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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

The Curious Dr. Humpp / Vengeanza Del Sexo (1967 or thereabouts)

I had reservations about going to see Brainwashed: Sex – Camera – Power, Nina Menkes' take on 'the male gaze' at the BFI, partly because it seemed like the kind of thing that would turn up on BBC4 or Sky Arts in a month or two, but there is a certain advantage to...

Blind

The old Renoir cinema has resurfaced as the Curzon Bloomsbury. It hasn’t got any bigger on top but underneath it’s a rabbit warren, leading me down dark tunnels in search of the ‘Minema’ screen. This sounds small, and so it proves to be – so very intimate that the...

Monster On The Campus (1958)

This begins with college professor Donald Blake (Arthur Franz) completing his collection of busts depicting the various stages of human evolution with one of 'Modern Woman', taken from his  fiancée's face. Subsequently, as if this is the peak of evolution and there's...

Further Dispatches From BFI Flare

Futuro Beach On the face of it this has everything you could possibly want from a Brazilian- German co-production – it begins in Brazil and it ends in Germany – and beneath the surface there’s enough happening to offset a vague sense of one's having seen something...

Death Car On The Freeway (1979)

The critical appeal of the recent Mad Max sequel was so across-the-board that it even screened at arthouse venues like the Curzon Soho - while I was in there waiting for Christian Petzold’s (excellent) German drama Phoenix to start, a trailer for it played. The woman...

Everlasting Love (Amor Eterno)

Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...

The Voices

A toy factory worker in a small American town, Jerry (Ryan Reynolds) is your standard eager-to-please psychotic passing for normal, at least until he starts ticking the box marked ‘serial killer’ by stabbing his indifferent love-object (Gemma Arterton) to death and...

CITIZENFOUR

I hardly ever go to see documentaries because they're about real life, and I can see that for free. But recently, every time I looked at the ICA website, I noticed that they were giving me yet another opportunity to see Laura Poitras' film about Edward Snowden, as its...

Frightfest 2022

'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...

Tales That Witness Madness (1973)

In 1965 Dr. Terror's House of Horrors kicked off a series of 'anthology' horror films, mostly made by Amicus, of which Tales That Witness Madness (not made by Amicus) is often dismissed as a peculiarly ropey example, although its director Freddie Francis - who also...