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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

BFI London Film Festival 2017: Rift, My Friend Dahmer, Hagazussa – A Heathen’s Curse

RIFT Apparently the Icelandic title of Rift (Rökkur) more closely corresponds to 'Twilight', but that title, as the director Erlingur Thoroddsen drily points out, was already taken. Though not terribly exciting as a title, Rift is apt enough for this story of two gay...

Frightfest 2022

'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...

Frightfest 2016 Day Three

MAN UNDERGROUND Or do I mean Day Four since I skipped Day Three? Oh what the hell. Nobody's paying me to do this. By this stage (Bank Holiday Monday) 'not really horror' (a term coined by Anton Bitel in a recent article for Sight and Sound online) seemed to be turning...

LFF 2018: Tumbbad / The Nightshifter

TUMBBAD Indian horror films are something of a rarity, but Kothanodi was one of my highlights of 2015's London Film Festival, and that was a horror film – sort of. This one, my first film of this year's festival, definitely is - or wants to be. It begins with an...

Terror Firmer (1999) / Screamplay (1985) / Suture (1993)

TERROR FIRMER Based on a memoir by Lloyd Kaufman, co-founder of Troma Entertainment, and director of many of its 'hits', such as The Toxic Avenger (also on this Czech DVD under the title Toxicky Mstitel), this film is essentially Kaufman's 8½. He plays a blind...

Amulet /Master

AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...

Mandy / Knife + Heart / Suspiria

MANDY Mandy sold out very quickly at the London Film Festival, so I was pleased, having failed to secure a ticket, to see that it was showing in that very same week at the Prince Charles Cinema, which meant that I could see it for a fiver rather that sixteen quid. It...

Screen Time

MYSTERIES OF LISBON (2010) Lockdown was a good time to finally sit down, maybe even lie down, and watch those films whose running time demanded an entire day devoted to them, and their extras. The Chilean director Raúl Ruiz, in the extras on the New Wave Films DVD of...

Two Takes on Modern Etiquette at the BFI London Film Festival 2015

THE INVITATION This showed (at the Vue Islington) in the Cult strand, but it deserves the widest possible audience. Struggling to get over the accidental death of his son two years previously, Will (Logan Marshall-Green) goes to a reunion dinner of old friends hosted...

In Pictures

BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....