Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Strongroom (1962)
by Martin | August 31, 2019 | movies, reviews | 0 Comments
Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...
Frightfest 2014: Open Windows, Nekromantik and Der Samurai
by Martin | September 21, 2014 | movies, reviews, Uncategorized | 0 Comments
OPEN WINDOWS In an age when you can watch films on your phone, here's another novelty – going to the cinema to see a film whose action takes place entirely on someone's laptop screen. I think it did, anyway – I was frankly a little befuddled by the end. Bear in mind...
BFI London Film Festival 2014: Hard To Be A God
by Martin | October 25, 2014 | movies, reviews | 0 Comments
What better way to ease yourself gently into a film festival than with a nearly-three-hour black and white Russian film based on an sf novel I've never read? Aleksei German's film (based on a novel by Arkady and Boris Strugatsky) is set on a planet which has been...
Amulet /Master
by Martin | May 2, 2022 | movies, reviews | 0 Comments
AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...
The Brand New Testament (BFI London Film Festival 2015)
by Martin | November 14, 2015 | movies, reviews | 0 Comments
Jaco Van Dormael's film might end up being remembered as the one where Catherine Deneuve sleeps with a gorilla, but that's the least of it. Benoît Poolvoorde is God, a middle-aged slob who never leaves his apartment and spends most of his time on his computer,...
BFI London Film Festival 2014: Three Horrors at the Odeon Covent Garden
by Martin | November 8, 2014 | movies, reviews | 0 Comments
SPRING If you thought Richard Linklater's Before Sunset might have been improved if Julie Delpy had periodically turned into a squid (and is there anyone who doesn't?), then this may well be the film for you. American backpacker Evan (Lou Taylor Pucci) hooks up with...
Two Takes on Modern Etiquette at the BFI London Film Festival 2015
by Martin | December 13, 2015 | movies, reviews | 0 Comments
THE INVITATION This showed (at the Vue Islington) in the Cult strand, but it deserves the widest possible audience. Struggling to get over the accidental death of his son two years previously, Will (Logan Marshall-Green) goes to a reunion dinner of old friends hosted...
Camille Claudel 1915
by Martin | July 26, 2014 | movies, reviews | 0 Comments
This meeting of two arthouse legends – Bruno Dumont, a director who has previously always refused to work with professional actors, and Juliette (Chocolat) Binoche – is heralded by posters screaming BINOCHE CLAUDEL DUMONT, in the manner of ads for an action movie...
The Curious Dr. Humpp / Vengeanza Del Sexo (1967 or thereabouts)
by Martin | August 12, 2023 | movies, reviews | 0 Comments
I had reservations about going to see Brainwashed: Sex – Camera – Power, Nina Menkes' take on 'the male gaze' at the BFI, partly because it seemed like the kind of thing that would turn up on BBC4 or Sky Arts in a month or two, but there is a certain advantage to...
Final Destination: Bloodlines / Bogancloch / The Shrouds
by Martin | September 27, 2025 | movies, reviews | 0 Comments
FINAL DESTINATION: BLOODLINES Horror franchises are noted for their unkillable villains, constantly being resurrected, but the Final Destination films cut to the chase in that the villain is death itself, and who is going to kill him? Or her. Or them. The films settle...