Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Barbican Nights – Into the Woods Part One
by Martin | July 9, 2017 | movies, reviews | 0 Comments
In an unusual attempt at consistency I thought I'd review this folk horror season curated by Cigarette Burns (Josh Saco), consisting of four films showing at the Barbican during May, the first being: THE COMPANY OF WOLVES (1984) Only I didn't go to that one. I...
Censor / Surge
by Martin | October 10, 2021 | movies, reviews | 0 Comments
CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...
Stray Dogs
by Martin | June 13, 2015 | movies, reviews | 0 Comments
‘What is this life if, filled with care/We have no time to stand and stare?’, said the Victorian poet W. H. Davies. Good point, and a view clearly shared by Chinese director Tsai-Ming-liang, who transfixes (hopefully) his audience with fixed shots of his characters...
Blink Twice and Heretic meet The Phantom of the Monastery (1934)
by Martin | January 2, 2025 | movies, reviews | 0 Comments
BLINK TWICE Waitress Frida (Naomi Ackie) and her friend Jess (Alia Shawkat) accept an invite to the private island of tech billionaire Slater King (Channing Tatum), where everybody seems to be having a fantastic time – or are they? Well, maybe not the women, who have...
Office Killer (1997)
by Martin | August 14, 2016 | movies, reviews | 0 Comments
The first thing I knew about photographer Cindy Sherman making a sort of horror film was when I saw that feminist film club the Final Girls were screening it at the Prince Charles; either that, or I did actually see it at the cinema in the 90's and subsequently forgot...
Jeanne Dielman, 23 Quay De Commerce, 1080 Bruxelles (1975)
by Martin | April 14, 2020 | movies, reviews | 0 Comments
CAUTION: Pre-lockdown content. May include allusions to leaving the house. Are there awards for audiences? Sometimes I feel that I deserve recognition for the efforts I make to catch one-off showings of alienating arthouse films – or at least, that they should pay me...
L’il Quinquin
by Martin | January 18, 2015 | movies, reviews | 0 Comments
My jaw dropped when I heard that divisive auteur Bruno Dumont's next film would be a comedy about cops, and remained in that state throughout the three-hour plus length of the film (actually a four-part TV series, served up in a single showing at the London Film...
New Year’s Evil (1980) / Bloody New Year (1987)
by Martin | February 11, 2018 | movies, reviews | 0 Comments
New Year is, as everybody knows, a massive anticlimax. We all get frantically excited about what turns out to be just a glib transition into more of the same. Here are two films (showing in the BFI's Cult strand) which try to give New Year some genuine significance...
Locke
by Martin | May 25, 2014 | movies, reviews | 0 Comments
This is that film where a plausibly middle-aged Tom Hardy drives from Birmingham to London in a Welsh accent. Not a bad Welsh accent – I was reminded of Rob Brydon, who also did a thing set entirely in a vehicle, Marion And Geoff. That was a poignant comedy of...
BFI London Film Festival 2017: Rift, My Friend Dahmer, Hagazussa – A Heathen’s Curse
by Martin | December 3, 2017 | movies, reviews | 0 Comments
RIFT Apparently the Icelandic title of Rift (Rökkur) more closely corresponds to 'Twilight', but that title, as the director Erlingur Thoroddsen drily points out, was already taken. Though not terribly exciting as a title, Rift is apt enough for this story of two gay...