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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Sins Of The Fleshapoids (1965)/Orphans Of The Cosmos (2008)

I settled down for this Kuchar Brothers double-bill at the BFI with three cushions (Christmas presents for Mum) in carrier bags, a burden bulky enough to suggest that I should have splashed out on another ticket. With an amused gay man on my left and Brian Sewell...

Locke

This is that film where a plausibly middle-aged Tom Hardy drives from Birmingham to London in a Welsh accent. Not a bad Welsh accent – I was reminded of Rob Brydon, who also did a thing set entirely in a vehicle, Marion And Geoff. That was a poignant comedy of...

And Soon The Darkness (1970)

Forget everything I said about the Horror Channel, like for example that it’s 99% shit. In fact it has been keeping me fed with delightful tidbits without over-stimulating me – what more could anyone ask for? This is a case in point. Like The Devil’s Rain it was...

BFI London Film Festival 2014: Three Horrors at the Odeon Covent Garden

SPRING If you thought Richard Linklater's Before Sunset might have been improved if Julie Delpy had periodically turned into a squid (and is there anyone who doesn't?), then this may well be the film for you. American backpacker Evan (Lou Taylor Pucci) hooks up with...

Frightfest 2019 Part Three

DEPRAVED In 1991's No Telling, Larry Fessenden's first take on the Frankenstein story – and first film, in fact – the mad scientist has, by the end of it, managed to weld a Border collie and a calf together, which would only have made the third act in a standard...

Salvo

Mafia hitman Salvo (Saleh Bakri) kills a guy but instead of despatching his sister Rita (Sara Serraiocco) - a witness to the crime - he chooses to hide her in an abandoned factory and keep her fed and watered. Why? Love? Pity? Or is he caught on the horns of a...

BFI London Film Festival 2017: Rift, My Friend Dahmer, Hagazussa – A Heathen’s Curse

RIFT Apparently the Icelandic title of Rift (Rökkur) more closely corresponds to 'Twilight', but that title, as the director Erlingur Thoroddsen drily points out, was already taken. Though not terribly exciting as a title, Rift is apt enough for this story of two gay...

Mirror Mirror (1990) / Happy Deathday (2017) / Thelma (2017)

MIRROR MIRROR 'Long may it continue', I said earlier in the year about the BFI's 'Cult' strand. Well now it has ended (though replaced by something very similar called Terror Vision) but at least its last showing, curated by feminist film collective the Final Girls,...

Frightfest 2015 Day Three

Over Your Dead Body The vexing question of what to see and what not to see at these festivals often results in me scouring the internet for reviews from other festivals. It didn't do me a lot of good in this case since I found two reviews for OYDB, one of which...

Kinoteka 2019: Love Express and Fugue

LOVE EXPRESS: THE DISAPPEARANCE OF WALERIAN BOROWCZYK Kuba Mikurda's documentary presents a pretty standard view of Borowczyk, which won't be a problem for people who have no idea who Borowczyk is I suppose, and they are the vast majority of the population, and...