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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Strongroom (1962)

Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...

Theatre Of Blood (1973)

Mark Kermode once stated that anyone who said they'd guessed the ending of The Usual Suspects was lying. I have never quite forgiven him for this - I guessed it, but what proof do I have? Essentially he was out there calling me a liar and I had no redress. However, I...

Frightfest 2014: The Green Inferno

Movies such as Umberto Lenzi's Cannibal Ferox and Ruggero Deodato's powerful Cannibal Holocaust really do seem to belong to a certain time and place – 70 and early 80's Italy – so it was intriguing to see how Eli Roth of Cabin Fever and Hostel fame would fare in...

The Red Queen Kills Seven Times (1972) / Effie Gray (2014)

Before he (apparently) disappeared into thin air, Emilio P. Miraglia made a couple of films blending the giallo with the Gothic, 1971's The Night Evelyn Game Out of the Grave, and this, his last film. The giallo and the Gothic are simultaneously very different (the...

FrightFest 2024 – Mental Health Issues

The big screen at the relocated FrightFest (Odeon Leicester Square) is almost scarily big now: I couldn't face it. For single ticket buyers like me the seating options weren't promising anyway. So I stuck with the Discovery Screens and found myself in another cinema...

Frightfest 2014: Bad Milo!

Frightfest has relocated from the Empire Leicester Square to the Vue Leicester Square, which seems to be a good thing. No more cramped Discovery Screens, we now have the run of numerous larger screens over several floors. And it's even nearer Burger King, where I sit...

Our Time / Once Upon A Time In Hollywood

OUR TIME There was quite a high turnout for this three-hour epic of directorial self-laceration from Mexican director Carlos Reygadas, although admittedly this was at the Minema screen at the Curzon Bloomsbury, which seats about 20 people. I had a guy ahead of me...

In Pictures 2: Rope (1948) /Possessor (2020)

ROPE On the extras on my DVD of Alfred Hitchcock's Rope screenwriter Arthur Laurents nails several of the reasons why this adaptation of Patrick Hamilton's play (based on the Leopold/Loeb case in which a couple of students felt entitled to kill a 14 year old boy...

The Secret of Dorian Gray (1969)

Ah, Valentine's Day – my favourite feast day, since my single status means I don't have to observe it. Nevertheless I was moved to recognise it to the extent of braving rail replacement services to get to the Barbican, where film programmer Josh Saco (aka Cigarette...

Exhibition

Director Joanna Hogg's first two films – Unrelated (2007) and Archipelago (2010) – are about upper-middle class English families on holiday in Tuscany and the Scilly Isles respectively. They were more interested in absorbing you in a landscape and situation than in...