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Hereditary

Hereditary

In theory it ought to be possible to respond to a film without taking into account to the critical reaction to it, but once you are aware of that reaction and have seen it pasted on the sides of buses, there's not much you can do about that: it's already in you. But...

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A Cat In The Brain (1990) and Slugs (1988)

A Cat In The Brain (1990) and Slugs (1988)

A CAT IN THE BRAIN It may seem an odd thing to say of a film called A Cat In The Brain but - inured as I am to disappointment in such matters (almost counting on it, you might say) - the last thing I expected to see in it was a cat clawing at someone's (living) brain....

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Three Against Nature

Three Against Nature

THE SAILOR WHO FELL FROM GRACE WITH THE SEA (1976) 'An insult to any audience' concludes the review of Lewis John Carlino's film The Sailor Who Fell From Grace With The Sea (hereafter referred to as Sailor) in my damaged-in-transit Waterstones-freebie edition of the...

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Foxcatcher/Whiplash

I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...

Frightfest 2019 Part Three

DEPRAVED In 1991's No Telling, Larry Fessenden's first take on the Frankenstein story – and first film, in fact – the mad scientist has, by the end of it, managed to weld a Border collie and a calf together, which would only have made the third act in a standard...

BFI London Film Festival 2014: Three Horrors at the Odeon Covent Garden

SPRING If you thought Richard Linklater's Before Sunset might have been improved if Julie Delpy had periodically turned into a squid (and is there anyone who doesn't?), then this may well be the film for you. American backpacker Evan (Lou Taylor Pucci) hooks up with...

A Prince, The Animal Kingdom, Behind The Mountains and Birth/Rebirth

A PRINCE Pierre Creton's film featured in both John Waters' top ten and Sight and Sound's top 50, so it should have been made for me – but there's no accounting for taste. All I can say is that it certainly gives you the feeling that director/co-writer Creton knew...

Bone Tomahawk / Chronic

There is, or there was, a 'projection issue' in the Curzon Bloomsbury's Phoenix Screen. A sheet of A4 paper warns you of it just before you go in – though after you have paid for your ticket. It doesn't make it entirely clear, or maybe I didn't read it closely enough,...

The Burning (1981)

CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...

LOCKDOWN! The Giant Claw (1957)

How often have I fantasized about the government forbidding me to leave the house so that I am finally compelled to watch all the DVDs I have accumulated over the years? Well never, since that would have been absurd, even for a fantasy. Nevertheless here we are. Or at...

Weapons /Bring Her Back

WEAPONS There was a lot of hype around writer-director Zach Cregger's follow-up to the promising Barbarian – I remember noticing a website ranking the characters in Weapons in order of how 'iconic' they are. No doubt it is old-fashioned of me to expect to wait a few...

Aaaaaaaah!

Two men (Steve Oram and Tom Meeten) who only communicate in ape-like grunts, are in the woods mourning the passing of a loved one (we assume) by pissing on a framed photo of her. That done, they set off into the city, to bring (so we might imagine) their primitive...

45 Years

Tom Courtenay and Charlotte Rampling play Geoff and Kate, a couple in their 70's who seem to think they are happily married until his ex-girlfriend Katya turns up, entombed in ice in a Swiss glacier and apparently unchanged since she fell into a fissure back in 1962....

Some more reviews.

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