Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Strongroom (1962)
by Martin | August 31, 2019 | movies, reviews | 0 Comments
Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...
The Devil’s Rain (1975)
by Martin | April 26, 2015 | movies, reviews | 0 Comments
I've taken to listening to Shaun Keaveny on BBC6 Music in the mornings, via my TV – specifically Freeview 707. A couple of months ago my just-awoken fingers were fumblingly pressing those figures out on the remote and hesitated too long, inadvertently accessing 70, at...
Barbican Nights – Into the Woods Part One
by Martin | July 9, 2017 | movies, reviews | 0 Comments
In an unusual attempt at consistency I thought I'd review this folk horror season curated by Cigarette Burns (Josh Saco), consisting of four films showing at the Barbican during May, the first being: THE COMPANY OF WOLVES (1984) Only I didn't go to that one. I...
BFI London Film Festival 2022: Lockdown Lingers
by Martin | January 29, 2023 | movies, reviews | 0 Comments
COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...
Frightfest 2019 Part Three
by Martin | October 26, 2019 | movies, reviews | 0 Comments
DEPRAVED In 1991's No Telling, Larry Fessenden's first take on the Frankenstein story – and first film, in fact – the mad scientist has, by the end of it, managed to weld a Border collie and a calf together, which would only have made the third act in a standard...
Blind
by Martin | May 30, 2015 | movies, reviews | 0 Comments
The old Renoir cinema has resurfaced as the Curzon Bloomsbury. It hasn’t got any bigger on top but underneath it’s a rabbit warren, leading me down dark tunnels in search of the ‘Minema’ screen. This sounds small, and so it proves to be – so very intimate that the...
Gentrified Horror: The Nightcomers (1971) and Us
by Martin | July 21, 2019 | movies, reviews | 0 Comments
THE NIGHTCOMERS In Nick Pinkerton's positive Sight and Sound review of Puppet Master: The Littlest Reich (which I thought was shit by the way) I first encountered the phrase 'gentrified horror', a pejorative term for the kind of upmarket horror that plays to...
The Toxic Avenger (1984)
by Martin | June 27, 2015 | movies, reviews | 0 Comments
It's fair to say that showings of films in the Cult strand at the BFI have been somewhat underpopulated. In spite of a mention in Time Out, this is no exception – which is as it should be. What point is there in a cult film if everyone wants to see it? This is one of...
LFF 2019: Queen Of Diamonds (1991) / Krabi 2562
by Martin | January 26, 2020 | movies, reviews | 0 Comments
QUEEN OF DIAMONDS (1991) Showing in the 'Treasures From The Archive' section at the LFF, Nina Menkes’ Queen of Diamonds features her sister Tinka playing a character who, in the director’s words, ‘hasn’t learned to say hello’. In keeping with her air of diffidence,...
In Pictures
by Martin | May 30, 2021 | movies, reviews | 0 Comments
BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....