Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Tales That Witness Madness (1973)
by Martin | June 15, 2019 | movies, reviews | 0 Comments
In 1965 Dr. Terror's House of Horrors kicked off a series of 'anthology' horror films, mostly made by Amicus, of which Tales That Witness Madness (not made by Amicus) is often dismissed as a peculiarly ropey example, although its director Freddie Francis - who also...
Frightfest 2014: Cheerleaders, Show Pieces, and the Babadook
by Martin | September 14, 2014 | movies, reviews | 0 Comments
ALL CHEERLEADERS DIE As is well-known, the only way in which girls can achieve any kind of power in that hellish jock-dominated microcosm of American society known as high school is either by means of their bodies or through witchcraft. And witchcraft doesn't work. Or...
Death Bed: The Bed That Eats (1977)
by Martin | September 16, 2017 | movies, reviews | 0 Comments
Outside the screen at the BFI stands horror film critic and musician Stephen Thrower (author of several enormous books on horror films which I would love to read if only I had the time - and money) next to a cake in the shape of a four-poster bed - though smaller, of...
The Colossus Of New York (1958) / The Alligator People (1959)
by Martin | May 27, 2020 | movies, reviews | 0 Comments
In American monster movies of the early 50's the monstrous generally had a scientific explanation – of course the science didn't always stand up to close examination, but then it rarely got any. It was only required to generate panic - for the length of the film, at...
Frightfest 2014: Open Windows, Nekromantik and Der Samurai
by Martin | September 21, 2014 | movies, reviews, Uncategorized | 0 Comments
OPEN WINDOWS In an age when you can watch films on your phone, here's another novelty – going to the cinema to see a film whose action takes place entirely on someone's laptop screen. I think it did, anyway – I was frankly a little befuddled by the end. Bear in mind...
Two Takes on Modern Etiquette at the BFI London Film Festival 2015
by Martin | December 13, 2015 | movies, reviews | 0 Comments
THE INVITATION This showed (at the Vue Islington) in the Cult strand, but it deserves the widest possible audience. Struggling to get over the accidental death of his son two years previously, Will (Logan Marshall-Green) goes to a reunion dinner of old friends hosted...
The Angry Red Planet (1960)
by Martin | January 26, 2020 | movies, reviews | 0 Comments
There's often a sense in SF films, especially those of the 50's, that the real subjects of interest are not giant mantises or bug-eyed aliens but women. This is made explicit in director Robert Gordon's 1955 film It Came From Beneath The Sea (1955) where Faith...
London Film Festival 2019: Vivarium / Scales (and End Of The Century)
by Martin | January 5, 2020 | movies, reviews | 0 Comments
VIVARIUM Director Lorcan Finnegan and writer Garrett Shanley's second film sadly doesn't manage to fulfil the promise of their previous feature, 2016’s Without Name. The LFF brochure compares it to The Twilight Zone and Black Mirror but while it could pass for one of...
Burial Ground (1981)
by Martin | August 7, 2016 | movies, reviews, Uncategorized | 0 Comments
In the prologue to this plot-free Italian zombie opus, also known as The Nights of Terror, a professor raises the dead from an Etruscan tomb just in time for the arrival of a group of privileged merry-makers down for a weekend at the adjoining country house. With one...
Jeanne Dielman, 23 Quay De Commerce, 1080 Bruxelles (1975)
by Martin | April 14, 2020 | movies, reviews | 0 Comments
CAUTION: Pre-lockdown content. May include allusions to leaving the house. Are there awards for audiences? Sometimes I feel that I deserve recognition for the efforts I make to catch one-off showings of alienating arthouse films – or at least, that they should pay me...