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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

The Mad Ghoul (1943)

Director James Hogan's film begins with an unusually delicate situation for a mad scientist flick – the heroine Isabel (Evelyn Ankers) has fallen out of love with the hero Ted (David Bruce). Isabel confides this melancholy fact to Dr. Alfred Morris, Ted’s chemistry...

Attack Of The Giant Leeches (1959)

Into my life comes a dumpbin full of DVD's at £3.00 each, temporarily arresting my progress through Fopp. Movie Legends. They don't look promising. Murky covers and nothing on the back but a plot summary (that does however, in the case of Attack, include the ending)....

Horror Of The Blood Monsters (1970) / The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers

Sometimes all you need is a title – how can either of these films turn out to be anything other than disappointments? But this is the case with so much in life, and even before sitting down to watch them – in fact long, long before - I have already adjusted to this on...

Blue / Trog (1993 and 1970)

In his introduction to Derek Jarman's Blue John Waters, who selected it as one of his favourite British films for a celebration of all things JW at the BFI, recalled how the first time he saw it the cinema had posters up warning punters that Blue was a film that...

More Madness: Madeline’s Madeline and Thunder Road (LFF 2018)

MADELINE'S MADELINE The new film from director Josephine Decker (Thou Wast Mild And Lovely) is a gripping and vivid account of some days in the life of the eponymous schizophrenic teenager (an impressive Helena Howard), who has joined a theatrical troupe which seems...

Longlegs / Only The River Flows

LONGLEGS Longlegs has been subject to a lot of hype claiming that it is the scariest film of the year or decade or maybe even century, and it certainly maintains a tense and creepy atmosphere throughout, but the scariest moment comes before the credits, where the...

Damnation Alley (1977)

Given Roger Zelazny's reputation as an SF writer I can only assume that this is a bowlderized version of his 1969 novel. The very fact that it's showing at 8:00 of a Saturday morning on the Horror Channel suggests that it may not be very challenging. Still, I've set...

Frankenstein 1970

This begins generically but effectively with a screaming girl being pursued across the (German, it turns out) countryside by a nightmarishly-contorted Frankenstein's monster whose face we never see; this proves, however, to be part of a TV programme being shot in the...

LFF 2019: Jallikattu/Saint Maud

Ah yes, the London Film Festival. I remember that. Well it did happen this year, it was just 'different' – they even tried to suggest that the festival we had (mostly online) represented some kind of exciting innovation rather than an attempt to pretend that a film...

Santo in the Wax Museum (1963) / Santo Vs. The She-Wolves (1976)

Just when you thought it was safe to go back to the cinema... it IS safe. Oppressively so. I don't know about you but walking into a room full of people in surgical masks doesn't 'make me feel safe' – it makes me feel uneasy. And so I haven't joined the rush to get...