Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
White Devils: Get Out, The Transfiguration and Whity (1971)
by Martin | May 21, 2017 | movies, reviews | 0 Comments
GET OUT In Get Out a black American guy Chris (Daniel Kaluuya) goes with his white girlfriend Rose (Allison Williams) to visit her (rich) family, only to find them a little overbearing in their acceptance of him. Sure, they're liberal, but as he wearily agrees with...
Frightfest 2014: Bad Milo!
by Martin | September 7, 2014 | movies, reviews | 0 Comments
Frightfest has relocated from the Empire Leicester Square to the Vue Leicester Square, which seems to be a good thing. No more cramped Discovery Screens, we now have the run of numerous larger screens over several floors. And it's even nearer Burger King, where I sit...
Arrival
by Martin | March 18, 2017 | movies, reviews | 0 Comments
Denis Villeneuve's Arrival brings to our attention something about contact with alien life forms that to my knowledge hasn't been thoroughly explored up until now – how boring it might be. That's not to say that the film itself is boring – although it does hover on...
The Hart Of London (1970)/Sodom (1989)
by Martin | May 23, 2015 | movies, reviews | 0 Comments
Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...
Enlightened Horror, The Backlash – The Cabinet of Caligari (1962)
by Martin | December 15, 2019 | movies, reviews | 0 Comments
Ever since I coined the term 'enlightened horror' three seconds ago there has been, I expect, a massive reaction on the internet, most of it negative ('Enlightened horror? – enfeebled horror more like!') and I can quite understand. The idea of a form of horror that...
Barbican Nights – Into the Woods Part One
by Martin | July 9, 2017 | movies, reviews | 0 Comments
In an unusual attempt at consistency I thought I'd review this folk horror season curated by Cigarette Burns (Josh Saco), consisting of four films showing at the Barbican during May, the first being: THE COMPANY OF WOLVES (1984) Only I didn't go to that one. I...
Enys Men / Skinamarink
by Martin | February 25, 2023 | movies, reviews | 0 Comments
ENYS MEN Mark Jenkin's follow-up to the attention-grabbing and fiercely Cornish Bait is being sold as 'folk-horror' but it's a bit more experimental than that might suggest. I don't know if anyone has complained. Certainly I won't, since I enjoy an experimental film,...
The Million Eyes Of Sumuru (1967)
by Martin | February 28, 2016 | movies, reviews | 0 Comments
'I have a million eyes, for I am Sumuru', says Shirley Eaton in voiceover at the beginning of this particular disaster. She doesn't really have a million eyes - that's the first disappointment. The notional 'million eyes' belong to her followers. Sumuru leads an...
The Lady From Shanghai (1947) and The Spooky Bunch (1980)
by Martin | August 25, 2014 | movies, reviews | 0 Comments
Orson Welles' Irish accent in The Lady From Shanghai is perfectly emblematic of the film itself: you can't quite believe it yet you can't quite disbelieve it either. Welles' character, a sailor called Michael O'Hara, falls in love with Rita Hayworth's lady of the...
Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife
by Martin | March 3, 2024 | movies, reviews | 0 Comments
FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...