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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Cold-Blooded Beast / Bloodsucking Freaks

COLD-BLOODED BEAST (1971) 88 Films' Italian Collection yields this giallo in which a masked murderer stalks an all-female (the patients not the staff) mental institution but the occupants are all too busy playing with themselves and each other to notice, at least...

The Bat (1959)

This comes from a cheap and pretty random box set of 'horror' DVD's I got as a Secret Santa present – thanks, Lorraine! - so there's no frills here, no trailer or 'Making Of': they barely manage to give you the film itself. Which is bad anyway, so creaky you can...

Two Takes on Modern Etiquette at the BFI London Film Festival 2015

THE INVITATION This showed (at the Vue Islington) in the Cult strand, but it deserves the widest possible audience. Struggling to get over the accidental death of his son two years previously, Will (Logan Marshall-Green) goes to a reunion dinner of old friends hosted...

In Pictures

BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....

The Invisible Life

It was a lovely day, sunshine sparkling on the Thames, Green Park bustling with life. The freshness in the air seemed almost to be trying to dissuade me against seeing a bleak existential drama about death at the ICA, but I was determined - even if, in the event, it...

Frightfest 2022

'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...

Frightfest 2014: R100

What's that you say? Are Japanese films still as bonkers as they used to be? Why yes, and here is the proof. In Hitoshi Matsumoto's beguiling oddity a furniture salesman (Nao Ômori) attempts to escape the drudgery of his existence (wife in coma, young son to raise) by...

Sins Of The Fleshapoids (1965)/Orphans Of The Cosmos (2008)

I settled down for this Kuchar Brothers double-bill at the BFI with three cushions (Christmas presents for Mum) in carrier bags, a burden bulky enough to suggest that I should have splashed out on another ticket. With an amused gay man on my left and Brian Sewell...

Doctor Blood’s Coffin (1961)

Possibly for budgetary reasons, Kieron Moore plays both romantic lead and villain in this shocker from director Sidney J. Furie. In the former capacity he courts Hazel Court’s Nurse Linda Parker, who works at his father’s surgery in Cornwall, while in the latter he...

Hereditary

In theory it ought to be possible to respond to a film without taking into account to the critical reaction to it, but once you are aware of that reaction and have seen it pasted on the sides of buses, there's not much you can do about that: it's already in you. But...