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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Privilege (1967) / Duck Soup (1933)

PRIVILEGE On this BFI DVD you get a couple of early short films from director Peter Watkins, one of which is 1961's The Forgotten Faces, an urgent, authentic-seeming account of the 1956 people's uprising in Hungary, filmed in Canterbury. Therein lies the moral of much...

The Mad Ghoul (1943)

Director James Hogan's film begins with an unusually delicate situation for a mad scientist flick – the heroine Isabel (Evelyn Ankers) has fallen out of love with the hero Ted (David Bruce). Isabel confides this melancholy fact to Dr. Alfred Morris, Ted’s chemistry...

Exhibition

Director Joanna Hogg's first two films – Unrelated (2007) and Archipelago (2010) – are about upper-middle class English families on holiday in Tuscany and the Scilly Isles respectively. They were more interested in absorbing you in a landscape and situation than in...

Hail Caesar! / High Rise

One of the funnier scenes in the Coen Brothers' 50's Hollywood-set latest has Ralph Fiennes as a fussy English director struggling to incorporate studio-imposed Western star Hobie Doyle (Alden Ehrenreich) into his drawing room comedy Merrily We Dance. Before his utter...

The Toxic Avenger (1984)

It's fair to say that showings of films in the Cult strand at the BFI have been somewhat underpopulated. In spite of a mention in Time Out, this is no exception – which is as it should be. What point is there in a cult film if everyone wants to see it? This is one of...

Goodnight Mommy

TV presenter Mommy (Suzanne Wuest) returns from plastic surgery with a bandaged face and a bad temper, so that her twin boys Elias and Lukas start to wonder if she's really Mommy at all, the question mark over her identity deftly conveyed in a scene where she plays a...

More Quite Good Films of 2014

L FOR LEISURE The fact that people are nostalgic for the 90's is beguilingly weird to me - I was there, and barely noticed them – but maybe this is why I enjoyed Whitney Horn and Lev Kalman's goofy, dreamy, possibly inconsequential L For Leisure so very much. It was...

The Witch

I saw this at the Odeon Covent Garden. Amazingly, they are only charging £6.00 a ticket at the moment for any showing Monday to Thursday. I hope this doesn't get out, or my chances of getting an entire screen to myself (that ever-elusive dream) will diminish even...

Camille Claudel 1915

This meeting of two arthouse legends – Bruno Dumont, a director who has previously always refused to work with professional actors, and Juliette (Chocolat) Binoche – is heralded by posters screaming BINOCHE CLAUDEL DUMONT, in the manner of ads for an action movie...

Blind

The old Renoir cinema has resurfaced as the Curzon Bloomsbury. It hasn’t got any bigger on top but underneath it’s a rabbit warren, leading me down dark tunnels in search of the ‘Minema’ screen. This sounds small, and so it proves to be – so very intimate that the...