Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Enys Men / Skinamarink
by Martin | February 25, 2023 | movies, reviews | 0 Comments
ENYS MEN Mark Jenkin's follow-up to the attention-grabbing and fiercely Cornish Bait is being sold as 'folk-horror' but it's a bit more experimental than that might suggest. I don't know if anyone has complained. Certainly I won't, since I enjoy an experimental film,...
The Devil Outside / Permanent Green Light
by Martin | March 16, 2019 | movies, reviews | 0 Comments
THE DEVIL OUTSIDE In writer-director Andrew Hulme's second film (after gangster drama Snow In Paradise, which I haven't seen but will be sure to catch up with – no doubt on London Live - one day) our adolescent hero Robert (Noah Carson) finds the disconnect between...
The Angry Red Planet (1960)
by Martin | January 26, 2020 | movies, reviews | 0 Comments
There's often a sense in SF films, especially those of the 50's, that the real subjects of interest are not giant mantises or bug-eyed aliens but women. This is made explicit in director Robert Gordon's 1955 film It Came From Beneath The Sea (1955) where Faith...
Horromford
by Martin | May 19, 2024 | movies, reviews | 0 Comments
Soon every town in the country will have its own horror film festival, which I suppose is no bad thing, although I could hardly keep up when it was just Frightfest. I saw one film that escaped me at Frightfest (Austin Jennings' Eight Eyes) in late January at...
Amulet /Master
by Martin | May 2, 2022 | movies, reviews | 0 Comments
AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...
Censor / Surge
by Martin | October 10, 2021 | movies, reviews | 0 Comments
CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...
In Pictures
by Martin | May 30, 2021 | movies, reviews | 0 Comments
BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....
LFF 2018: Tumbbad / The Nightshifter
by Martin | January 13, 2019 | movies, reviews | 0 Comments
TUMBBAD Indian horror films are something of a rarity, but Kothanodi was one of my highlights of 2015's London Film Festival, and that was a horror film – sort of. This one, my first film of this year's festival, definitely is - or wants to be. It begins with an...
Downton Abbey (2019) / Ray and Liz (2018)
by Martin | April 7, 2021 | movies, reviews | 0 Comments
DOWNTON ABBEY For many years the TV series Downton Abbey, created by Julian Fellowes, mined the Sunday night craving for reassurance about the past, presenting it as a world in which everyone knew their place. The past, at least the past we never knew personally, is a...
Stray Dogs
by Martin | June 13, 2015 | movies, reviews | 0 Comments
‘What is this life if, filled with care/We have no time to stand and stare?’, said the Victorian poet W. H. Davies. Good point, and a view clearly shared by Chinese director Tsai-Ming-liang, who transfixes (hopefully) his audience with fixed shots of his characters...