Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
London Film Festival 2019: Tremors / La Llorona
by Martin | January 19, 2020 | movies, reviews | 0 Comments
TREMORS According to writer-director Jayro Bustamente only about four films are made in Guatemala per year. I have now seen two, which pretty much makes me an expert in Guatemalan cinema. I could probably write a book on it. Not to be confused with a Kevin Bacon film...
Stray Dogs
by Martin | June 13, 2015 | movies, reviews | 0 Comments
‘What is this life if, filled with care/We have no time to stand and stare?’, said the Victorian poet W. H. Davies. Good point, and a view clearly shared by Chinese director Tsai-Ming-liang, who transfixes (hopefully) his audience with fixed shots of his characters...
A Cure For Wellness
by Martin | March 25, 2017 | movies, reviews | 0 Comments
A slice of Hollywood Eurogothic from Gore Pirates of the Caribbean Verbinski, this begins quite promisingly in a vein of deadpan camp – a mode which serves it well enough until it goes (almost literally) down the toilet. Lockhart (Dane DeHaan), a young, reptilian Wall...
Locke
by Martin | May 25, 2014 | movies, reviews | 0 Comments
This is that film where a plausibly middle-aged Tom Hardy drives from Birmingham to London in a Welsh accent. Not a bad Welsh accent – I was reminded of Rob Brydon, who also did a thing set entirely in a vehicle, Marion And Geoff. That was a poignant comedy of...
Frightfest 2016 Day Two
by Martin | October 22, 2016 | movies, reviews | 0 Comments
FURY OF THE DEMON On day two I returned unaccompanied to Shepherd's Bush as Dave had to get up early on Sunday, but another recurring character in this blog - Michael Blyth, BFI cult film programmer - was sitting nearby for the first two screenings, which was oddly...
The Lady From Shanghai (1947) and The Spooky Bunch (1980)
by Martin | August 25, 2014 | movies, reviews | 0 Comments
Orson Welles' Irish accent in The Lady From Shanghai is perfectly emblematic of the film itself: you can't quite believe it yet you can't quite disbelieve it either. Welles' character, a sailor called Michael O'Hara, falls in love with Rita Hayworth's lady of the...
BFI London Film Festival 2017: Brawl In Cell Block 99 and Let The Corpses Tan
by Martin | January 1, 2018 | movies, reviews, Uncategorized | 0 Comments
BRAWL IN CELL BLOCK 99 Violence. It can leave a nasty taste in the mouth, and perhaps it ought to. Brawl In Cell Block 99 certainly left a nasty taste in my mouth, but I'm almost convinced that this was intentional. Not intentional as regards just my mouth of course....
Peeping Tom (1960)
by Martin | July 17, 2022 | movies, reviews | 0 Comments
I used to say that Michael Powell's Peeping Tom was my favourite film. That I don't say it now has nothing to do with the quality of the film or my changing perception of it; more, it's down to a realisation that there are too many films, and that I have too many...
Crimes At The Dark House and elsewhere – some films with Tod Slaughter 1937-1946
by Martin | August 19, 2017 | movies, reviews | 0 Comments
Crimes At The Dark House (1940) is nominally a version of Wilkie Collins' novel The Woman In White in which Tod Slaughter is Sir Percival Glyde – or rather he isn't, he's an impostor first seen hammering a tent peg into the real Sir Percival's left ear. Which is to...
Death Car On The Freeway (1979)
by Martin | July 18, 2015 | movies, reviews | 0 Comments
The critical appeal of the recent Mad Max sequel was so across-the-board that it even screened at arthouse venues like the Curzon Soho - while I was in there waiting for Christian Petzold’s (excellent) German drama Phoenix to start, a trailer for it played. The woman...