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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

The Toxic Avenger (1984)

It's fair to say that showings of films in the Cult strand at the BFI have been somewhat underpopulated. In spite of a mention in Time Out, this is no exception – which is as it should be. What point is there in a cult film if everyone wants to see it? This is one of...

The Manster (1959)

I got this in a DVD box set called Brains That Wouldn't Die ('6 Midnight Movies on 2 DVDs!'). On the plus side, there are some hard-to-see films here – on the downside, such is the picture quality that they often remain hard to see, even while you're watching them....

The Hart Of London (1970)/Sodom (1989)

Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...

Further Dispatches From BFI Flare

Futuro Beach On the face of it this has everything you could possibly want from a Brazilian- German co-production – it begins in Brazil and it ends in Germany – and beneath the surface there’s enough happening to offset a vague sense of one's having seen something...

Santo in the Wax Museum (1963) / Santo Vs. The She-Wolves (1976)

Just when you thought it was safe to go back to the cinema... it IS safe. Oppressively so. I don't know about you but walking into a room full of people in surgical masks doesn't 'make me feel safe' – it makes me feel uneasy. And so I haven't joined the rush to get...

Foxcatcher/Whiplash

I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...

The Secret of Dorian Gray (1969)

Ah, Valentine's Day – my favourite feast day, since my single status means I don't have to observe it. Nevertheless I was moved to recognise it to the extent of braving rail replacement services to get to the Barbican, where film programmer Josh Saco (aka Cigarette...

In Pictures

BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....

Exhibition

Director Joanna Hogg's first two films – Unrelated (2007) and Archipelago (2010) – are about upper-middle class English families on holiday in Tuscany and the Scilly Isles respectively. They were more interested in absorbing you in a landscape and situation than in...

Who Killed Teddy Bear (1965)

At one point in this the man who I suppose we'll have to call the hero for want of any other more suitable candidate – Lt. Dave Madden ( Jan Murray) - is told that he has 'crossed a line'. Well this film has crossed a line before it's even started, as the credits roll...