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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

La Grande Bouffe (1973)

Marco Ferreri’s 1973 film La Grande Bouffe has airline pilot Marcello Mastroianni, chef Ugo Tognazzi, TV director Michel Piccoli and judge Philippe Noiret gathering in Noiret’s old family pile to indulge themselves in hedonistic pleasures until the toilet backs up -...

Exhibition

Director Joanna Hogg's first two films – Unrelated (2007) and Archipelago (2010) – are about upper-middle class English families on holiday in Tuscany and the Scilly Isles respectively. They were more interested in absorbing you in a landscape and situation than in...

Amulet /Master

AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...

The Brand New Testament (BFI London Film Festival 2015)

Jaco Van Dormael's film might end up being remembered as the one where Catherine Deneuve sleeps with a gorilla, but that's the least of it. Benoît Poolvoorde is God, a middle-aged slob who never leaves his apartment and spends most of his time on his computer,...

GUILT-FREE CINEMA? The New York Ripper (1982) / Hitch Hike To Hell (1977)

At some point in the run-up towards Christmas I found myself watching a documentary on BBC4 by Catherine Bray that encouraged us not to feel 'guilty' about watching 'bad' films. It seemed to be right up my alley and for a good twenty minutes all seemed to be well....

Foxcatcher/Whiplash

I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...

Frightfest 2019 Part Two

BLOOD AND FLESH: THE REEL LIFE AND GHASTLY DEATH OF AL ADAMSON The Cineworld discovery screen offered up David Gregory's documentary about Al Adamson, the 60's /70's exploitation director responsible for such films as 1965's Psycho-A-Go-Go and 1971's Blood of Ghastly...

BFI London Film Festival 2014: Hard To Be A God

What better way to ease yourself gently into a film festival than with a nearly-three-hour black and white Russian film based on an sf novel I've never read? Aleksei German's film (based on a novel by Arkady and Boris Strugatsky)  is set on a planet which has been...

Censor / Surge

CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...

Frightfest 2014: Cheerleaders, Show Pieces, and the Babadook

ALL CHEERLEADERS DIE As is well-known, the only way in which girls can achieve any kind of power in that hellish jock-dominated microcosm of American society known as high school is either by means of their bodies or through witchcraft. And witchcraft doesn't work. Or...