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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Censor / Surge

CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...

Blind

The old Renoir cinema has resurfaced as the Curzon Bloomsbury. It hasn’t got any bigger on top but underneath it’s a rabbit warren, leading me down dark tunnels in search of the ‘Minema’ screen. This sounds small, and so it proves to be – so very intimate that the...

LFF 2019: Queen Of Diamonds (1991) / Krabi 2562

QUEEN OF DIAMONDS (1991) Showing in the 'Treasures From The Archive' section at the LFF, Nina Menkes’ Queen of Diamonds features her sister Tinka playing a character who, in the director’s words, ‘hasn’t learned to say hello’. In keeping with her air of diffidence,...

FrightFest 2023

FrightFest has a new sponsor and is now the Pigeon Shrine FrightFest. It has to be said that Pigeon Shrine isn't the most inspiring name – 'the Pigeon Shrine FrightFest' sounded suspiciously like a bargain basement version of the original, and my fears seemed to be...

Aaaaaaaah!

Two men (Steve Oram and Tom Meeten) who only communicate in ape-like grunts, are in the woods mourning the passing of a loved one (we assume) by pissing on a framed photo of her. That done, they set off into the city, to bring (so we might imagine) their primitive...

In Fabric / Little Joe

IN FABRIC Peter Strickland's follow-up to the excellent Duke Of Burgundy is a bumpier ride, but you get to enjoy that after a while. Apparently it's set in 1993 – I read this on the Sight and Sound letters page – but it seems to be taking place in some kind of...

The Red Queen Kills Seven Times (1972) / Effie Gray (2014)

Before he (apparently) disappeared into thin air, Emilio P. Miraglia made a couple of films blending the giallo with the Gothic, 1971's The Night Evelyn Game Out of the Grave, and this, his last film. The giallo and the Gothic are simultaneously very different (the...

London Film Festival 2016 – Further Off The Beaten Track

EYES OF MY MOTHER This curious little black-and-white number, from America, has received some acclaim but to these eyes was not quite curious enough. It's the story of Francisca, who at the start of the film is a young girl leading an idyllic existence in a remote...

Mirror Mirror (1990) / Happy Deathday (2017) / Thelma (2017)

MIRROR MIRROR 'Long may it continue', I said earlier in the year about the BFI's 'Cult' strand. Well now it has ended (though replaced by something very similar called Terror Vision) but at least its last showing, curated by feminist film collective the Final Girls,...

BFI London Film Festival 2014: The Duke Of Burgundy

When nervous maid Cynthia (Sidhe Babett Knudson) turns up at the mansion of entomologist Evelyn (Chiara D'Anna) our first impression – as she harshly calls into question Cynthia's ability to wash knickers - is that Evelyn is an exacting, even cruel, mistress. But...