Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Enlightened Horror, The Backlash – The Cabinet of Caligari (1962)
by Martin | December 15, 2019 | movies, reviews | 0 Comments
Ever since I coined the term 'enlightened horror' three seconds ago there has been, I expect, a massive reaction on the internet, most of it negative ('Enlightened horror? – enfeebled horror more like!') and I can quite understand. The idea of a form of horror that...
Salvo
by Martin | April 26, 2014 | movies, reviews | 0 Comments
Mafia hitman Salvo (Saleh Bakri) kills a guy but instead of despatching his sister Rita (Sara Serraiocco) - a witness to the crime - he chooses to hide her in an abandoned factory and keep her fed and watered. Why? Love? Pity? Or is he caught on the horns of a...
L’il Quinquin
by Martin | January 18, 2015 | movies, reviews | 0 Comments
My jaw dropped when I heard that divisive auteur Bruno Dumont's next film would be a comedy about cops, and remained in that state throughout the three-hour plus length of the film (actually a four-part TV series, served up in a single showing at the London Film...
The Curious Dr. Humpp / Vengeanza Del Sexo (1967 or thereabouts)
by Martin | August 12, 2023 | movies, reviews | 0 Comments
I had reservations about going to see Brainwashed: Sex – Camera – Power, Nina Menkes' take on 'the male gaze' at the BFI, partly because it seemed like the kind of thing that would turn up on BBC4 or Sky Arts in a month or two, but there is a certain advantage to...
Caged Women: Hounds of Love, Berlin Syndrome, The Beguiled
by Martin | September 16, 2017 | movies, reviews | 0 Comments
HOUNDS OF LOVE In 1987 sullen Australian teenager Vicki (Ashleigh Cummings) seethes with resentment at her mum, who has chosen to split with surgeon dad, necessitating a move to a seedier part of town – still, things could be worse, as she soon discovers when...
Camille Claudel 1915
by Martin | July 26, 2014 | movies, reviews | 0 Comments
This meeting of two arthouse legends – Bruno Dumont, a director who has previously always refused to work with professional actors, and Juliette (Chocolat) Binoche – is heralded by posters screaming BINOCHE CLAUDEL DUMONT, in the manner of ads for an action movie...
Eyeball (1975) / Short Night Of Glass Dolls (1971) / Spasmo (1974)
by Martin | August 5, 2020 | movies, reviews | 0 Comments
EYEBALL The original Italian title of Umberto Lenzi's Eyeball translates as Red Cats In A Glass Labyrinth, which makes very little sense and is all the more impressive for it. However, there is no doubt that Eyeball is more to the point. This giallo is about a busload...
Popcorn (1991)
by Martin | May 4, 2015 | movies, reviews | 0 Comments
Although I don't think it has been languishing in obscurity exactly (it's showing on the Horror Channel as I write) Popcorn is a film I've somehow missed. Luckily Michael Blyth, masterminding the BFI’s Cult strand, has given it an airing and thus allowed me to atone...
LFF 2019: Jallikattu/Saint Maud
by Martin | November 14, 2020 | movies, reviews | 0 Comments
Ah yes, the London Film Festival. I remember that. Well it did happen this year, it was just 'different' – they even tried to suggest that the festival we had (mostly online) represented some kind of exciting innovation rather than an attempt to pretend that a film...
The Lady From Shanghai (1947) and The Spooky Bunch (1980)
by Martin | August 25, 2014 | movies, reviews | 0 Comments
Orson Welles' Irish accent in The Lady From Shanghai is perfectly emblematic of the film itself: you can't quite believe it yet you can't quite disbelieve it either. Welles' character, a sailor called Michael O'Hara, falls in love with Rita Hayworth's lady of the...