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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Frightfest 2019 Part Two

BLOOD AND FLESH: THE REEL LIFE AND GHASTLY DEATH OF AL ADAMSON The Cineworld discovery screen offered up David Gregory's documentary about Al Adamson, the 60's /70's exploitation director responsible for such films as 1965's Psycho-A-Go-Go and 1971's Blood of Ghastly...

BFI London Film Festival 2017: Good Manners

The first film by Brazilian directorial duo Juliana Rojas and Marco Dutra was 2011's Hard Labour in which a woman's attempt to get her small business (a grocery store) off the ground is undermined by the corpse of a werewolf lurking behind one of the walls – and also...

Mirror Mirror (1990) / Happy Deathday (2017) / Thelma (2017)

MIRROR MIRROR 'Long may it continue', I said earlier in the year about the BFI's 'Cult' strand. Well now it has ended (though replaced by something very similar called Terror Vision) but at least its last showing, curated by feminist film collective the Final Girls,...

Strongroom (1962)

Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...

A Cat In The Brain (1990) and Slugs (1988)

A CAT IN THE BRAIN It may seem an odd thing to say of a film called A Cat In The Brain but - inured as I am to disappointment in such matters (almost counting on it, you might say) - the last thing I expected to see in it was a cat clawing at someone's (living) brain....

Kothanodi (BFI London Film Festival 2015)

Indian horror films are hard to come by – and this isn't one either, or not exactly. Nevertheless, Kothanodi (it means 'river of fables'), a compendium of four interlinked folk tales from Assam, is almost grim enough to qualify. In the most optimistic of these tales...

Frightfest 2016 Day Three

MAN UNDERGROUND Or do I mean Day Four since I skipped Day Three? Oh what the hell. Nobody's paying me to do this. By this stage (Bank Holiday Monday) 'not really horror' (a term coined by Anton Bitel in a recent article for Sight and Sound online) seemed to be turning...

Horror Express (1972)

Ever since I was a child it seems to me that the BBC has been showing Eugenio Martin's Spanish horror film Horror Express in a late night slot at regular intervals. This kind of reassuring continuity is exactly what I pay my licence fee for. If I had it on DVD I...

Weapons /Bring Her Back

WEAPONS There was a lot of hype around writer-director Zach Cregger's follow-up to the promising Barbarian – I remember noticing a website ranking the characters in Weapons in order of how 'iconic' they are. No doubt it is old-fashioned of me to expect to wait a few...

More Quite Good Films of 2014

L FOR LEISURE The fact that people are nostalgic for the 90's is beguilingly weird to me - I was there, and barely noticed them – but maybe this is why I enjoyed Whitney Horn and Lev Kalman's goofy, dreamy, possibly inconsequential L For Leisure so very much. It was...