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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

BFI London Film Festival 2022: Lockdown Lingers

COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...

The Angry Red Planet (1960)

There's often a sense in SF films, especially those of the 50's, that the real subjects of interest are not giant mantises or bug-eyed aliens but women. This is made explicit in director Robert Gordon's 1955 film It Came From Beneath The Sea (1955) where Faith...

Microwave Massacre (1983)

It's a truism that when horror goes wrong it can easily turn into comedy – but what happens when a horror comedy goes wrong? Microwave Massacre, available on Arrow Video, provides one possible answer - a vision of Hell made all the more hellish by the awareness that...

And Soon The Darkness (1970)

Forget everything I said about the Horror Channel, like for example that it’s 99% shit. In fact it has been keeping me fed with delightful tidbits without over-stimulating me – what more could anyone ask for? This is a case in point. Like The Devil’s Rain it was...

LFF 2018: Tumbbad / The Nightshifter

TUMBBAD Indian horror films are something of a rarity, but Kothanodi was one of my highlights of 2015's London Film Festival, and that was a horror film – sort of. This one, my first film of this year's festival, definitely is - or wants to be. It begins with an...

Salvo

Mafia hitman Salvo (Saleh Bakri) kills a guy but instead of despatching his sister Rita (Sara Serraiocco) - a witness to the crime - he chooses to hide her in an abandoned factory and keep her fed and watered. Why? Love? Pity? Or is he caught on the horns of a...

Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife

FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...

Frightfest 2019 Part Two

BLOOD AND FLESH: THE REEL LIFE AND GHASTLY DEATH OF AL ADAMSON The Cineworld discovery screen offered up David Gregory's documentary about Al Adamson, the 60's /70's exploitation director responsible for such films as 1965's Psycho-A-Go-Go and 1971's Blood of Ghastly...

BFI London Film Festival 2014: Three Horrors at the Odeon Covent Garden

SPRING If you thought Richard Linklater's Before Sunset might have been improved if Julie Delpy had periodically turned into a squid (and is there anyone who doesn't?), then this may well be the film for you. American backpacker Evan (Lou Taylor Pucci) hooks up with...

A Cure For Wellness

A slice of Hollywood Eurogothic from Gore Pirates of the Caribbean Verbinski, this begins quite promisingly in a vein of deadpan camp – a mode which serves it well enough until it goes (almost literally) down the toilet. Lockhart (Dane DeHaan), a young, reptilian Wall...