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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

THE UNTAMED RAW NOCTURAMA

THE UNTAMED This London Film Festival showing represented my first visit to the Picturehouse Central. Entering, you feel like you've walked into a bar, and a busy one – and you have. Retreating in horror from all this socialising, which is not what I come to the...

Caged Women: Hounds of Love, Berlin Syndrome, The Beguiled

HOUNDS OF LOVE In 1987 sullen Australian teenager Vicki (Ashleigh Cummings) seethes with resentment at her mum, who has chosen to split with surgeon dad, necessitating a move to a seedier part of town – still, things could be worse, as she soon discovers when...

Empire of the Ants (1977) / Contamination (1980) / Alien 2: On Earth (1981)

EMPIRE OF THE ANTS (1977) Bert I Gordon, director of such vintage extravaganzas as 1958's Attack Of The 50ft Woman briefly returned to cinema screens in the 1970's with a couple of films which were, nominally, adaptations of H G Wells stories, though B.I.G. (note...

Frightfest 2014: Bad Milo!

Frightfest has relocated from the Empire Leicester Square to the Vue Leicester Square, which seems to be a good thing. No more cramped Discovery Screens, we now have the run of numerous larger screens over several floors. And it's even nearer Burger King, where I sit...

Theatre Of Blood (1973)

Mark Kermode once stated that anyone who said they'd guessed the ending of The Usual Suspects was lying. I have never quite forgiven him for this - I guessed it, but what proof do I have? Essentially he was out there calling me a liar and I had no redress. However, I...

Don’t Step On It, It Might Be Jake Gyllenhaal: Nightcrawler/Enemy

Lou Bloom (Jake Gyllenhaal), the central figure of Dan Gilroy's Nightcrawler, resembles nothing so much as a cockroach that has unaccountably taken on human form – emerging out of the LA night as a petty thief with aspirations, he soon graduates into a 'nightcrawler',...

In Pictures

BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....

In Fabric / Little Joe

IN FABRIC Peter Strickland's follow-up to the excellent Duke Of Burgundy is a bumpier ride, but you get to enjoy that after a while. Apparently it's set in 1993 – I read this on the Sight and Sound letters page – but it seems to be taking place in some kind of...

Peeping Tom (1960)

I used to say that Michael Powell's Peeping Tom was my favourite film. That I don't say it now has nothing to do with the quality of the film or my changing perception of it; more, it's down to a realisation that there are too many films, and that I have too many...

GUILT-FREE CINEMA? The New York Ripper (1982) / Hitch Hike To Hell (1977)

At some point in the run-up towards Christmas I found myself watching a documentary on BBC4 by Catherine Bray that encouraged us not to feel 'guilty' about watching 'bad' films. It seemed to be right up my alley and for a good twenty minutes all seemed to be well....