Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Bad Luck Banging, Or Loony Porn
by Martin | February 13, 2022 | movies, reviews | 0 Comments
Ah, masks! Still de rigeur at the ICA at this point (this was before Plan B kicked in). During the London Film Festival I dared to go in there unmasked, which felt like a transgressive act, but hey, it was a festival and anyway isn't the ICA supposed to welcome...
Koko-Di-Koko-Da / Swallow
by Martin | December 15, 2019 | movies, reviews | 0 Comments
KOKO-DI-KOKO-DA (LONDON FILM FESTIVAL 2019) Johannes Nyholm's film starts with a mother, Erin (Ylva Gallon) suffering a bout of food poisoning which leaves her face swollen so that she looks, as her husband Tobias (Leif Edlund Johansson) jests, like Freddy Kruger. The...
Peeping Tom (1960)
by Martin | July 17, 2022 | movies, reviews | 0 Comments
I used to say that Michael Powell's Peeping Tom was my favourite film. That I don't say it now has nothing to do with the quality of the film or my changing perception of it; more, it's down to a realisation that there are too many films, and that I have too many...
Horror Express (1972)
by Martin | February 6, 2016 | movies, reviews | 0 Comments
Ever since I was a child it seems to me that the BBC has been showing Eugenio Martin's Spanish horror film Horror Express in a late night slot at regular intervals. This kind of reassuring continuity is exactly what I pay my licence fee for. If I had it on DVD I...
Frightfest 2017: Outliers
by Martin | November 5, 2017 | movies, reviews | 0 Comments
DHOGS I'm a genre lightweight really, a dilettante. Of all the films I saw at Frightfest this year, only one – The Glass Coffin - could really be called a horror film, and that was probably the least of them. Why, I wasn't even wearing a black T-shirt. Dhogs isn't...
Frightfest 2017: The Glass Coffin
by Martin | September 23, 2017 | movies, reviews | 0 Comments
Some kind of religious revival seems to be going on outside Frightfest's new (old) home, the Cineworld (formerly Empire) Leicester Square. A sign saying 'Repent or Perish' has been held aloft. I wonder if this is particularly aimed at the Frightfest crowd. Maybe it's...
The Hart Of London (1970)/Sodom (1989)
by Martin | May 23, 2015 | movies, reviews | 0 Comments
Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...
The Brand New Testament (BFI London Film Festival 2015)
by Martin | November 14, 2015 | movies, reviews | 0 Comments
Jaco Van Dormael's film might end up being remembered as the one where Catherine Deneuve sleeps with a gorilla, but that's the least of it. Benoît Poolvoorde is God, a middle-aged slob who never leaves his apartment and spends most of his time on his computer,...
BFI London Film Festival 2014: Three Horrors at the Odeon Covent Garden
by Martin | November 8, 2014 | movies, reviews | 0 Comments
SPRING If you thought Richard Linklater's Before Sunset might have been improved if Julie Delpy had periodically turned into a squid (and is there anyone who doesn't?), then this may well be the film for you. American backpacker Evan (Lou Taylor Pucci) hooks up with...
Eyeball (1975) / Short Night Of Glass Dolls (1971) / Spasmo (1974)
by Martin | August 5, 2020 | movies, reviews | 0 Comments
EYEBALL The original Italian title of Umberto Lenzi's Eyeball translates as Red Cats In A Glass Labyrinth, which makes very little sense and is all the more impressive for it. However, there is no doubt that Eyeball is more to the point. This giallo is about a busload...