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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

BFI London Film Festival 2022: Lockdown Lingers

COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...

Fur: An Imaginary Portrait of Diane Arbus (2006)

Who the hell's Diane Arbus? If this is your reaction to the above title, then you probably won't get much out of this film. I knew little about Diane Arbus, and having seen the film, now feel that I know less. Which is not the film's fault. It begins with a disclaimer...

Exhibition

Director Joanna Hogg's first two films – Unrelated (2007) and Archipelago (2010) – are about upper-middle class English families on holiday in Tuscany and the Scilly Isles respectively. They were more interested in absorbing you in a landscape and situation than in...

Barbican Nights: Into The Woods Part Two

EYES OF FIRE (1986) This, Josh Saco explains, is a 'lost' film, and just because it is here tonight screening in front of us that doesn't mean it has been found again. I mean, who are we to 'find' it? Even the director, Avery Crounse, was happy to let it go and move...

White Bird In A Blizzard

This adaptation of Laura Kasischke's young adult novel finds director Gregg Araki in less than full-on mode, and my first impression, such is the uncertainty of tone here, is that when he isn't in full-on mode (eg: Nowhere, Kaboom) he doesn't know what he's doing. But...

Frightfest 2016 Day Three

MAN UNDERGROUND Or do I mean Day Four since I skipped Day Three? Oh what the hell. Nobody's paying me to do this. By this stage (Bank Holiday Monday) 'not really horror' (a term coined by Anton Bitel in a recent article for Sight and Sound online) seemed to be turning...

Pride And Prejudice And Zombies

In theory this could be my ideal film, uniting art and trash with no middle ground; but there's a difference between theory and practice. I remember years ago, when I used to work in Waterstones, looking at the cover of the book this is based on and wondering if there...

London Film Festival 2019: Vivarium / Scales (and End Of The Century)

VIVARIUM Director Lorcan Finnegan and writer Garrett Shanley's second film sadly doesn't manage to fulfil the promise of their previous feature, 2016’s Without Name. The LFF brochure compares it to The Twilight Zone and Black Mirror but while it could pass for one of...

Blue / Trog (1993 and 1970)

In his introduction to Derek Jarman's Blue John Waters, who selected it as one of his favourite British films for a celebration of all things JW at the BFI, recalled how the first time he saw it the cinema had posters up warning punters that Blue was a film that...

The Manster (1959)

I got this in a DVD box set called Brains That Wouldn't Die ('6 Midnight Movies on 2 DVDs!'). On the plus side, there are some hard-to-see films here – on the downside, such is the picture quality that they often remain hard to see, even while you're watching them....