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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

BFI London Film Festival 2017: The Wound, Most Beautiful Island

THE WOUND Up for the Sutherland First Feature Award was this South African tale whose hero Xolani (Nakhane Touré) returns every year to the countryside to become a 'caregiver' to initiates in a tribal ritual wherein boys become men by dint of such activities as...

A Cure For Wellness

A slice of Hollywood Eurogothic from Gore Pirates of the Caribbean Verbinski, this begins quite promisingly in a vein of deadpan camp – a mode which serves it well enough until it goes (almost literally) down the toilet. Lockhart (Dane DeHaan), a young, reptilian Wall...

Post-Horror: Men / Bergman Island

MEN I see that the Barbican are putting on a summer season of 'post-horror' films. Is that a film you see after a horror film, for light relief perhaps? Well no, apparently – it's just another iteration of our old friend 'elevated horror'. So the films in question...

The Body Stealers (1969)

I seem to remember this showing late at night on ITV back in the 70's, but I never bothered to stay up watching it, and quite rightly as I was surely too young to appreciate how bad it is. Now it's showing on a Saturday morning on Movies4men, at a time when, back in...

The Red Queen Kills Seven Times (1972) / Effie Gray (2014)

Before he (apparently) disappeared into thin air, Emilio P. Miraglia made a couple of films blending the giallo with the Gothic, 1971's The Night Evelyn Game Out of the Grave, and this, his last film. The giallo and the Gothic are simultaneously very different (the...

Frightfest Halloween 2018

Yes I know, we are already well into 2019 but let me take you back, BACK to when the self-service checkouts in Poundland were still speaking in the voice of Bela Lugosi ('Have a spooooky day!') In truth I wasn't all that inspired by the films on offer at Frightfest...

mother!

The release of Darren Aronofky's latest film was preceded by a director interview by Trevor Johnston in Sight & Sound urging viewers not to read it until they'd seen the film, since (even more than is usually the case) the more you knew about this film in advance...

The Hart Of London (1970)/Sodom (1989)

Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...

Blue / Trog (1993 and 1970)

In his introduction to Derek Jarman's Blue John Waters, who selected it as one of his favourite British films for a celebration of all things JW at the BFI, recalled how the first time he saw it the cinema had posters up warning punters that Blue was a film that...

Horromford 2: Unspeakable: Beyond The Wall Of Sleep

Not content with having a horror film festival, Romford now has a film festival – which also features a lot of horror. I turned up for just the one offering, Chad Ferrin's Unspeakable: Beyond The Wall of Sleep. Ferrin is a prolific director, and no doubt too busy to...