Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Foxcatcher/Whiplash
by Martin | March 1, 2015 | movies, reviews | 0 Comments
I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...
Killer’s Moon (1978)
by Martin | October 18, 2014 | movies, reviews | 0 Comments
I've always been put off by Redemption DVDs because they seem to be marketed at sadomasochistic lesbian vampire Goths and (moreover) their male admirers - and I am neither. Look beyond the packaging, however, and you will often find a decent transfer of a hard-to-find...
Peeping Tom (1960)
by Martin | July 17, 2022 | movies, reviews | 0 Comments
I used to say that Michael Powell's Peeping Tom was my favourite film. That I don't say it now has nothing to do with the quality of the film or my changing perception of it; more, it's down to a realisation that there are too many films, and that I have too many...
Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife
by Martin | March 3, 2024 | movies, reviews | 0 Comments
FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...
LFF 2018: Tumbbad / The Nightshifter
by Martin | January 13, 2019 | movies, reviews | 0 Comments
TUMBBAD Indian horror films are something of a rarity, but Kothanodi was one of my highlights of 2015's London Film Festival, and that was a horror film – sort of. This one, my first film of this year's festival, definitely is - or wants to be. It begins with an...
Blue / Trog (1993 and 1970)
by Martin | November 1, 2015 | movies, reviews | 0 Comments
In his introduction to Derek Jarman's Blue John Waters, who selected it as one of his favourite British films for a celebration of all things JW at the BFI, recalled how the first time he saw it the cinema had posters up warning punters that Blue was a film that...
A Brexit Trilogy
by Martin | March 24, 2018 | movies, reviews | 0 Comments
GOD'S OWN COUNTRY (2017) Brexit – is it humanity asserting its freedom to be perverse in the face of global capitalism, or is it just a backward-leaning movement composed of people whose preciousness about their 'British identity' makes you wonder who the real...
The Curious Dr. Humpp / Vengeanza Del Sexo (1967 or thereabouts)
by Martin | August 12, 2023 | movies, reviews | 0 Comments
I had reservations about going to see Brainwashed: Sex – Camera – Power, Nina Menkes' take on 'the male gaze' at the BFI, partly because it seemed like the kind of thing that would turn up on BBC4 or Sky Arts in a month or two, but there is a certain advantage to...
Santo in the Wax Museum (1963) / Santo Vs. The She-Wolves (1976)
by Martin | August 21, 2020 | movies, reviews | 0 Comments
Just when you thought it was safe to go back to the cinema... it IS safe. Oppressively so. I don't know about you but walking into a room full of people in surgical masks doesn't 'make me feel safe' – it makes me feel uneasy. And so I haven't joined the rush to get...
Enys Men / Skinamarink
by Martin | February 25, 2023 | movies, reviews | 0 Comments
ENYS MEN Mark Jenkin's follow-up to the attention-grabbing and fiercely Cornish Bait is being sold as 'folk-horror' but it's a bit more experimental than that might suggest. I don't know if anyone has complained. Certainly I won't, since I enjoy an experimental film,...