Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Foxcatcher/Whiplash
by Martin | March 1, 2015 | movies, reviews | 0 Comments
I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...
Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife
by Martin | March 3, 2024 | movies, reviews | 0 Comments
FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...
Frightfest 2014: The Green Inferno
by Martin | August 30, 2014 | movies, reviews | 0 Comments
Movies such as Umberto Lenzi's Cannibal Ferox and Ruggero Deodato's powerful Cannibal Holocaust really do seem to belong to a certain time and place – 70 and early 80's Italy – so it was intriguing to see how Eli Roth of Cabin Fever and Hostel fame would fare in...
Koko-Di-Koko-Da / Swallow
by Martin | December 15, 2019 | movies, reviews | 0 Comments
KOKO-DI-KOKO-DA (LONDON FILM FESTIVAL 2019) Johannes Nyholm's film starts with a mother, Erin (Ylva Gallon) suffering a bout of food poisoning which leaves her face swollen so that she looks, as her husband Tobias (Leif Edlund Johansson) jests, like Freddy Kruger. The...
The Substance / The Driver’s Seat (1974)
by Martin | November 10, 2024 | movies, reviews | 0 Comments
THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...
The Lady From Shanghai (1947) and The Spooky Bunch (1980)
by Martin | August 25, 2014 | movies, reviews | 0 Comments
Orson Welles' Irish accent in The Lady From Shanghai is perfectly emblematic of the film itself: you can't quite believe it yet you can't quite disbelieve it either. Welles' character, a sailor called Michael O'Hara, falls in love with Rita Hayworth's lady of the...
London Film Festival 2019: Tremors / La Llorona
by Martin | January 19, 2020 | movies, reviews | 0 Comments
TREMORS According to writer-director Jayro Bustamente only about four films are made in Guatemala per year. I have now seen two, which pretty much makes me an expert in Guatemalan cinema. I could probably write a book on it. Not to be confused with a Kevin Bacon film...
Further Dispatches From BFI Flare
by Martin | May 2, 2015 | movies, reviews | 0 Comments
Futuro Beach On the face of it this has everything you could possibly want from a Brazilian- German co-production – it begins in Brazil and it ends in Germany – and beneath the surface there’s enough happening to offset a vague sense of one's having seen something...
Frightfest 2019 Part Three
by Martin | October 26, 2019 | movies, reviews | 0 Comments
DEPRAVED In 1991's No Telling, Larry Fessenden's first take on the Frankenstein story – and first film, in fact – the mad scientist has, by the end of it, managed to weld a Border collie and a calf together, which would only have made the third act in a standard...
Crimes At The Dark House and elsewhere – some films with Tod Slaughter 1937-1946
by Martin | August 19, 2017 | movies, reviews | 0 Comments
Crimes At The Dark House (1940) is nominally a version of Wilkie Collins' novel The Woman In White in which Tod Slaughter is Sir Percival Glyde – or rather he isn't, he's an impostor first seen hammering a tent peg into the real Sir Percival's left ear. Which is to...