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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Talk To Me / Asteroid City / Nope

TALK TO ME Directors Danny and Michael Phillipou come to us from YouTube, where they operate some sort of channel apparently, which may explain why this BFI showing was full of young people. They were probably taking advantage of the BFI under-25's offer (as if youth...

More Quite Good Films of 2014

L FOR LEISURE The fact that people are nostalgic for the 90's is beguilingly weird to me - I was there, and barely noticed them – but maybe this is why I enjoyed Whitney Horn and Lev Kalman's goofy, dreamy, possibly inconsequential L For Leisure so very much. It was...

Frightfest 2016 Day Two

FURY OF THE DEMON On day two I returned unaccompanied to Shepherd's Bush as Dave had to get up early on Sunday, but another recurring character in this blog - Michael Blyth, BFI cult film programmer - was sitting nearby for the first two screenings, which was oddly...

Censor / Surge

CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...

LOCKDOWN! The Giant Claw (1957)

How often have I fantasized about the government forbidding me to leave the house so that I am finally compelled to watch all the DVDs I have accumulated over the years? Well never, since that would have been absurd, even for a fantasy. Nevertheless here we are. Or at...

45 Years

Tom Courtenay and Charlotte Rampling play Geoff and Kate, a couple in their 70's who seem to think they are happily married until his ex-girlfriend Katya turns up, entombed in ice in a Swiss glacier and apparently unchanged since she fell into a fissure back in 1962....

FrightFest 2024 – Mental Health Issues

The big screen at the relocated FrightFest (Odeon Leicester Square) is almost scarily big now: I couldn't face it. For single ticket buyers like me the seating options weren't promising anyway. So I stuck with the Discovery Screens and found myself in another cinema...

BFI London Film Festival 2017: Good Manners

The first film by Brazilian directorial duo Juliana Rojas and Marco Dutra was 2011's Hard Labour in which a woman's attempt to get her small business (a grocery store) off the ground is undermined by the corpse of a werewolf lurking behind one of the walls – and also...

Burke And Hare (1971)

This is director Vernon Sewell’s last film and there’s something fitting about that: after two ventures into the more fantastical side of horror (The Blood Beast Terror and The Curse Of The Crimson Altar from 1966 and 1968 respectively) neither of which went out of...

Theatre Of Blood (1973)

Mark Kermode once stated that anyone who said they'd guessed the ending of The Usual Suspects was lying. I have never quite forgiven him for this - I guessed it, but what proof do I have? Essentially he was out there calling me a liar and I had no redress. However, I...