Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Monster On The Campus (1958)
by Martin | May 1, 2016 | movies, reviews | 0 Comments
This begins with college professor Donald Blake (Arthur Franz) completing his collection of busts depicting the various stages of human evolution with one of 'Modern Woman', taken from his fiancée's face. Subsequently, as if this is the peak of evolution and there's...
Sleepaway Camp (1983)
by Martin | March 20, 2016 | movies, reviews | 0 Comments
This was prefaced by a talk from BFI programmer Michael Blyth around LBGT horror which pleasingly focused on less obvious titles – The Ghost Ship, Homicidal, Alucarda – even if he did seem to be stretching a point sometimes. Passing allusions to Dr. Jekyll And Mister...
Everlasting Love (Amor Eterno)
by Martin | April 26, 2015 | movies, reviews | 0 Comments
Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...
Office Killer (1997)
by Martin | August 14, 2016 | movies, reviews | 0 Comments
The first thing I knew about photographer Cindy Sherman making a sort of horror film was when I saw that feminist film club the Final Girls were screening it at the Prince Charles; either that, or I did actually see it at the cinema in the 90's and subsequently forgot...
Frightfest Halloween 2017
by Martin | March 3, 2018 | movies, reviews | 0 Comments
Yes I know instant reaction is very much the thing on the internet but Unworldly Views is making a stand against all that – when you put something on the internet, so I'm told, it's there forever. So what's the hurry? Forget New Year then - we return to Saturday 28th...
New Year’s Evil (1980) / Bloody New Year (1987)
by Martin | February 11, 2018 | movies, reviews | 0 Comments
New Year is, as everybody knows, a massive anticlimax. We all get frantically excited about what turns out to be just a glib transition into more of the same. Here are two films (showing in the BFI's Cult strand) which try to give New Year some genuine significance...
Blue / Trog (1993 and 1970)
by Martin | November 1, 2015 | movies, reviews | 0 Comments
In his introduction to Derek Jarman's Blue John Waters, who selected it as one of his favourite British films for a celebration of all things JW at the BFI, recalled how the first time he saw it the cinema had posters up warning punters that Blue was a film that...
Frankenstein 1970
by Martin | April 20, 2019 | movies, reviews | 0 Comments
This begins generically but effectively with a screaming girl being pursued across the (German, it turns out) countryside by a nightmarishly-contorted Frankenstein's monster whose face we never see; this proves, however, to be part of a TV programme being shot in the...
The Witch
by Martin | April 9, 2016 | movies, reviews | 0 Comments
I saw this at the Odeon Covent Garden. Amazingly, they are only charging £6.00 a ticket at the moment for any showing Monday to Thursday. I hope this doesn't get out, or my chances of getting an entire screen to myself (that ever-elusive dream) will diminish even...
BFI London Film Festival 2017: The Wound, Most Beautiful Island
by Martin | January 28, 2018 | movies, reviews | 0 Comments
THE WOUND Up for the Sutherland First Feature Award was this South African tale whose hero Xolani (Nakhane Touré) returns every year to the countryside to become a 'caregiver' to initiates in a tribal ritual wherein boys become men by dint of such activities as...