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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Bone Tomahawk / Chronic

There is, or there was, a 'projection issue' in the Curzon Bloomsbury's Phoenix Screen. A sheet of A4 paper warns you of it just before you go in – though after you have paid for your ticket. It doesn't make it entirely clear, or maybe I didn't read it closely enough,...

Three Against Nature

THE SAILOR WHO FELL FROM GRACE WITH THE SEA (1976) 'An insult to any audience' concludes the review of Lewis John Carlino's film The Sailor Who Fell From Grace With The Sea (hereafter referred to as Sailor) in my damaged-in-transit Waterstones-freebie edition of the...

La Grande Bouffe (1973)

Marco Ferreri’s 1973 film La Grande Bouffe has airline pilot Marcello Mastroianni, chef Ugo Tognazzi, TV director Michel Piccoli and judge Philippe Noiret gathering in Noiret’s old family pile to indulge themselves in hedonistic pleasures until the toilet backs up -...

FrightFest 2024 – Mental Health Issues

The big screen at the relocated FrightFest (Odeon Leicester Square) is almost scarily big now: I couldn't face it. For single ticket buyers like me the seating options weren't promising anyway. So I stuck with the Discovery Screens and found myself in another cinema...

Fur: An Imaginary Portrait of Diane Arbus (2006)

Who the hell's Diane Arbus? If this is your reaction to the above title, then you probably won't get much out of this film. I knew little about Diane Arbus, and having seen the film, now feel that I know less. Which is not the film's fault. It begins with a disclaimer...

mother!

The release of Darren Aronofky's latest film was preceded by a director interview by Trevor Johnston in Sight & Sound urging viewers not to read it until they'd seen the film, since (even more than is usually the case) the more you knew about this film in advance...

The Angry Red Planet (1960)

There's often a sense in SF films, especially those of the 50's, that the real subjects of interest are not giant mantises or bug-eyed aliens but women. This is made explicit in director Robert Gordon's 1955 film It Came From Beneath The Sea (1955) where Faith...

Attack Of The Giant Leeches (1959)

Into my life comes a dumpbin full of DVD's at £3.00 each, temporarily arresting my progress through Fopp. Movie Legends. They don't look promising. Murky covers and nothing on the back but a plot summary (that does however, in the case of Attack, include the ending)....

Locke

This is that film where a plausibly middle-aged Tom Hardy drives from Birmingham to London in a Welsh accent. Not a bad Welsh accent – I was reminded of Rob Brydon, who also did a thing set entirely in a vehicle, Marion And Geoff. That was a poignant comedy of...

Kinoteka 2019. Monument

'It won't be easy', warned writer-director Jagoda Szelc before her second film began, which was possibly an example of what she later referred to as her as her 'dry humour' – does anyone go to the Polish Film Festival expecting uncomplicated fun and games? Not that...