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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

The Mad Ghoul (1943)

Director James Hogan's film begins with an unusually delicate situation for a mad scientist flick – the heroine Isabel (Evelyn Ankers) has fallen out of love with the hero Ted (David Bruce). Isabel confides this melancholy fact to Dr. Alfred Morris, Ted’s chemistry...

Santo in the Wax Museum (1963) / Santo Vs. The She-Wolves (1976)

Just when you thought it was safe to go back to the cinema... it IS safe. Oppressively so. I don't know about you but walking into a room full of people in surgical masks doesn't 'make me feel safe' – it makes me feel uneasy. And so I haven't joined the rush to get...

BFI London Film Festival 2017: Brawl In Cell Block 99 and Let The Corpses Tan

BRAWL IN CELL BLOCK 99 Violence. It can leave a nasty taste in the mouth, and perhaps it ought to. Brawl In Cell Block 99 certainly left a nasty taste in my mouth, but I'm almost convinced that this was intentional. Not intentional as regards just my mouth of course....

Frightfest 2022

'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...

Sins Of The Fleshapoids (1965)/Orphans Of The Cosmos (2008)

I settled down for this Kuchar Brothers double-bill at the BFI with three cushions (Christmas presents for Mum) in carrier bags, a burden bulky enough to suggest that I should have splashed out on another ticket. With an amused gay man on my left and Brian Sewell...

Frightfest 2014: Open Windows, Nekromantik and Der Samurai

OPEN WINDOWS In an age when you can watch films on your phone, here's another novelty – going to the cinema to see a film whose action takes place entirely on someone's laptop screen. I think it did, anyway – I was frankly a little befuddled by the end. Bear in mind...

Pride And Prejudice And Zombies

In theory this could be my ideal film, uniting art and trash with no middle ground; but there's a difference between theory and practice. I remember years ago, when I used to work in Waterstones, looking at the cover of the book this is based on and wondering if there...

Possession of Joel Delaney (1972) / The Vigil (2019) / Hatching (2022)

POSSESSION OF JOEL DELANEY This screening (part of Dukefest, a small festival curated by the Duke Mitchell Film Club) was busy, though thankfully not so busy that when a person of enormous stature sat in front of me I couldn't just shift to the seat next to me. What...

Nosferatu / Babygirl / Companion

NOSFERATU 'Yes we have Nosferatu, we have Nosferatu today.' Not much chance of this (the best joke in Mel Brooks' 1995 spoof Dracula: Dead and Loving It) making it into Robert Eggers' latest spin on F. W. Murnau's 1922 film, an unauthorised version of Dracula also...

A Nightmare On Elm Street Part II: Freddy’s Revenge (1985)

The London Lesbian and Gay Film Festival has renamed itself Flare. I'm not sure what I think about this – immediate associations that spring to mind (trousers, nostrils, distress signals) are not exactly encouraging. Also, if someone told me: 'I'm going to Flare', my...