Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Further Dispatches From BFI Flare
by Martin | May 2, 2015 | movies, reviews | 0 Comments
Futuro Beach On the face of it this has everything you could possibly want from a Brazilian- German co-production – it begins in Brazil and it ends in Germany – and beneath the surface there’s enough happening to offset a vague sense of one's having seen something...
The Brand New Testament (BFI London Film Festival 2015)
by Martin | November 14, 2015 | movies, reviews | 0 Comments
Jaco Van Dormael's film might end up being remembered as the one where Catherine Deneuve sleeps with a gorilla, but that's the least of it. Benoît Poolvoorde is God, a middle-aged slob who never leaves his apartment and spends most of his time on his computer,...
The Revenant
by Martin | May 29, 2016 | movies, reviews | 0 Comments
Early reports of this film had audiences scandalised by the sight of star Leonardo di Caprio being raped by a bear. Three times. I suspect that this was hype worked up by the studio's marketing department, but I suppose it depends on whether you think people are more...
Censor / Surge
by Martin | October 10, 2021 | movies, reviews | 0 Comments
CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...
BFI London Film Festival 2014: The Duke Of Burgundy
by Martin | November 16, 2014 | movies, reviews | 0 Comments
When nervous maid Cynthia (Sidhe Babett Knudson) turns up at the mansion of entomologist Evelyn (Chiara D'Anna) our first impression – as she harshly calls into question Cynthia's ability to wash knickers - is that Evelyn is an exacting, even cruel, mistress. But...
BFI London Film Festival 2017: Rift, My Friend Dahmer, Hagazussa – A Heathen’s Curse
by Martin | December 3, 2017 | movies, reviews | 0 Comments
RIFT Apparently the Icelandic title of Rift (Rökkur) more closely corresponds to 'Twilight', but that title, as the director Erlingur Thoroddsen drily points out, was already taken. Though not terribly exciting as a title, Rift is apt enough for this story of two gay...
Two Takes on Modern Etiquette at the BFI London Film Festival 2015
by Martin | December 13, 2015 | movies, reviews | 0 Comments
THE INVITATION This showed (at the Vue Islington) in the Cult strand, but it deserves the widest possible audience. Struggling to get over the accidental death of his son two years previously, Will (Logan Marshall-Green) goes to a reunion dinner of old friends hosted...
Monster Mulch: Vintage Creatures From Talking Pictures
by Martin | May 7, 2018 | movies, reviews | 0 Comments
I like to think that there is no such thing as a bad film. Philosophically speaking, there is no such thing as a film at all, since films only 'really' exist in the watching of them, and this is done by people, and no two people will experience precisely the same...
LFF 2018: Holiday / This Teacher / Cam
by Martin | January 20, 2019 | movies, reviews | 0 Comments
HOLIDAY I took over a week's holiday for the London Film Festival in 2018. This leaves me with no anecdotes about my experiences when I get back to work but it means that I can 'visit' many different countries without the hassle of actually having to go anywhere...
The Red Queen Kills Seven Times (1972) / Effie Gray (2014)
by Martin | July 28, 2020 | movies, reviews | 0 Comments
Before he (apparently) disappeared into thin air, Emilio P. Miraglia made a couple of films blending the giallo with the Gothic, 1971's The Night Evelyn Game Out of the Grave, and this, his last film. The giallo and the Gothic are simultaneously very different (the...