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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Frightfest 2016 Day Three

MAN UNDERGROUND Or do I mean Day Four since I skipped Day Three? Oh what the hell. Nobody's paying me to do this. By this stage (Bank Holiday Monday) 'not really horror' (a term coined by Anton Bitel in a recent article for Sight and Sound online) seemed to be turning...

Three Against Nature

THE SAILOR WHO FELL FROM GRACE WITH THE SEA (1976) 'An insult to any audience' concludes the review of Lewis John Carlino's film The Sailor Who Fell From Grace With The Sea (hereafter referred to as Sailor) in my damaged-in-transit Waterstones-freebie edition of the...

The Angry Red Planet (1960)

There's often a sense in SF films, especially those of the 50's, that the real subjects of interest are not giant mantises or bug-eyed aliens but women. This is made explicit in director Robert Gordon's 1955 film It Came From Beneath The Sea (1955) where Faith...

LFF 2019: Queen Of Diamonds (1991) / Krabi 2562

QUEEN OF DIAMONDS (1991) Showing in the 'Treasures From The Archive' section at the LFF, Nina Menkes’ Queen of Diamonds features her sister Tinka playing a character who, in the director’s words, ‘hasn’t learned to say hello’. In keeping with her air of diffidence,...

The Toxic Avenger (1984)

It's fair to say that showings of films in the Cult strand at the BFI have been somewhat underpopulated. In spite of a mention in Time Out, this is no exception – which is as it should be. What point is there in a cult film if everyone wants to see it? This is one of...

A Prince, The Animal Kingdom, Behind The Mountains and Birth/Rebirth

A PRINCE Pierre Creton's film featured in both John Waters' top ten and Sight and Sound's top 50, so it should have been made for me – but there's no accounting for taste. All I can say is that it certainly gives you the feeling that director/co-writer Creton knew...

The Substance / The Driver’s Seat (1974)

THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...

The Bat (1959)

This comes from a cheap and pretty random box set of 'horror' DVD's I got as a Secret Santa present – thanks, Lorraine! - so there's no frills here, no trailer or 'Making Of': they barely manage to give you the film itself. Which is bad anyway, so creaky you can...

Burke And Hare (1971)

This is director Vernon Sewell’s last film and there’s something fitting about that: after two ventures into the more fantastical side of horror (The Blood Beast Terror and The Curse Of The Crimson Altar from 1966 and 1968 respectively) neither of which went out of...

Everlasting Love (Amor Eterno)

Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...