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Further Dispatches From BFI Flare

by Martin | May 2, 2015 | movies, reviews | 0 Comments

Futuro Beach On the face of it this has everything you could possibly want from a Brazilian- German co-production – it begins in Brazil and it ends in Germany – and beneath the surface there’s enough happening to offset a vague sense of one's having seen something...

New Year’s Evil (1980) / Bloody New Year (1987)

by Martin | February 11, 2018 | movies, reviews | 0 Comments

New Year is, as everybody knows, a massive anticlimax. We all get frantically excited about what turns out to be just a glib transition into more of the same. Here are two films (showing in the BFI's Cult strand) which try to give New Year some genuine significance...

Hail Caesar! / High Rise

by Martin | May 1, 2016 | movies, reviews | 0 Comments

One of the funnier scenes in the Coen Brothers' 50's Hollywood-set latest has Ralph Fiennes as a fussy English director struggling to incorporate studio-imposed Western star Hobie Doyle (Alden Ehrenreich) into his drawing room comedy Merrily We Dance. Before his utter...

The Voices

by Martin | May 4, 2015 | movies, reviews | 0 Comments

A toy factory worker in a small American town, Jerry (Ryan Reynolds) is your standard eager-to-please psychotic passing for normal, at least until he starts ticking the box marked ‘serial killer’ by stabbing his indifferent love-object (Gemma Arterton) to death and...

mother!

by Martin | November 12, 2017 | movies, reviews | 0 Comments

The release of Darren Aronofky's latest film was preceded by a director interview by Trevor Johnston in Sight & Sound urging viewers not to read it until they'd seen the film, since (even more than is usually the case) the more you knew about this film in advance...

BFI London Film Festival 2017: Brawl In Cell Block 99 and Let The Corpses Tan

by Martin | January 1, 2018 | movies, reviews, Uncategorized | 0 Comments

BRAWL IN CELL BLOCK 99 Violence. It can leave a nasty taste in the mouth, and perhaps it ought to. Brawl In Cell Block 99 certainly left a nasty taste in my mouth, but I'm almost convinced that this was intentional. Not intentional as regards just my mouth of course....

Frightfest 2019 Part One – Home Discomforts

by Martin | September 21, 2019 | movies, reviews | 0 Comments

Set in my ways as I am I prefer to buy my Frightfest tickets in person, at whatever passes for a 'box office' nowadays. Over the years this has become more and more difficult and now entails leaving it to the very last moment. This time around I thought my resistance...

LFF 2019: Jallikattu/Saint Maud

by Martin | November 14, 2020 | movies, reviews | 0 Comments

Ah yes, the London Film Festival. I remember that. Well it did happen this year, it was just 'different' – they even tried to suggest that the festival we had (mostly online) represented some kind of exciting innovation rather than an attempt to pretend that a film...

Strongroom (1962)

by Martin | August 31, 2019 | movies, reviews | 0 Comments

Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...

Hereditary

by Martin | August 5, 2018 | movies, reviews | 0 Comments

In theory it ought to be possible to respond to a film without taking into account to the critical reaction to it, but once you are aware of that reaction and have seen it pasted on the sides of buses, there's not much you can do about that: it's already in you. But...