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Weapons /Bring Her Back

Weapons /Bring Her Back

WEAPONS There was a lot of hype around writer-director Zach Cregger's follow-up to the promising Barbarian – I remember noticing a website ranking the characters in Weapons in order of how 'iconic' they are. No doubt it is old-fashioned of me to expect to wait a few...

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The Entity (1982) / Night Watch (1973)

The Entity (1982) / Night Watch (1973)

THE ENTITY It has always struck me that the general tone of life in America is one of hysteria. When I said this once to my cousin, who lives in Texas, she maintained that, rather than hysterics, Americans are 'survivors'. If someone claims to be a survivor merely on...

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Nosferatu / Babygirl / Companion

Nosferatu / Babygirl / Companion

NOSFERATU 'Yes we have Nosferatu, we have Nosferatu today.' Not much chance of this (the best joke in Mel Brooks' 1995 spoof Dracula: Dead and Loving It) making it into Robert Eggers' latest spin on F. W. Murnau's 1922 film, an unauthorised version of Dracula also...

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FrightFest 2024 – Mental Health Issues

FrightFest 2024 – Mental Health Issues

The big screen at the relocated FrightFest (Odeon Leicester Square) is almost scarily big now: I couldn't face it. For single ticket buyers like me the seating options weren't promising anyway. So I stuck with the Discovery Screens and found myself in another cinema...

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Norte: The End Of History

'You do know this film is four hours and ten minutes long?', asked the man doling out the tickets at the ICA. In fact, I knew about the four hours but not the ten minutes – but I said yes. He advised me to go to the toilet beforehand, as if I needed to be told. That...

And Soon The Darkness (1970)

Forget everything I said about the Horror Channel, like for example that it’s 99% shit. In fact it has been keeping me fed with delightful tidbits without over-stimulating me – what more could anyone ask for? This is a case in point. Like The Devil’s Rain it was...

The Voices

A toy factory worker in a small American town, Jerry (Ryan Reynolds) is your standard eager-to-please psychotic passing for normal, at least until he starts ticking the box marked ‘serial killer’ by stabbing his indifferent love-object (Gemma Arterton) to death and...

A Brexit Trilogy

GOD'S OWN COUNTRY (2017) Brexit – is it humanity asserting its freedom to be perverse in the face of global capitalism, or is it just a backward-leaning movement composed of people whose preciousness about their 'British identity' makes you wonder who the real...

Strait Jacket (1964) / Lizzie

STRAIT JACKET Winding up the Joan Crawford season at the BFI was this William Castle production from the trashier end of her spectrum, though compared to Trog (1970) it's a masterpiece. The audience have come over-determined to giggle at a camp classic, and to be fair...

Frightfest 2016 Day Two

FURY OF THE DEMON On day two I returned unaccompanied to Shepherd's Bush as Dave had to get up early on Sunday, but another recurring character in this blog - Michael Blyth, BFI cult film programmer - was sitting nearby for the first two screenings, which was oddly...

GUILT-FREE CINEMA? The New York Ripper (1982) / Hitch Hike To Hell (1977)

At some point in the run-up towards Christmas I found myself watching a documentary on BBC4 by Catherine Bray that encouraged us not to feel 'guilty' about watching 'bad' films. It seemed to be right up my alley and for a good twenty minutes all seemed to be well....

LFF 2018: Holiday / This Teacher / Cam

HOLIDAY I took over a week's holiday for the London Film Festival in 2018. This leaves me with no anecdotes about my experiences when I get back to work but it means that I can 'visit' many different countries without the hassle of actually having to go anywhere...

London Film Festival 2016 – Further Off The Beaten Track

EYES OF MY MOTHER This curious little black-and-white number, from America, has received some acclaim but to these eyes was not quite curious enough. It's the story of Francisca, who at the start of the film is a young girl leading an idyllic existence in a remote...

The Toxic Avenger (1984)

It's fair to say that showings of films in the Cult strand at the BFI have been somewhat underpopulated. In spite of a mention in Time Out, this is no exception – which is as it should be. What point is there in a cult film if everyone wants to see it? This is one of...

Some more reviews.

The Substance / The Driver’s Seat (1974)

The Substance / The Driver’s Seat (1974)

THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...

Longlegs / Only The River Flows

Longlegs / Only The River Flows

LONGLEGS Longlegs has been subject to a lot of hype claiming that it is the scariest film of the year or decade or maybe even century, and it certainly maintains a tense and creepy atmosphere throughout, but the scariest moment comes before the credits, where the...

Horromford 2: Unspeakable: Beyond The Wall Of Sleep

Horromford 2: Unspeakable: Beyond The Wall Of Sleep

Not content with having a horror film festival, Romford now has a film festival – which also features a lot of horror. I turned up for just the one offering, Chad Ferrin's Unspeakable: Beyond The Wall of Sleep. Ferrin is a prolific director, and no doubt too busy to...

O Lucky Man! (1973) etc….

O Lucky Man! (1973) etc….

My introduction to Lindsay Anderson was being shown the 1968 film If.... in (judiciously edited) half hour portions at secondary school in the 70's in a lesson called 'Design for Living', a rather random class which was used to dispense whatever we had in the way of...

Horromford

Horromford

Soon every town in the country will have its own horror film festival, which I suppose is no bad thing, although I could hardly keep up when it was just Frightfest. I saw one film that escaped me at Frightfest (Austin Jennings' Eight Eyes) in late January at...

American Fiction

American Fiction

I haven't seen this literary satire, Cord Jefferson's debut film, based on a 2001 book by Percival Everett, but I was fully intending to until I saw the trailer. It put me off. Judging a film by its trailer is a bit like judging a book by its cover, but you can in...

FrightFest 2023

FrightFest 2023

FrightFest has a new sponsor and is now the Pigeon Shrine FrightFest. It has to be said that Pigeon Shrine isn't the most inspiring name – 'the Pigeon Shrine FrightFest' sounded suspiciously like a bargain basement version of the original, and my fears seemed to be...

Talk To Me / Asteroid City / Nope

Talk To Me / Asteroid City / Nope

TALK TO ME Directors Danny and Michael Phillipou come to us from YouTube, where they operate some sort of channel apparently, which may explain why this BFI showing was full of young people. They were probably taking advantage of the BFI under-25's offer (as if youth...

Enys Men / Skinamarink

Enys Men / Skinamarink

ENYS MEN Mark Jenkin's follow-up to the attention-grabbing and fiercely Cornish Bait is being sold as 'folk-horror' but it's a bit more experimental than that might suggest. I don't know if anyone has complained. Certainly I won't, since I enjoy an experimental film,...

BFI London Film Festival 2022: Lockdown Lingers

BFI London Film Festival 2022: Lockdown Lingers

COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...

Frightfest 2022

Frightfest 2022

'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...