Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
In Fabric / Little Joe
by Martin | March 21, 2020 | movies, reviews | 0 Comments
IN FABRIC Peter Strickland's follow-up to the excellent Duke Of Burgundy is a bumpier ride, but you get to enjoy that after a while. Apparently it's set in 1993 – I read this on the Sight and Sound letters page – but it seems to be taking place in some kind of...
Santo in the Wax Museum (1963) / Santo Vs. The She-Wolves (1976)
by Martin | August 21, 2020 | movies, reviews | 0 Comments
Just when you thought it was safe to go back to the cinema... it IS safe. Oppressively so. I don't know about you but walking into a room full of people in surgical masks doesn't 'make me feel safe' – it makes me feel uneasy. And so I haven't joined the rush to get...
The Witch
by Martin | April 9, 2016 | movies, reviews | 0 Comments
I saw this at the Odeon Covent Garden. Amazingly, they are only charging £6.00 a ticket at the moment for any showing Monday to Thursday. I hope this doesn't get out, or my chances of getting an entire screen to myself (that ever-elusive dream) will diminish even...
Gentrified Horror: The Nightcomers (1971) and Us
by Martin | July 21, 2019 | movies, reviews | 0 Comments
THE NIGHTCOMERS In Nick Pinkerton's positive Sight and Sound review of Puppet Master: The Littlest Reich (which I thought was shit by the way) I first encountered the phrase 'gentrified horror', a pejorative term for the kind of upmarket horror that plays to...
45 Years
by Martin | October 24, 2015 | movies, reviews | 0 Comments
Tom Courtenay and Charlotte Rampling play Geoff and Kate, a couple in their 70's who seem to think they are happily married until his ex-girlfriend Katya turns up, entombed in ice in a Swiss glacier and apparently unchanged since she fell into a fissure back in 1962....
New Year’s Evil (1980) / Bloody New Year (1987)
by Martin | February 11, 2018 | movies, reviews | 0 Comments
New Year is, as everybody knows, a massive anticlimax. We all get frantically excited about what turns out to be just a glib transition into more of the same. Here are two films (showing in the BFI's Cult strand) which try to give New Year some genuine significance...
Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife
by Martin | March 3, 2024 | movies, reviews | 0 Comments
FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...
Slack Bay (2016) / Zombie Lake (1977)
by Martin | April 22, 2017 | movies, reviews | 0 Comments
It was last November that I went to the Cine Lumiere to catch up with the latest offering from Bruno Dumont, showing at the French Film Festival, and it has taken me up until now to process it. In fact that's a lie – I still haven't processed it. In Slack Bay Dumont...
White Devils: Get Out, The Transfiguration and Whity (1971)
by Martin | May 21, 2017 | movies, reviews | 0 Comments
GET OUT In Get Out a black American guy Chris (Daniel Kaluuya) goes with his white girlfriend Rose (Allison Williams) to visit her (rich) family, only to find them a little overbearing in their acceptance of him. Sure, they're liberal, but as he wearily agrees with...
Final Destination: Bloodlines / Bogancloch / The Shrouds
by Martin | September 27, 2025 | movies, reviews | 0 Comments
FINAL DESTINATION: BLOODLINES Horror franchises are noted for their unkillable villains, constantly being resurrected, but the Final Destination films cut to the chase in that the villain is death itself, and who is going to kill him? Or her. Or them. The films settle...