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mother!

by Martin | November 12, 2017 | movies, reviews | 0 Comments

The release of Darren Aronofky's latest film was preceded by a director interview by Trevor Johnston in Sight & Sound urging viewers not to read it until they'd seen the film, since (even more than is usually the case) the more you knew about this film in advance...

Censor / Surge

by Martin | October 10, 2021 | movies, reviews | 0 Comments

CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...

Phantoms of the Opera

by Martin | October 3, 2020 | movies, reviews | 0 Comments

IL MOSTRO DELLA OPERA (1964) In the days before the cities became tombs and the cinemas morgues I went to a showing of this obscure Italian film at the Barbican on a Saturday morning, only to discover that I was encroaching upon a Phantom Of The Opera symposium. Who...

Emmanuelle 5 (1987)

by Martin | January 25, 2015 | movies, reviews | 0 Comments

My interest in Polish director Walerian Borowczyck came about by accident. Back in the early 80's I saw his 1971 film Blanche described in the Daily Mail's TV listings as one of the most frightening ghost stories ever filmed - at any rate, this is what I remember. As...

Blue / Trog (1993 and 1970)

by Martin | November 1, 2015 | movies, reviews | 0 Comments

In his introduction to Derek Jarman's Blue John Waters, who selected it as one of his favourite British films for a celebration of all things JW at the BFI, recalled how the first time he saw it the cinema had posters up warning punters that Blue was a film that...

The Hart Of London (1970)/Sodom (1989)

by Martin | May 23, 2015 | movies, reviews | 0 Comments

Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...

Frightfest 2017: Outliers

by Martin | November 5, 2017 | movies, reviews | 0 Comments

DHOGS I'm a genre lightweight really, a dilettante. Of all the films I saw at Frightfest this year, only one – The Glass Coffin - could really be called a horror film, and that was probably the least of them. Why, I wasn't even wearing a black T-shirt. Dhogs isn't...

The Voices

by Martin | May 4, 2015 | movies, reviews | 0 Comments

A toy factory worker in a small American town, Jerry (Ryan Reynolds) is your standard eager-to-please psychotic passing for normal, at least until he starts ticking the box marked ‘serial killer’ by stabbing his indifferent love-object (Gemma Arterton) to death and...

Barbican Nights – Into the Woods Part One

by Martin | July 9, 2017 | movies, reviews | 0 Comments

In an unusual attempt at consistency I thought I'd review this folk horror season curated by Cigarette Burns (Josh Saco), consisting of four films showing at the Barbican during May, the first being: THE COMPANY OF WOLVES (1984) Only I didn't go to that one. I...

The Lady From Shanghai (1947) and The Spooky Bunch (1980)

by Martin | August 25, 2014 | movies, reviews | 0 Comments

Orson Welles' Irish accent in The Lady From Shanghai is perfectly emblematic of the film itself: you can't quite believe it yet you can't quite disbelieve it either. Welles' character, a sailor called Michael O'Hara, falls in love with Rita Hayworth's lady of the...