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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Enlightened Horror, The Backlash – The Cabinet of Caligari (1962)

Ever since I coined the term 'enlightened horror' three seconds ago there has been, I expect, a massive reaction on the internet, most of it negative ('Enlightened horror? – enfeebled horror more like!') and I can quite understand. The idea of a form of horror that...

Arrival

Denis Villeneuve's Arrival brings to our attention something about contact with alien life forms that to my knowledge hasn't been thoroughly explored up until now – how boring it might be. That's not to say that the film itself is boring – although it does hover on...

THE UNTAMED RAW NOCTURAMA

THE UNTAMED This London Film Festival showing represented my first visit to the Picturehouse Central. Entering, you feel like you've walked into a bar, and a busy one – and you have. Retreating in horror from all this socialising, which is not what I come to the...

Comings Of Age – Three Attempts From The BFI London Film Festival 2015

DER NACHTMAHR Not German for 'nightmare', ein nachtmahr is more like a thing from a nightmare, so the director - German artist AKIZ – tells us. In the case of his film that thing is a strange creature resembling a cross between Belial from Basket Case and Garfield,...

Locke

This is that film where a plausibly middle-aged Tom Hardy drives from Birmingham to London in a Welsh accent. Not a bad Welsh accent – I was reminded of Rob Brydon, who also did a thing set entirely in a vehicle, Marion And Geoff. That was a poignant comedy of...

Strongroom (1962)

Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...

Camille Claudel 1915

This meeting of two arthouse legends – Bruno Dumont, a director who has previously always refused to work with professional actors, and Juliette (Chocolat) Binoche – is heralded by posters screaming BINOCHE CLAUDEL DUMONT, in the manner of ads for an action movie...

In Pictures 2: Rope (1948) /Possessor (2020)

ROPE On the extras on my DVD of Alfred Hitchcock's Rope screenwriter Arthur Laurents nails several of the reasons why this adaptation of Patrick Hamilton's play (based on the Leopold/Loeb case in which a couple of students felt entitled to kill a 14 year old boy...

Frightfest 2019 Part One – Home Discomforts

Set in my ways as I am I prefer to buy my Frightfest tickets in person, at whatever passes for a 'box office' nowadays. Over the years this has become more and more difficult and now entails leaving it to the very last moment. This time around I thought my resistance...

The Body Stealers (1969)

I seem to remember this showing late at night on ITV back in the 70's, but I never bothered to stay up watching it, and quite rightly as I was surely too young to appreciate how bad it is. Now it's showing on a Saturday morning on Movies4men, at a time when, back in...