Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Phantoms of the Opera
by Martin | October 3, 2020 | movies, reviews | 0 Comments
IL MOSTRO DELLA OPERA (1964) In the days before the cities became tombs and the cinemas morgues I went to a showing of this obscure Italian film at the Barbican on a Saturday morning, only to discover that I was encroaching upon a Phantom Of The Opera symposium. Who...
BFI London Film Festival 2014: Metamorphoses/White God
by Martin | December 7, 2014 | movies, reviews | 0 Comments
METAMORPHOSES Christophe Honoré's film is based on something I've not read – Ovid's Metamorphoses – but no need to be alarmed: the stories are spelled out very clearly. Indeed, almost too clearly. The set-up is that Europa (Amira Akili) is a schoolgirl learning about...
Crimes At The Dark House and elsewhere – some films with Tod Slaughter 1937-1946
by Martin | August 19, 2017 | movies, reviews | 0 Comments
Crimes At The Dark House (1940) is nominally a version of Wilkie Collins' novel The Woman In White in which Tod Slaughter is Sir Percival Glyde – or rather he isn't, he's an impostor first seen hammering a tent peg into the real Sir Percival's left ear. Which is to...
Death Car On The Freeway (1979)
by Martin | July 18, 2015 | movies, reviews | 0 Comments
The critical appeal of the recent Mad Max sequel was so across-the-board that it even screened at arthouse venues like the Curzon Soho - while I was in there waiting for Christian Petzold’s (excellent) German drama Phoenix to start, a trailer for it played. The woman...
Gentrified Horror: The Nightcomers (1971) and Us
by Martin | July 21, 2019 | movies, reviews | 0 Comments
THE NIGHTCOMERS In Nick Pinkerton's positive Sight and Sound review of Puppet Master: The Littlest Reich (which I thought was shit by the way) I first encountered the phrase 'gentrified horror', a pejorative term for the kind of upmarket horror that plays to...
Further Dispatches From BFI Flare
by Martin | May 2, 2015 | movies, reviews | 0 Comments
Futuro Beach On the face of it this has everything you could possibly want from a Brazilian- German co-production – it begins in Brazil and it ends in Germany – and beneath the surface there’s enough happening to offset a vague sense of one's having seen something...
Comings Of Age – Three Attempts From The BFI London Film Festival 2015
by Martin | December 28, 2015 | movies, reviews | 0 Comments
DER NACHTMAHR Not German for 'nightmare', ein nachtmahr is more like a thing from a nightmare, so the director - German artist AKIZ – tells us. In the case of his film that thing is a strange creature resembling a cross between Belial from Basket Case and Garfield,...
Barbican Nights – Into the Woods Part One
by Martin | July 9, 2017 | movies, reviews | 0 Comments
In an unusual attempt at consistency I thought I'd review this folk horror season curated by Cigarette Burns (Josh Saco), consisting of four films showing at the Barbican during May, the first being: THE COMPANY OF WOLVES (1984) Only I didn't go to that one. I...
The Brand New Testament (BFI London Film Festival 2015)
by Martin | November 14, 2015 | movies, reviews | 0 Comments
Jaco Van Dormael's film might end up being remembered as the one where Catherine Deneuve sleeps with a gorilla, but that's the least of it. Benoît Poolvoorde is God, a middle-aged slob who never leaves his apartment and spends most of his time on his computer,...
BFI London Film Festival 2017: Brawl In Cell Block 99 and Let The Corpses Tan
by Martin | January 1, 2018 | movies, reviews, Uncategorized | 0 Comments
BRAWL IN CELL BLOCK 99 Violence. It can leave a nasty taste in the mouth, and perhaps it ought to. Brawl In Cell Block 99 certainly left a nasty taste in my mouth, but I'm almost convinced that this was intentional. Not intentional as regards just my mouth of course....