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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Mirror Mirror (1990) / Happy Deathday (2017) / Thelma (2017)

MIRROR MIRROR 'Long may it continue', I said earlier in the year about the BFI's 'Cult' strand. Well now it has ended (though replaced by something very similar called Terror Vision) but at least its last showing, curated by feminist film collective the Final Girls,...

Enlightened Horror, The Backlash – The Cabinet of Caligari (1962)

Ever since I coined the term 'enlightened horror' three seconds ago there has been, I expect, a massive reaction on the internet, most of it negative ('Enlightened horror? – enfeebled horror more like!') and I can quite understand. The idea of a form of horror that...

Sins Of The Fleshapoids (1965)/Orphans Of The Cosmos (2008)

I settled down for this Kuchar Brothers double-bill at the BFI with three cushions (Christmas presents for Mum) in carrier bags, a burden bulky enough to suggest that I should have splashed out on another ticket. With an amused gay man on my left and Brian Sewell...

LFF 2019: Queen Of Diamonds (1991) / Krabi 2562

QUEEN OF DIAMONDS (1991) Showing in the 'Treasures From The Archive' section at the LFF, Nina Menkes’ Queen of Diamonds features her sister Tinka playing a character who, in the director’s words, ‘hasn’t learned to say hello’. In keeping with her air of diffidence,...

Apples / In The Earth

APPLES Who on earth, returning to the cinema after – well OK, during – a global pandemic would go and see a film that is about the pandemic, even if obliquely? About six people (including me) is the answer, if this afternoon showing is anything to go by. Apples seems...

Everlasting Love (Amor Eterno)

Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...

Koko-Di-Koko-Da / Swallow

KOKO-DI-KOKO-DA (LONDON FILM FESTIVAL 2019) Johannes Nyholm's film starts with a mother, Erin (Ylva Gallon) suffering a bout of food poisoning which leaves her face swollen so that she looks, as her husband Tobias (Leif Edlund Johansson) jests, like Freddy Kruger. The...

Tales That Witness Madness (1973)

In 1965 Dr. Terror's House of Horrors kicked off a series of 'anthology' horror films, mostly made by Amicus, of which Tales That Witness Madness (not made by Amicus) is often dismissed as a peculiarly ropey example, although its director Freddie Francis - who also...

Foxcatcher/Whiplash

I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...

Damnation Alley (1977)

Given Roger Zelazny's reputation as an SF writer I can only assume that this is a bowlderized version of his 1969 novel. The very fact that it's showing at 8:00 of a Saturday morning on the Horror Channel suggests that it may not be very challenging. Still, I've set...