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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Everlasting Love (Amor Eterno)

Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...

Frightfest Halloween 2017

Yes I know instant reaction is very much the thing on the internet but Unworldly Views is making a stand against all that – when you put something on the internet, so I'm told, it's there forever. So what's the hurry? Forget New Year then - we return to Saturday 28th...

LFF 2018: Holiday / This Teacher / Cam

HOLIDAY I took over a week's holiday for the London Film Festival in 2018. This leaves me with no anecdotes about my experiences when I get back to work but it means that I can 'visit' many different countries without the hassle of actually having to go anywhere...

Pacifiction/Infinity Pool/The Outwaters/Beau Is Afraid

PACIFICTION Back in 2013 I almost killed myself hurrying from a London Film Festival showing of Denis Coté's Vic And Flo Saw A Bear on the South Bank, to Albert Serra's Story of My Death in Leicester Square. Given the title of Serra's film, it would have been an...

Popcorn (1991)

Although I don't think it has been languishing in obscurity exactly (it's showing on the Horror Channel as I write) Popcorn is a film I've somehow missed. Luckily Michael Blyth, masterminding the BFI’s Cult strand, has given it an airing and thus allowed me to atone...

The Lady From Shanghai (1947) and The Spooky Bunch (1980)

Orson Welles' Irish accent in The Lady From Shanghai is perfectly emblematic of the film itself: you can't quite believe it yet you can't quite disbelieve it either. Welles' character, a sailor called Michael O'Hara, falls in love with Rita Hayworth's lady of the...

Jeanne Dielman, 23 Quay De Commerce, 1080 Bruxelles (1975)

CAUTION: Pre-lockdown content. May include allusions to leaving the house. Are there awards for audiences? Sometimes I feel that I deserve recognition for the efforts I make to catch one-off showings of alienating arthouse films – or at least, that they should pay me...

In Pictures

BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....

Monster On The Campus (1958)

This begins with college professor Donald Blake (Arthur Franz) completing his collection of busts depicting the various stages of human evolution with one of 'Modern Woman', taken from his  fiancée's face. Subsequently, as if this is the peak of evolution and there's...

Frightfest 2015: Day Two

Tenderness Of The Wolves (1973) Don't you just love a true story? This is the one about serial killer Fritz Haarman, who preyed (sexually and murderously) on young boys and drank their blood in post WWI Germany, and who also provided the inspiration for Fritz Lang's...