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Weapons /Bring Her Back

Weapons /Bring Her Back

WEAPONS There was a lot of hype around writer-director Zach Cregger's follow-up to the promising Barbarian – I remember noticing a website ranking the characters in Weapons in order of how 'iconic' they are. No doubt it is old-fashioned of me to expect to wait a few...

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The Entity (1982) / Night Watch (1973)

The Entity (1982) / Night Watch (1973)

THE ENTITY It has always struck me that the general tone of life in America is one of hysteria. When I said this once to my cousin, who lives in Texas, she maintained that, rather than hysterics, Americans are 'survivors'. If someone claims to be a survivor merely on...

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Nosferatu / Babygirl / Companion

Nosferatu / Babygirl / Companion

NOSFERATU 'Yes we have Nosferatu, we have Nosferatu today.' Not much chance of this (the best joke in Mel Brooks' 1995 spoof Dracula: Dead and Loving It) making it into Robert Eggers' latest spin on F. W. Murnau's 1922 film, an unauthorised version of Dracula also...

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FrightFest 2024 – Mental Health Issues

FrightFest 2024 – Mental Health Issues

The big screen at the relocated FrightFest (Odeon Leicester Square) is almost scarily big now: I couldn't face it. For single ticket buyers like me the seating options weren't promising anyway. So I stuck with the Discovery Screens and found myself in another cinema...

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The Curious Dr. Humpp / Vengeanza Del Sexo (1967 or thereabouts)

I had reservations about going to see Brainwashed: Sex – Camera – Power, Nina Menkes' take on 'the male gaze' at the BFI, partly because it seemed like the kind of thing that would turn up on BBC4 or Sky Arts in a month or two, but there is a certain advantage to...

Tales That Witness Madness (1973)

In 1965 Dr. Terror's House of Horrors kicked off a series of 'anthology' horror films, mostly made by Amicus, of which Tales That Witness Madness (not made by Amicus) is often dismissed as a peculiarly ropey example, although its director Freddie Francis - who also...

Killer’s Moon (1978)

I've always been put off by Redemption DVDs because they seem to be marketed at sadomasochistic lesbian vampire Goths and (moreover) their male admirers - and I am neither. Look beyond the packaging, however, and you will often find a decent transfer of a hard-to-find...

BFI London Film Festival 2021: Between Feast and Famine

THE FEAST I remember overhearing a punter at the London Film Festival one year asking the guy next to him what he'd seen and he replied: 'A lot of films that could have been better'. My experience this year (last year) was a bit like that. Even before it started I had...

Mirror Mirror (1990) / Happy Deathday (2017) / Thelma (2017)

MIRROR MIRROR 'Long may it continue', I said earlier in the year about the BFI's 'Cult' strand. Well now it has ended (though replaced by something very similar called Terror Vision) but at least its last showing, curated by feminist film collective the Final Girls,...

London Film Festival 2019: Tremors / La Llorona

TREMORS According to writer-director Jayro Bustamente only about four films are made in Guatemala per year. I have now seen two, which pretty much makes me an expert in Guatemalan cinema. I could probably write a book on it. Not to be confused with a Kevin Bacon film...

Frightfest 2017: Evil Twins

FASHIONISTA As regular readers would know (if they existed), Frightfest usually marks the one time in the calendar year where I don't go to the cinema alone: Dave comes along. Or at least he does for part of the time before he has to duck out due to work commitments...

The Million Eyes Of Sumuru (1967)

'I have a million eyes, for I am Sumuru', says Shirley Eaton in voiceover at the beginning of this particular disaster. She doesn't really have a million eyes - that's the first disappointment. The notional 'million eyes' belong to her followers. Sumuru leads an...

In Pictures

BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....

Privilege (1967) / Duck Soup (1933)

PRIVILEGE On this BFI DVD you get a couple of early short films from director Peter Watkins, one of which is 1961's The Forgotten Faces, an urgent, authentic-seeming account of the 1956 people's uprising in Hungary, filmed in Canterbury. Therein lies the moral of much...

Some more reviews.

The Substance / The Driver’s Seat (1974)

The Substance / The Driver’s Seat (1974)

THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...

Longlegs / Only The River Flows

Longlegs / Only The River Flows

LONGLEGS Longlegs has been subject to a lot of hype claiming that it is the scariest film of the year or decade or maybe even century, and it certainly maintains a tense and creepy atmosphere throughout, but the scariest moment comes before the credits, where the...

Horromford 2: Unspeakable: Beyond The Wall Of Sleep

Horromford 2: Unspeakable: Beyond The Wall Of Sleep

Not content with having a horror film festival, Romford now has a film festival – which also features a lot of horror. I turned up for just the one offering, Chad Ferrin's Unspeakable: Beyond The Wall of Sleep. Ferrin is a prolific director, and no doubt too busy to...

O Lucky Man! (1973) etc….

O Lucky Man! (1973) etc….

My introduction to Lindsay Anderson was being shown the 1968 film If.... in (judiciously edited) half hour portions at secondary school in the 70's in a lesson called 'Design for Living', a rather random class which was used to dispense whatever we had in the way of...

Horromford

Horromford

Soon every town in the country will have its own horror film festival, which I suppose is no bad thing, although I could hardly keep up when it was just Frightfest. I saw one film that escaped me at Frightfest (Austin Jennings' Eight Eyes) in late January at...

American Fiction

American Fiction

I haven't seen this literary satire, Cord Jefferson's debut film, based on a 2001 book by Percival Everett, but I was fully intending to until I saw the trailer. It put me off. Judging a film by its trailer is a bit like judging a book by its cover, but you can in...

FrightFest 2023

FrightFest 2023

FrightFest has a new sponsor and is now the Pigeon Shrine FrightFest. It has to be said that Pigeon Shrine isn't the most inspiring name – 'the Pigeon Shrine FrightFest' sounded suspiciously like a bargain basement version of the original, and my fears seemed to be...

Talk To Me / Asteroid City / Nope

Talk To Me / Asteroid City / Nope

TALK TO ME Directors Danny and Michael Phillipou come to us from YouTube, where they operate some sort of channel apparently, which may explain why this BFI showing was full of young people. They were probably taking advantage of the BFI under-25's offer (as if youth...

Enys Men / Skinamarink

Enys Men / Skinamarink

ENYS MEN Mark Jenkin's follow-up to the attention-grabbing and fiercely Cornish Bait is being sold as 'folk-horror' but it's a bit more experimental than that might suggest. I don't know if anyone has complained. Certainly I won't, since I enjoy an experimental film,...

BFI London Film Festival 2022: Lockdown Lingers

BFI London Film Festival 2022: Lockdown Lingers

COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...

Frightfest 2022

Frightfest 2022

'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...