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Hereditary

Hereditary

In theory it ought to be possible to respond to a film without taking into account to the critical reaction to it, but once you are aware of that reaction and have seen it pasted on the sides of buses, there's not much you can do about that: it's already in you. But...

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A Cat In The Brain (1990) and Slugs (1988)

A Cat In The Brain (1990) and Slugs (1988)

A CAT IN THE BRAIN It may seem an odd thing to say of a film called A Cat In The Brain but - inured as I am to disappointment in such matters (almost counting on it, you might say) - the last thing I expected to see in it was a cat clawing at someone's (living) brain....

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Three Against Nature

Three Against Nature

THE SAILOR WHO FELL FROM GRACE WITH THE SEA (1976) 'An insult to any audience' concludes the review of Lewis John Carlino's film The Sailor Who Fell From Grace With The Sea (hereafter referred to as Sailor) in my damaged-in-transit Waterstones-freebie edition of the...

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Frightfest 2015 Day Three

Over Your Dead Body The vexing question of what to see and what not to see at these festivals often results in me scouring the internet for reviews from other festivals. It didn't do me a lot of good in this case since I found two reviews for OYDB, one of which...

Gentrified Horror: The Nightcomers (1971) and Us

THE NIGHTCOMERS In Nick Pinkerton's positive Sight and Sound review of Puppet Master: The Littlest Reich (which I thought was shit by the way) I first encountered the phrase 'gentrified horror', a pejorative term for the kind of upmarket horror that plays to...

Apples / In The Earth

APPLES Who on earth, returning to the cinema after – well OK, during – a global pandemic would go and see a film that is about the pandemic, even if obliquely? About six people (including me) is the answer, if this afternoon showing is anything to go by. Apples seems...

The Manster (1959)

I got this in a DVD box set called Brains That Wouldn't Die ('6 Midnight Movies on 2 DVDs!'). On the plus side, there are some hard-to-see films here – on the downside, such is the picture quality that they often remain hard to see, even while you're watching them....

mother!

The release of Darren Aronofky's latest film was preceded by a director interview by Trevor Johnston in Sight & Sound urging viewers not to read it until they'd seen the film, since (even more than is usually the case) the more you knew about this film in advance...

Frightfest 2019 Part Two

BLOOD AND FLESH: THE REEL LIFE AND GHASTLY DEATH OF AL ADAMSON The Cineworld discovery screen offered up David Gregory's documentary about Al Adamson, the 60's /70's exploitation director responsible for such films as 1965's Psycho-A-Go-Go and 1971's Blood of Ghastly...

A Prince, The Animal Kingdom, Behind The Mountains and Birth/Rebirth

A PRINCE Pierre Creton's film featured in both John Waters' top ten and Sight and Sound's top 50, so it should have been made for me – but there's no accounting for taste. All I can say is that it certainly gives you the feeling that director/co-writer Creton knew...

London Film Festival 2019: Tremors / La Llorona

TREMORS According to writer-director Jayro Bustamente only about four films are made in Guatemala per year. I have now seen two, which pretty much makes me an expert in Guatemalan cinema. I could probably write a book on it. Not to be confused with a Kevin Bacon film...

The Toxic Avenger (1984)

It's fair to say that showings of films in the Cult strand at the BFI have been somewhat underpopulated. In spite of a mention in Time Out, this is no exception – which is as it should be. What point is there in a cult film if everyone wants to see it? This is one of...

The Wolf Of Wall Street

Mere seconds after rogue stockbroker Jordan Belfort (Leonardo DiCaprio) appears in Martin Scorsese's film, I was eagerly awaiting his comeuppance, if not actual slow death by steamroller. Unfortunately I had to wait nearly 3 hours and even then (SPOILER ALERT) it...

Some more reviews.

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