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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Post-Horror: Men / Bergman Island

MEN I see that the Barbican are putting on a summer season of 'post-horror' films. Is that a film you see after a horror film, for light relief perhaps? Well no, apparently – it's just another iteration of our old friend 'elevated horror'. So the films in question...

Hail Caesar! / High Rise

One of the funnier scenes in the Coen Brothers' 50's Hollywood-set latest has Ralph Fiennes as a fussy English director struggling to incorporate studio-imposed Western star Hobie Doyle (Alden Ehrenreich) into his drawing room comedy Merrily We Dance. Before his utter...

BFI London Film Festival 2017: Brawl In Cell Block 99 and Let The Corpses Tan

BRAWL IN CELL BLOCK 99 Violence. It can leave a nasty taste in the mouth, and perhaps it ought to. Brawl In Cell Block 99 certainly left a nasty taste in my mouth, but I'm almost convinced that this was intentional. Not intentional as regards just my mouth of course....

The Witch

I saw this at the Odeon Covent Garden. Amazingly, they are only charging £6.00 a ticket at the moment for any showing Monday to Thursday. I hope this doesn't get out, or my chances of getting an entire screen to myself (that ever-elusive dream) will diminish even...

BFI London Film Festival 2017: The Wound, Most Beautiful Island

THE WOUND Up for the Sutherland First Feature Award was this South African tale whose hero Xolani (Nakhane Touré) returns every year to the countryside to become a 'caregiver' to initiates in a tribal ritual wherein boys become men by dint of such activities as...

The Hart Of London (1970)/Sodom (1989)

Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...

Everlasting Love (Amor Eterno)

Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...

Damnation Alley (1977)

Given Roger Zelazny's reputation as an SF writer I can only assume that this is a bowlderized version of his 1969 novel. The very fact that it's showing at 8:00 of a Saturday morning on the Horror Channel suggests that it may not be very challenging. Still, I've set...

Frankenstein 1970

This begins generically but effectively with a screaming girl being pursued across the (German, it turns out) countryside by a nightmarishly-contorted Frankenstein's monster whose face we never see; this proves, however, to be part of a TV programme being shot in the...

So This Is Real Life – Three Documentaries

FURTHER BEYOND This is a film about the making of a biopic about Ambrosio O'Higgins, who – back in the 18th century - travelled from Ireland to Spain to Chile, where he became quite a big deal and his son Bernardo even more of one. In a Tristram Shandy kind of fashion...