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Our Time / Once Upon A Time In Hollywood

by Martin | September 7, 2019 | movies, reviews | 0 Comments

OUR TIME There was quite a high turnout for this three-hour epic of directorial self-laceration from Mexican director Carlos Reygadas, although admittedly this was at the Minema screen at the Curzon Bloomsbury, which seats about 20 people. I had a guy ahead of me...

Blind

by Martin | May 30, 2015 | movies, reviews | 0 Comments

The old Renoir cinema has resurfaced as the Curzon Bloomsbury. It hasn’t got any bigger on top but underneath it’s a rabbit warren, leading me down dark tunnels in search of the ‘Minema’ screen. This sounds small, and so it proves to be – so very intimate that the...

In Fabric / Little Joe

by Martin | March 21, 2020 | movies, reviews | 0 Comments

IN FABRIC Peter Strickland's follow-up to the excellent Duke Of Burgundy is a bumpier ride, but you get to enjoy that after a while. Apparently it's set in 1993 – I read this on the Sight and Sound letters page – but it seems to be taking place in some kind of...

Barbican Nights: Into The Woods Part Two

by Martin | August 5, 2017 | movies, reviews | 0 Comments

EYES OF FIRE (1986) This, Josh Saco explains, is a 'lost' film, and just because it is here tonight screening in front of us that doesn't mean it has been found again. I mean, who are we to 'find' it? Even the director, Avery Crounse, was happy to let it go and move...

Downton Abbey (2019) / Ray and Liz (2018)

by Martin | April 7, 2021 | movies, reviews | 0 Comments

DOWNTON ABBEY For many years the TV series Downton Abbey, created by Julian Fellowes, mined the Sunday night craving for reassurance about the past, presenting it as a world in which everyone knew their place. The past, at least the past we never knew personally, is a...

Everlasting Love (Amor Eterno)

by Martin | April 26, 2015 | movies, reviews | 0 Comments

Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...

New Year’s Evil (1980) / Bloody New Year (1987)

by Martin | February 11, 2018 | movies, reviews | 0 Comments

New Year is, as everybody knows, a massive anticlimax. We all get frantically excited about what turns out to be just a glib transition into more of the same. Here are two films (showing in the BFI's Cult strand) which try to give New Year some genuine significance...

Mandy / Knife + Heart / Suspiria

by Martin | February 16, 2019 | movies, reviews | 0 Comments

MANDY Mandy sold out very quickly at the London Film Festival, so I was pleased, having failed to secure a ticket, to see that it was showing in that very same week at the Prince Charles Cinema, which meant that I could see it for a fiver rather that sixteen quid. It...

Frightfest 2019 Part One – Home Discomforts

by Martin | September 21, 2019 | movies, reviews | 0 Comments

Set in my ways as I am I prefer to buy my Frightfest tickets in person, at whatever passes for a 'box office' nowadays. Over the years this has become more and more difficult and now entails leaving it to the very last moment. This time around I thought my resistance...

Censor / Surge

by Martin | October 10, 2021 | movies, reviews | 0 Comments

CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...