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Hereditary

Hereditary

In theory it ought to be possible to respond to a film without taking into account to the critical reaction to it, but once you are aware of that reaction and have seen it pasted on the sides of buses, there's not much you can do about that: it's already in you. But...

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A Cat In The Brain (1990) and Slugs (1988)

A Cat In The Brain (1990) and Slugs (1988)

A CAT IN THE BRAIN It may seem an odd thing to say of a film called A Cat In The Brain but - inured as I am to disappointment in such matters (almost counting on it, you might say) - the last thing I expected to see in it was a cat clawing at someone's (living) brain....

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Three Against Nature

Three Against Nature

THE SAILOR WHO FELL FROM GRACE WITH THE SEA (1976) 'An insult to any audience' concludes the review of Lewis John Carlino's film The Sailor Who Fell From Grace With The Sea (hereafter referred to as Sailor) in my damaged-in-transit Waterstones-freebie edition of the...

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Cold-Blooded Beast / Bloodsucking Freaks

Cold-Blooded Beast / Bloodsucking Freaks

COLD-BLOODED BEAST (1971) 88 Films' Italian Collection yields this giallo in which a masked murderer stalks an all-female (the patients not the staff) mental institution but the occupants are all too busy playing with themselves and each other to notice, at least...

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The Burning (1981)

CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...

The Wolf Of Wall Street

Mere seconds after rogue stockbroker Jordan Belfort (Leonardo DiCaprio) appears in Martin Scorsese's film, I was eagerly awaiting his comeuppance, if not actual slow death by steamroller. Unfortunately I had to wait nearly 3 hours and even then (SPOILER ALERT) it...

A Cure For Wellness

A slice of Hollywood Eurogothic from Gore Pirates of the Caribbean Verbinski, this begins quite promisingly in a vein of deadpan camp – a mode which serves it well enough until it goes (almost literally) down the toilet. Lockhart (Dane DeHaan), a young, reptilian Wall...

CITIZENFOUR

I hardly ever go to see documentaries because they're about real life, and I can see that for free. But recently, every time I looked at the ICA website, I noticed that they were giving me yet another opportunity to see Laura Poitras' film about Edward Snowden, as its...

Horror Express (1972)

Ever since I was a child it seems to me that the BBC has been showing Eugenio Martin's Spanish horror film Horror Express in a late night slot at regular intervals. This kind of reassuring continuity is exactly what I pay my licence fee for. If I had it on DVD I...

L’il Quinquin

My jaw dropped when I heard that divisive auteur Bruno Dumont's next film would be a comedy about cops, and remained in that state throughout the three-hour plus length of the film (actually a four-part TV series, served up in a single showing at the London Film...

Arrival

Denis Villeneuve's Arrival brings to our attention something about contact with alien life forms that to my knowledge hasn't been thoroughly explored up until now – how boring it might be. That's not to say that the film itself is boring – although it does hover on...

Frightfest 2017: The Glass Coffin

Some kind of religious revival seems to be going on outside Frightfest's new (old) home, the Cineworld (formerly Empire) Leicester Square. A sign saying 'Repent or Perish' has been held aloft. I wonder if this is particularly aimed at the Frightfest crowd. Maybe it's...

Sleepaway Camp (1983)

This was prefaced by a talk from BFI programmer Michael Blyth around LBGT horror which pleasingly focused on less obvious titles – The Ghost Ship, Homicidal, Alucarda – even if he did seem to be stretching a point sometimes. Passing allusions to Dr. Jekyll And Mister...

Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife

FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...

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