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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

LFF 2019: Queen Of Diamonds (1991) / Krabi 2562

QUEEN OF DIAMONDS (1991) Showing in the 'Treasures From The Archive' section at the LFF, Nina Menkes’ Queen of Diamonds features her sister Tinka playing a character who, in the director’s words, ‘hasn’t learned to say hello’. In keeping with her air of diffidence,...

mother!

The release of Darren Aronofky's latest film was preceded by a director interview by Trevor Johnston in Sight & Sound urging viewers not to read it until they'd seen the film, since (even more than is usually the case) the more you knew about this film in advance...

Final Destination: Bloodlines / Bogancloch / The Shrouds

FINAL DESTINATION: BLOODLINES Horror franchises are noted for their unkillable villains, constantly being resurrected, but the Final Destination films cut to the chase in that the villain is death itself, and who is going to kill him? Or her. Or them. The films settle...

Foxcatcher/Whiplash

I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...

Enys Men / Skinamarink

ENYS MEN Mark Jenkin's follow-up to the attention-grabbing and fiercely Cornish Bait is being sold as 'folk-horror' but it's a bit more experimental than that might suggest. I don't know if anyone has complained. Certainly I won't, since I enjoy an experimental film,...

Strait Jacket (1964) / Lizzie

STRAIT JACKET Winding up the Joan Crawford season at the BFI was this William Castle production from the trashier end of her spectrum, though compared to Trog (1970) it's a masterpiece. The audience have come over-determined to giggle at a camp classic, and to be fair...

Our Time / Once Upon A Time In Hollywood

OUR TIME There was quite a high turnout for this three-hour epic of directorial self-laceration from Mexican director Carlos Reygadas, although admittedly this was at the Minema screen at the Curzon Bloomsbury, which seats about 20 people. I had a guy ahead of me...

LOCKDOWN! The Giant Claw (1957)

How often have I fantasized about the government forbidding me to leave the house so that I am finally compelled to watch all the DVDs I have accumulated over the years? Well never, since that would have been absurd, even for a fantasy. Nevertheless here we are. Or at...

The Witch

I saw this at the Odeon Covent Garden. Amazingly, they are only charging £6.00 a ticket at the moment for any showing Monday to Thursday. I hope this doesn't get out, or my chances of getting an entire screen to myself (that ever-elusive dream) will diminish even...

Kothanodi (BFI London Film Festival 2015)

Indian horror films are hard to come by – and this isn't one either, or not exactly. Nevertheless, Kothanodi (it means 'river of fables'), a compendium of four interlinked folk tales from Assam, is almost grim enough to qualify. In the most optimistic of these tales...