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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

London Film Festival 2019: Tremors / La Llorona

TREMORS According to writer-director Jayro Bustamente only about four films are made in Guatemala per year. I have now seen two, which pretty much makes me an expert in Guatemalan cinema. I could probably write a book on it. Not to be confused with a Kevin Bacon film...

Sleepaway Camp (1983)

This was prefaced by a talk from BFI programmer Michael Blyth around LBGT horror which pleasingly focused on less obvious titles – The Ghost Ship, Homicidal, Alucarda – even if he did seem to be stretching a point sometimes. Passing allusions to Dr. Jekyll And Mister...

Frightfest 2015 Day Three

Over Your Dead Body The vexing question of what to see and what not to see at these festivals often results in me scouring the internet for reviews from other festivals. It didn't do me a lot of good in this case since I found two reviews for OYDB, one of which...

The Burning (1981)

CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...

Post-Horror: Men / Bergman Island

MEN I see that the Barbican are putting on a summer season of 'post-horror' films. Is that a film you see after a horror film, for light relief perhaps? Well no, apparently – it's just another iteration of our old friend 'elevated horror'. So the films in question...

The Million Eyes Of Sumuru (1967)

'I have a million eyes, for I am Sumuru', says Shirley Eaton in voiceover at the beginning of this particular disaster. She doesn't really have a million eyes - that's the first disappointment. The notional 'million eyes' belong to her followers. Sumuru leads an...

Under The Skin

I took a half day off work to see this, and thus missed Ann Widdecombe on the Jeremy Vine show talking about 'What It Means To Be Human'. However, this offered a roughly comparable experience. An attractive alien disguised as movie star Scarlett Johanssen drives round...

The Hart Of London (1970)/Sodom (1989)

Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...

Further Dispatches From BFI Flare

Futuro Beach On the face of it this has everything you could possibly want from a Brazilian- German co-production – it begins in Brazil and it ends in Germany – and beneath the surface there’s enough happening to offset a vague sense of one's having seen something...

The Brand New Testament (BFI London Film Festival 2015)

Jaco Van Dormael's film might end up being remembered as the one where Catherine Deneuve sleeps with a gorilla, but that's the least of it. Benoît Poolvoorde is God, a middle-aged slob who never leaves his apartment and spends most of his time on his computer,...