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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Our Time / Once Upon A Time In Hollywood

OUR TIME There was quite a high turnout for this three-hour epic of directorial self-laceration from Mexican director Carlos Reygadas, although admittedly this was at the Minema screen at the Curzon Bloomsbury, which seats about 20 people. I had a guy ahead of me...

BFI London Film Festival 2021: Between Feast and Famine

THE FEAST I remember overhearing a punter at the London Film Festival one year asking the guy next to him what he'd seen and he replied: 'A lot of films that could have been better'. My experience this year (last year) was a bit like that. Even before it started I had...

Frightfest 2016 Day Two

FURY OF THE DEMON On day two I returned unaccompanied to Shepherd's Bush as Dave had to get up early on Sunday, but another recurring character in this blog - Michael Blyth, BFI cult film programmer - was sitting nearby for the first two screenings, which was oddly...

Frightfest 2022

'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...

Comings Of Age – Three Attempts From The BFI London Film Festival 2015

DER NACHTMAHR Not German for 'nightmare', ein nachtmahr is more like a thing from a nightmare, so the director - German artist AKIZ – tells us. In the case of his film that thing is a strange creature resembling a cross between Belial from Basket Case and Garfield,...

Amulet /Master

AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...

Pride And Prejudice And Zombies

In theory this could be my ideal film, uniting art and trash with no middle ground; but there's a difference between theory and practice. I remember years ago, when I used to work in Waterstones, looking at the cover of the book this is based on and wondering if there...

BFI London Film Festival 2017: Good Manners

The first film by Brazilian directorial duo Juliana Rojas and Marco Dutra was 2011's Hard Labour in which a woman's attempt to get her small business (a grocery store) off the ground is undermined by the corpse of a werewolf lurking behind one of the walls – and also...

The Witch

I saw this at the Odeon Covent Garden. Amazingly, they are only charging £6.00 a ticket at the moment for any showing Monday to Thursday. I hope this doesn't get out, or my chances of getting an entire screen to myself (that ever-elusive dream) will diminish even...

Frightfest 2015 Day Three

Over Your Dead Body The vexing question of what to see and what not to see at these festivals often results in me scouring the internet for reviews from other festivals. It didn't do me a lot of good in this case since I found two reviews for OYDB, one of which...