Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Theatre Of Blood (1973)
by Martin | June 29, 2014 | movies, reviews | 0 Comments
Mark Kermode once stated that anyone who said they'd guessed the ending of The Usual Suspects was lying. I have never quite forgiven him for this - I guessed it, but what proof do I have? Essentially he was out there calling me a liar and I had no redress. However, I...
The Boxer’s Omen (1983) / Goodbye Dragon Inn (2003)
by Martin | May 15, 2021 | movies, reviews | 0 Comments
THE BOXER'S OMEN I saw this in late 2016 at the Barbican in a season called Cheap Thrills, a celebration of bad taste. Is this then a 'bad film'? If so, we need to dismiss any judgmental qualities that might still be clinging to the word 'bad'. We are not condemning...
BFI London Film Festival 2014: Hard To Be A God
by Martin | October 25, 2014 | movies, reviews | 0 Comments
What better way to ease yourself gently into a film festival than with a nearly-three-hour black and white Russian film based on an sf novel I've never read? Aleksei German's film (based on a novel by Arkady and Boris Strugatsky) is set on a planet which has been...
In Pictures
by Martin | May 30, 2021 | movies, reviews | 0 Comments
BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....
BFI London Film Festival 2021: Between Feast and Famine
by Martin | January 30, 2022 | movies, reviews | 0 Comments
THE FEAST I remember overhearing a punter at the London Film Festival one year asking the guy next to him what he'd seen and he replied: 'A lot of films that could have been better'. My experience this year (last year) was a bit like that. Even before it started I had...
Frightfest 2014: Open Windows, Nekromantik and Der Samurai
by Martin | September 21, 2014 | movies, reviews, Uncategorized | 0 Comments
OPEN WINDOWS In an age when you can watch films on your phone, here's another novelty – going to the cinema to see a film whose action takes place entirely on someone's laptop screen. I think it did, anyway – I was frankly a little befuddled by the end. Bear in mind...
GUILT-FREE CINEMA? The New York Ripper (1982) / Hitch Hike To Hell (1977)
by Martin | January 24, 2021 | movies, reviews | 0 Comments
At some point in the run-up towards Christmas I found myself watching a documentary on BBC4 by Catherine Bray that encouraged us not to feel 'guilty' about watching 'bad' films. It seemed to be right up my alley and for a good twenty minutes all seemed to be well....
White Bird In A Blizzard
by Martin | April 12, 2015 | movies, reviews | 0 Comments
This adaptation of Laura Kasischke's young adult novel finds director Gregg Araki in less than full-on mode, and my first impression, such is the uncertainty of tone here, is that when he isn't in full-on mode (eg: Nowhere, Kaboom) he doesn't know what he's doing. But...
Horrors Of The London Film Festival 2019
by Martin | February 22, 2020 | movies, reviews | 0 Comments
DEERSKIN Horror films have fielded some unlikely 'monsters' over the years and director Quentin Dupieux has already supplied a notable one with 2010's Rubber, whose 'villain' was a spare tyre. His new film explores the malign potential of a jacket. Filling it out, and...
BFI London Film Festival 2017: Rift, My Friend Dahmer, Hagazussa – A Heathen’s Curse
by Martin | December 3, 2017 | movies, reviews | 0 Comments
RIFT Apparently the Icelandic title of Rift (Rökkur) more closely corresponds to 'Twilight', but that title, as the director Erlingur Thoroddsen drily points out, was already taken. Though not terribly exciting as a title, Rift is apt enough for this story of two gay...