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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Two Takes on Modern Etiquette at the BFI London Film Festival 2015

THE INVITATION This showed (at the Vue Islington) in the Cult strand, but it deserves the widest possible audience. Struggling to get over the accidental death of his son two years previously, Will (Logan Marshall-Green) goes to a reunion dinner of old friends hosted...

BFI London Film Festival 2014: The Duke Of Burgundy

When nervous maid Cynthia (Sidhe Babett Knudson) turns up at the mansion of entomologist Evelyn (Chiara D'Anna) our first impression – as she harshly calls into question Cynthia's ability to wash knickers - is that Evelyn is an exacting, even cruel, mistress. But...

BFI London Film Festival 2022: Lockdown Lingers

COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...

The Substance / The Driver’s Seat (1974)

THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...

La Grande Bouffe (1973)

Marco Ferreri’s 1973 film La Grande Bouffe has airline pilot Marcello Mastroianni, chef Ugo Tognazzi, TV director Michel Piccoli and judge Philippe Noiret gathering in Noiret’s old family pile to indulge themselves in hedonistic pleasures until the toilet backs up -...

Cold-Blooded Beast / Bloodsucking Freaks

COLD-BLOODED BEAST (1971) 88 Films' Italian Collection yields this giallo in which a masked murderer stalks an all-female (the patients not the staff) mental institution but the occupants are all too busy playing with themselves and each other to notice, at least...

LFF 2019: Jallikattu/Saint Maud

Ah yes, the London Film Festival. I remember that. Well it did happen this year, it was just 'different' – they even tried to suggest that the festival we had (mostly online) represented some kind of exciting innovation rather than an attempt to pretend that a film...

Amulet /Master

AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...

The Million Eyes Of Sumuru (1967)

'I have a million eyes, for I am Sumuru', says Shirley Eaton in voiceover at the beginning of this particular disaster. She doesn't really have a million eyes - that's the first disappointment. The notional 'million eyes' belong to her followers. Sumuru leads an...

The Toxic Avenger (1984)

It's fair to say that showings of films in the Cult strand at the BFI have been somewhat underpopulated. In spite of a mention in Time Out, this is no exception – which is as it should be. What point is there in a cult film if everyone wants to see it? This is one of...