Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Horrors Of The London Film Festival 2019
by Martin | February 22, 2020 | movies, reviews | 0 Comments
DEERSKIN Horror films have fielded some unlikely 'monsters' over the years and director Quentin Dupieux has already supplied a notable one with 2010's Rubber, whose 'villain' was a spare tyre. His new film explores the malign potential of a jacket. Filling it out, and...
Eyeball (1975) / Short Night Of Glass Dolls (1971) / Spasmo (1974)
by Martin | August 5, 2020 | movies, reviews | 0 Comments
EYEBALL The original Italian title of Umberto Lenzi's Eyeball translates as Red Cats In A Glass Labyrinth, which makes very little sense and is all the more impressive for it. However, there is no doubt that Eyeball is more to the point. This giallo is about a busload...
Frightfest 2019 Part Three
by Martin | October 26, 2019 | movies, reviews | 0 Comments
DEPRAVED In 1991's No Telling, Larry Fessenden's first take on the Frankenstein story – and first film, in fact – the mad scientist has, by the end of it, managed to weld a Border collie and a calf together, which would only have made the third act in a standard...
In Pictures
by Martin | May 30, 2021 | movies, reviews | 0 Comments
BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....
CITIZENFOUR
by Martin | February 8, 2015 | movies, reviews | 0 Comments
I hardly ever go to see documentaries because they're about real life, and I can see that for free. But recently, every time I looked at the ICA website, I noticed that they were giving me yet another opportunity to see Laura Poitras' film about Edward Snowden, as its...
Tales That Witness Madness (1973)
by Martin | June 15, 2019 | movies, reviews | 0 Comments
In 1965 Dr. Terror's House of Horrors kicked off a series of 'anthology' horror films, mostly made by Amicus, of which Tales That Witness Madness (not made by Amicus) is often dismissed as a peculiarly ropey example, although its director Freddie Francis - who also...
London Film Festival 2019: Vivarium / Scales (and End Of The Century)
by Martin | January 5, 2020 | movies, reviews | 0 Comments
VIVARIUM Director Lorcan Finnegan and writer Garrett Shanley's second film sadly doesn't manage to fulfil the promise of their previous feature, 2016’s Without Name. The LFF brochure compares it to The Twilight Zone and Black Mirror but while it could pass for one of...
Frightfest 2022
by Martin | December 18, 2022 | movies, reviews | 0 Comments
'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...
The Burning (1981)
by Martin | April 24, 2020 | movies, reviews | 0 Comments
CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...
Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife
by Martin | March 3, 2024 | movies, reviews | 0 Comments
FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...