Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Frightfest 2017: Outliers
by Martin | November 5, 2017 | movies, reviews | 0 Comments
DHOGS I'm a genre lightweight really, a dilettante. Of all the films I saw at Frightfest this year, only one – The Glass Coffin - could really be called a horror film, and that was probably the least of them. Why, I wasn't even wearing a black T-shirt. Dhogs isn't...
Frightfest 2014: R100
by Martin | August 31, 2014 | movies, reviews | 0 Comments
What's that you say? Are Japanese films still as bonkers as they used to be? Why yes, and here is the proof. In Hitoshi Matsumoto's beguiling oddity a furniture salesman (Nao Ômori) attempts to escape the drudgery of his existence (wife in coma, young son to raise) by...
Privilege (1967) / Duck Soup (1933)
by Martin | May 5, 2020 | movies, reviews | 0 Comments
PRIVILEGE On this BFI DVD you get a couple of early short films from director Peter Watkins, one of which is 1961's The Forgotten Faces, an urgent, authentic-seeming account of the 1956 people's uprising in Hungary, filmed in Canterbury. Therein lies the moral of much...
Post-Horror: Men / Bergman Island
by Martin | July 30, 2022 | movies, reviews | 0 Comments
MEN I see that the Barbican are putting on a summer season of 'post-horror' films. Is that a film you see after a horror film, for light relief perhaps? Well no, apparently – it's just another iteration of our old friend 'elevated horror'. So the films in question...
BFI London Film Festival 2017: Good Manners
by Martin | January 13, 2018 | movies, reviews | 0 Comments
The first film by Brazilian directorial duo Juliana Rojas and Marco Dutra was 2011's Hard Labour in which a woman's attempt to get her small business (a grocery store) off the ground is undermined by the corpse of a werewolf lurking behind one of the walls – and also...
The Colossus Of New York (1958) / The Alligator People (1959)
by Martin | May 27, 2020 | movies, reviews | 0 Comments
In American monster movies of the early 50's the monstrous generally had a scientific explanation – of course the science didn't always stand up to close examination, but then it rarely got any. It was only required to generate panic - for the length of the film, at...
The Lady From Shanghai (1947) and The Spooky Bunch (1980)
by Martin | August 25, 2014 | movies, reviews | 0 Comments
Orson Welles' Irish accent in The Lady From Shanghai is perfectly emblematic of the film itself: you can't quite believe it yet you can't quite disbelieve it either. Welles' character, a sailor called Michael O'Hara, falls in love with Rita Hayworth's lady of the...
Death Bed: The Bed That Eats (1977)
by Martin | September 16, 2017 | movies, reviews | 0 Comments
Outside the screen at the BFI stands horror film critic and musician Stephen Thrower (author of several enormous books on horror films which I would love to read if only I had the time - and money) next to a cake in the shape of a four-poster bed - though smaller, of...
Frightfest 2015: Day Two
by Martin | October 4, 2015 | movies, reviews | 0 Comments
Tenderness Of The Wolves (1973) Don't you just love a true story? This is the one about serial killer Fritz Haarman, who preyed (sexually and murderously) on young boys and drank their blood in post WWI Germany, and who also provided the inspiration for Fritz Lang's...
Everlasting Love (Amor Eterno)
by Martin | April 26, 2015 | movies, reviews | 0 Comments
Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...