket buyers like me the seating options weren't promising anyway. So I stuck with the Discovery Screens and found myself in another cinema...

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Pride And Prejudice And Zombies

In theory this could be my ideal film, uniting art and trash with no middle ground; but there's a difference between theory and practice. I remember years ago, when I used to work in Waterstones, looking at the cover of the book this is based on and wondering if there...

The Lady From Shanghai (1947) and The Spooky Bunch (1980)

Orson Welles' Irish accent in The Lady From Shanghai is perfectly emblematic of the film itself: you can't quite believe it yet you can't quite disbelieve it either. Welles' character, a sailor called Michael O'Hara, falls in love with Rita Hayworth's lady of the...

Caged Women: Hounds of Love, Berlin Syndrome, The Beguiled

HOUNDS OF LOVE In 1987 sullen Australian teenager Vicki (Ashleigh Cummings) seethes with resentment at her mum, who has chosen to split with surgeon dad, necessitating a move to a seedier part of town – still, things could be worse, as she soon discovers when...

LOCKDOWN! The Giant Claw (1957)

How often have I fantasized about the government forbidding me to leave the house so that I am finally compelled to watch all the DVDs I have accumulated over the years? Well never, since that would have been absurd, even for a fantasy. Nevertheless here we are. Or at...

The Incredible Melting Man (1977)

Arrow Video keeps up the good work of supplying us with pristine transfers of films that possibly don't deserve it with this DVD/Blu-Ray combo of William Sachs' 70's creature feature. 'Alex Rebar as the Incredible Melting Man' the opening credits say, denying Rebar's...

Crimes At The Dark House and elsewhere – some films with Tod Slaughter 1937-1946

Crimes At The Dark House (1940) is nominally a version of Wilkie Collins' novel The Woman In White in which Tod Slaughter is Sir Percival Glyde – or rather he isn't, he's an impostor first seen hammering a tent peg into the real Sir Percival's left ear. Which is to...

Horromford 2: Unspeakable: Beyond The Wall Of Sleep

Not content with having a horror film festival, Romford now has a film festival – which also features a lot of horror. I turned up for just the one offering, Chad Ferrin's Unspeakable: Beyond The Wall of Sleep. Ferrin is a prolific director, and no doubt too busy to...

L’il Quinquin

My jaw dropped when I heard that divisive auteur Bruno Dumont's next film would be a comedy about cops, and remained in that state throughout the three-hour plus length of the film (actually a four-part TV series, served up in a single showing at the London Film...

The Hart Of London (1970)/Sodom (1989)

Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...

The Colossus Of New York (1958) / The Alligator People (1959)

In American monster movies of the early 50's the monstrous generally had a scientific explanation – of course the science didn't always stand up to close examination, but then it rarely got any. It was only required to generate panic - for the length of the film, at...

Some more reviews.

The Substance / The Driver’s Seat (1974)

The Substance / The Driver’s Seat (1974)

THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...

Longlegs / Only The River Flows

Longlegs / Only The River Flows

LONGLEGS Longlegs has been subject to a lot of hype claiming that it is the scariest film of the year or decade or maybe even century, and it certainly maintains a tense and creepy atmosphere throughout, but the scariest moment comes before the credits, where the...

Horromford 2: Unspeakable: Beyond The Wall Of Sleep

Horromford 2: Unspeakable: Beyond The Wall Of Sleep

Not content with having a horror film festival, Romford now has a film festival – which also features a lot of horror. I turned up for just the one offering, Chad Ferrin's Unspeakable: Beyond The Wall of Sleep. Ferrin is a prolific director, and no doubt too busy to...

O Lucky Man! (1973) etc….

O Lucky Man! (1973) etc….

My introduction to Lindsay Anderson was being shown the 1968 film If.... in (judiciously edited) half hour portions at secondary school in the 70's in a lesson called 'Design for Living', a rather random class which was used to dispense whatever we had in the way of...

Horromford

Horromford

Soon every town in the country will have its own horror film festival, which I suppose is no bad thing, although I could hardly keep up when it was just Frightfest. I saw one film that escaped me at Frightfest (Austin Jennings' Eight Eyes) in late January at...

American Fiction

American Fiction

I haven't seen this literary satire, Cord Jefferson's debut film, based on a 2001 book by Percival Everett, but I was fully intending to until I saw the trailer. It put me off. Judging a film by its trailer is a bit like judging a book by its cover, but you can in...

FrightFest 2023

FrightFest 2023

FrightFest has a new sponsor and is now the Pigeon Shrine FrightFest. It has to be said that Pigeon Shrine isn't the most inspiring name – 'the Pigeon Shrine FrightFest' sounded suspiciously like a bargain basement version of the original, and my fears seemed to be...

Talk To Me / Asteroid City / Nope

Talk To Me / Asteroid City / Nope

TALK TO ME Directors Danny and Michael Phillipou come to us from YouTube, where they operate some sort of channel apparently, which may explain why this BFI showing was full of young people. They were probably taking advantage of the BFI under-25's offer (as if youth...

Enys Men / Skinamarink

Enys Men / Skinamarink

ENYS MEN Mark Jenkin's follow-up to the attention-grabbing and fiercely Cornish Bait is being sold as 'folk-horror' but it's a bit more experimental than that might suggest. I don't know if anyone has complained. Certainly I won't, since I enjoy an experimental film,...

BFI London Film Festival 2022: Lockdown Lingers

BFI London Film Festival 2022: Lockdown Lingers

COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...

Frightfest 2022

Frightfest 2022

'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...