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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Barbican Nights – Into the Woods Part One

In an unusual attempt at consistency I thought I'd review this folk horror season curated by Cigarette Burns (Josh Saco), consisting of four films showing at the Barbican during May, the first being: THE COMPANY OF WOLVES (1984) Only I didn't go to that one. I...

Stray Dogs

‘What is this life if, filled with care/We have no time to stand and stare?’, said the Victorian poet W. H. Davies. Good point, and a view clearly shared by Chinese director Tsai-Ming-liang, who transfixes (hopefully) his audience with fixed shots of his characters...

In Pictures 2: Rope (1948) /Possessor (2020)

ROPE On the extras on my DVD of Alfred Hitchcock's Rope screenwriter Arthur Laurents nails several of the reasons why this adaptation of Patrick Hamilton's play (based on the Leopold/Loeb case in which a couple of students felt entitled to kill a 14 year old boy...

Burke And Hare (1971)

This is director Vernon Sewell’s last film and there’s something fitting about that: after two ventures into the more fantastical side of horror (The Blood Beast Terror and The Curse Of The Crimson Altar from 1966 and 1968 respectively) neither of which went out of...

Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife

FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...

Pride And Prejudice And Zombies

In theory this could be my ideal film, uniting art and trash with no middle ground; but there's a difference between theory and practice. I remember years ago, when I used to work in Waterstones, looking at the cover of the book this is based on and wondering if there...

Possession of Joel Delaney (1972) / The Vigil (2019) / Hatching (2022)

POSSESSION OF JOEL DELANEY This screening (part of Dukefest, a small festival curated by the Duke Mitchell Film Club) was busy, though thankfully not so busy that when a person of enormous stature sat in front of me I couldn't just shift to the seat next to me. What...

Frightfest 2022

'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...

Frightfest 2017: The Glass Coffin

Some kind of religious revival seems to be going on outside Frightfest's new (old) home, the Cineworld (formerly Empire) Leicester Square. A sign saying 'Repent or Perish' has been held aloft. I wonder if this is particularly aimed at the Frightfest crowd. Maybe it's...

More Madness: Madeline’s Madeline and Thunder Road (LFF 2018)

MADELINE'S MADELINE The new film from director Josephine Decker (Thou Wast Mild And Lovely) is a gripping and vivid account of some days in the life of the eponymous schizophrenic teenager (an impressive Helena Howard), who has joined a theatrical troupe which seems...