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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

CITIZENFOUR

I hardly ever go to see documentaries because they're about real life, and I can see that for free. But recently, every time I looked at the ICA website, I noticed that they were giving me yet another opportunity to see Laura Poitras' film about Edward Snowden, as its...

Mandy / Knife + Heart / Suspiria

MANDY Mandy sold out very quickly at the London Film Festival, so I was pleased, having failed to secure a ticket, to see that it was showing in that very same week at the Prince Charles Cinema, which meant that I could see it for a fiver rather that sixteen quid. It...

Hail Caesar! / High Rise

One of the funnier scenes in the Coen Brothers' 50's Hollywood-set latest has Ralph Fiennes as a fussy English director struggling to incorporate studio-imposed Western star Hobie Doyle (Alden Ehrenreich) into his drawing room comedy Merrily We Dance. Before his utter...

The Curious Dr. Humpp / Vengeanza Del Sexo (1967 or thereabouts)

I had reservations about going to see Brainwashed: Sex – Camera – Power, Nina Menkes' take on 'the male gaze' at the BFI, partly because it seemed like the kind of thing that would turn up on BBC4 or Sky Arts in a month or two, but there is a certain advantage to...

The Woods Have Legs – Three Films

Blair Witch The woods! A simple enough phrase but so ominously evocative – I was quite intrigued on discovering that director Adam Wingard and writer Simon Barrett's film The Woods was due to premiere at Frightfest this year. I found much to enjoy in Barrett/Wingard's...

Mothra (1961)

After a self-imposed double-bill of Camille Claudel 1915 and Miss Violence at the Curzon Soho, what better way to cool off than with a showing of Mothra, at the Prince Charles off Leicester Square? So I reasoned. And it only cost a pound, if you were a member. I was....

Bad Luck Banging, Or Loony Porn

Ah, masks! Still de rigeur at the ICA at this point (this was before Plan B kicked in). During the London Film Festival I dared to go in there unmasked, which felt like a transgressive act, but hey, it was a festival and anyway isn't the ICA supposed to welcome...

The Colossus Of New York (1958) / The Alligator People (1959)

In American monster movies of the early 50's the monstrous generally had a scientific explanation – of course the science didn't always stand up to close examination, but then it rarely got any. It was only required to generate panic - for the length of the film, at...

A Cure For Wellness

A slice of Hollywood Eurogothic from Gore Pirates of the Caribbean Verbinski, this begins quite promisingly in a vein of deadpan camp – a mode which serves it well enough until it goes (almost literally) down the toilet. Lockhart (Dane DeHaan), a young, reptilian Wall...

Enys Men / Skinamarink

ENYS MEN Mark Jenkin's follow-up to the attention-grabbing and fiercely Cornish Bait is being sold as 'folk-horror' but it's a bit more experimental than that might suggest. I don't know if anyone has complained. Certainly I won't, since I enjoy an experimental film,...