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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

More Madness: Madeline’s Madeline and Thunder Road (LFF 2018)

MADELINE'S MADELINE The new film from director Josephine Decker (Thou Wast Mild And Lovely) is a gripping and vivid account of some days in the life of the eponymous schizophrenic teenager (an impressive Helena Howard), who has joined a theatrical troupe which seems...

Theatre Of Blood (1973)

Mark Kermode once stated that anyone who said they'd guessed the ending of The Usual Suspects was lying. I have never quite forgiven him for this - I guessed it, but what proof do I have? Essentially he was out there calling me a liar and I had no redress. However, I...

London Film Festival 2019: Vivarium / Scales (and End Of The Century)

VIVARIUM Director Lorcan Finnegan and writer Garrett Shanley's second film sadly doesn't manage to fulfil the promise of their previous feature, 2016’s Without Name. The LFF brochure compares it to The Twilight Zone and Black Mirror but while it could pass for one of...

The Angry Red Planet (1960)

There's often a sense in SF films, especially those of the 50's, that the real subjects of interest are not giant mantises or bug-eyed aliens but women. This is made explicit in director Robert Gordon's 1955 film It Came From Beneath The Sea (1955) where Faith...

Frightfest 2018 Part Two: Awks

KILLING GOD In this Spanish offering from directors Caye Casas and Albert Pintó, various members of a family gather in an old dark house for New Year's Eve, only to be joined by a dwarf who emerges from the toilet (the room, not the bowl – at least as far as we can...

Evolution (BFI London Film Festival 2015)

Not to be confused with a 2001 David Duchovny film I've never seen, Lucile Hadžihalilović's second feature cranks the eeriness of 2004's Innocence up a notch, coming on like an anxiety dream H P Lovecraft might have had as a child. On a remote volcanic island, a group...

Kinoteka 2019: Love Express and Fugue

LOVE EXPRESS: THE DISAPPEARANCE OF WALERIAN BOROWCZYK Kuba Mikurda's documentary presents a pretty standard view of Borowczyk, which won't be a problem for people who have no idea who Borowczyk is I suppose, and they are the vast majority of the population, and...

Two Takes on Modern Etiquette at the BFI London Film Festival 2015

THE INVITATION This showed (at the Vue Islington) in the Cult strand, but it deserves the widest possible audience. Struggling to get over the accidental death of his son two years previously, Will (Logan Marshall-Green) goes to a reunion dinner of old friends hosted...

Eyeball (1975) / Short Night Of Glass Dolls (1971) / Spasmo (1974)

EYEBALL The original Italian title of Umberto Lenzi's Eyeball translates as Red Cats In A Glass Labyrinth, which makes very little sense and is all the more impressive for it. However, there is no doubt that Eyeball is more to the point. This giallo is about a busload...

Frightfest 2015 Day Three

Over Your Dead Body The vexing question of what to see and what not to see at these festivals often results in me scouring the internet for reviews from other festivals. It didn't do me a lot of good in this case since I found two reviews for OYDB, one of which...