Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Kinoteka 2019. Monument
by Martin | May 4, 2019 | movies, reviews | 0 Comments
'It won't be easy', warned writer-director Jagoda Szelc before her second film began, which was possibly an example of what she later referred to as her as her 'dry humour' – does anyone go to the Polish Film Festival expecting uncomplicated fun and games? Not that...
The Colossus Of New York (1958) / The Alligator People (1959)
by Martin | May 27, 2020 | movies, reviews | 0 Comments
In American monster movies of the early 50's the monstrous generally had a scientific explanation – of course the science didn't always stand up to close examination, but then it rarely got any. It was only required to generate panic - for the length of the film, at...
In Fabric / Little Joe
by Martin | March 21, 2020 | movies, reviews | 0 Comments
IN FABRIC Peter Strickland's follow-up to the excellent Duke Of Burgundy is a bumpier ride, but you get to enjoy that after a while. Apparently it's set in 1993 – I read this on the Sight and Sound letters page – but it seems to be taking place in some kind of...
L’il Quinquin
by Martin | January 18, 2015 | movies, reviews | 0 Comments
My jaw dropped when I heard that divisive auteur Bruno Dumont's next film would be a comedy about cops, and remained in that state throughout the three-hour plus length of the film (actually a four-part TV series, served up in a single showing at the London Film...
Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife
by Martin | March 3, 2024 | movies, reviews | 0 Comments
FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...
The Hart Of London (1970)/Sodom (1989)
by Martin | May 23, 2015 | movies, reviews | 0 Comments
Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...
Don’t Step On It, It Might Be Jake Gyllenhaal: Nightcrawler/Enemy
by Martin | April 4, 2015 | movies, reviews | 0 Comments
Lou Bloom (Jake Gyllenhaal), the central figure of Dan Gilroy's Nightcrawler, resembles nothing so much as a cockroach that has unaccountably taken on human form – emerging out of the LA night as a petty thief with aspirations, he soon graduates into a 'nightcrawler',...
BFI London Film Festival 2017: The Wound, Most Beautiful Island
by Martin | January 28, 2018 | movies, reviews | 0 Comments
THE WOUND Up for the Sutherland First Feature Award was this South African tale whose hero Xolani (Nakhane Touré) returns every year to the countryside to become a 'caregiver' to initiates in a tribal ritual wherein boys become men by dint of such activities as...
The Revenant
by Martin | May 29, 2016 | movies, reviews | 0 Comments
Early reports of this film had audiences scandalised by the sight of star Leonardo di Caprio being raped by a bear. Three times. I suspect that this was hype worked up by the studio's marketing department, but I suppose it depends on whether you think people are more...
The Secret of Dorian Gray (1969)
by Martin | March 11, 2017 | movies, reviews | 0 Comments
Ah, Valentine's Day – my favourite feast day, since my single status means I don't have to observe it. Nevertheless I was moved to recognise it to the extent of braving rail replacement services to get to the Barbican, where film programmer Josh Saco (aka Cigarette...