Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
BFI London Film Festival 2017: Brawl In Cell Block 99 and Let The Corpses Tan
by Martin | January 1, 2018 | movies, reviews, Uncategorized | 0 Comments
BRAWL IN CELL BLOCK 99 Violence. It can leave a nasty taste in the mouth, and perhaps it ought to. Brawl In Cell Block 99 certainly left a nasty taste in my mouth, but I'm almost convinced that this was intentional. Not intentional as regards just my mouth of course....
Barbican Nights: Into The Woods Part Two
by Martin | August 5, 2017 | movies, reviews | 0 Comments
EYES OF FIRE (1986) This, Josh Saco explains, is a 'lost' film, and just because it is here tonight screening in front of us that doesn't mean it has been found again. I mean, who are we to 'find' it? Even the director, Avery Crounse, was happy to let it go and move...
Weapons /Bring Her Back
by Martin | January 18, 2026 | movies, reviews | 0 Comments
WEAPONS There was a lot of hype around writer-director Zach Cregger's follow-up to the promising Barbarian – I remember noticing a website ranking the characters in Weapons in order of how 'iconic' they are. No doubt it is old-fashioned of me to expect to wait a few...
Death Car On The Freeway (1979)
by Martin | July 18, 2015 | movies, reviews | 0 Comments
The critical appeal of the recent Mad Max sequel was so across-the-board that it even screened at arthouse venues like the Curzon Soho - while I was in there waiting for Christian Petzold’s (excellent) German drama Phoenix to start, a trailer for it played. The woman...
The Curious Dr. Humpp / Vengeanza Del Sexo (1967 or thereabouts)
by Martin | August 12, 2023 | movies, reviews | 0 Comments
I had reservations about going to see Brainwashed: Sex – Camera – Power, Nina Menkes' take on 'the male gaze' at the BFI, partly because it seemed like the kind of thing that would turn up on BBC4 or Sky Arts in a month or two, but there is a certain advantage to...
Theatre Of Blood (1973)
by Martin | June 29, 2014 | movies, reviews | 0 Comments
Mark Kermode once stated that anyone who said they'd guessed the ending of The Usual Suspects was lying. I have never quite forgiven him for this - I guessed it, but what proof do I have? Essentially he was out there calling me a liar and I had no redress. However, I...
LFF 2018: Tumbbad / The Nightshifter
by Martin | January 13, 2019 | movies, reviews | 0 Comments
TUMBBAD Indian horror films are something of a rarity, but Kothanodi was one of my highlights of 2015's London Film Festival, and that was a horror film – sort of. This one, my first film of this year's festival, definitely is - or wants to be. It begins with an...
More Madness: Madeline’s Madeline and Thunder Road (LFF 2018)
by Martin | December 24, 2018 | movies, reviews | 0 Comments
MADELINE'S MADELINE The new film from director Josephine Decker (Thou Wast Mild And Lovely) is a gripping and vivid account of some days in the life of the eponymous schizophrenic teenager (an impressive Helena Howard), who has joined a theatrical troupe which seems...
Amulet /Master
by Martin | May 2, 2022 | movies, reviews | 0 Comments
AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...
Strait Jacket (1964) / Lizzie
by Martin | December 1, 2018 | movies, reviews | 0 Comments
STRAIT JACKET Winding up the Joan Crawford season at the BFI was this William Castle production from the trashier end of her spectrum, though compared to Trog (1970) it's a masterpiece. The audience have come over-determined to giggle at a camp classic, and to be fair...