Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Foxcatcher/Whiplash
by Martin | March 1, 2015 | movies, reviews | 0 Comments
I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...
BFI London Film Festival 2014: The Duke Of Burgundy
by Martin | November 16, 2014 | movies, reviews | 0 Comments
When nervous maid Cynthia (Sidhe Babett Knudson) turns up at the mansion of entomologist Evelyn (Chiara D'Anna) our first impression – as she harshly calls into question Cynthia's ability to wash knickers - is that Evelyn is an exacting, even cruel, mistress. But...
Strongroom (1962)
by Martin | August 31, 2019 | movies, reviews | 0 Comments
Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...
Final Destination: Bloodlines / Bogancloch / The Shrouds
by Martin | September 27, 2025 | movies, reviews | 0 Comments
FINAL DESTINATION: BLOODLINES Horror franchises are noted for their unkillable villains, constantly being resurrected, but the Final Destination films cut to the chase in that the villain is death itself, and who is going to kill him? Or her. Or them. The films settle...
Killer’s Moon (1978)
by Martin | October 18, 2014 | movies, reviews | 0 Comments
I've always been put off by Redemption DVDs because they seem to be marketed at sadomasochistic lesbian vampire Goths and (moreover) their male admirers - and I am neither. Look beyond the packaging, however, and you will often find a decent transfer of a hard-to-find...
Enlightened Horror, The Backlash – The Cabinet of Caligari (1962)
by Martin | December 15, 2019 | movies, reviews | 0 Comments
Ever since I coined the term 'enlightened horror' three seconds ago there has been, I expect, a massive reaction on the internet, most of it negative ('Enlightened horror? – enfeebled horror more like!') and I can quite understand. The idea of a form of horror that...
In Pictures 2: Rope (1948) /Possessor (2020)
by Martin | August 30, 2021 | movies, reviews | 0 Comments
ROPE On the extras on my DVD of Alfred Hitchcock's Rope screenwriter Arthur Laurents nails several of the reasons why this adaptation of Patrick Hamilton's play (based on the Leopold/Loeb case in which a couple of students felt entitled to kill a 14 year old boy...
BFI London Film Festival 2017: Good Manners
by Martin | January 13, 2018 | movies, reviews | 0 Comments
The first film by Brazilian directorial duo Juliana Rojas and Marco Dutra was 2011's Hard Labour in which a woman's attempt to get her small business (a grocery store) off the ground is undermined by the corpse of a werewolf lurking behind one of the walls – and also...
Gentrified Horror: The Nightcomers (1971) and Us
by Martin | July 21, 2019 | movies, reviews | 0 Comments
THE NIGHTCOMERS In Nick Pinkerton's positive Sight and Sound review of Puppet Master: The Littlest Reich (which I thought was shit by the way) I first encountered the phrase 'gentrified horror', a pejorative term for the kind of upmarket horror that plays to...
The Brand New Testament (BFI London Film Festival 2015)
by Martin | November 14, 2015 | movies, reviews | 0 Comments
Jaco Van Dormael's film might end up being remembered as the one where Catherine Deneuve sleeps with a gorilla, but that's the least of it. Benoît Poolvoorde is God, a middle-aged slob who never leaves his apartment and spends most of his time on his computer,...