Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Mothra (1961)
by Martin | July 12, 2014 | movies, reviews | 0 Comments
After a self-imposed double-bill of Camille Claudel 1915 and Miss Violence at the Curzon Soho, what better way to cool off than with a showing of Mothra, at the Prince Charles off Leicester Square? So I reasoned. And it only cost a pound, if you were a member. I was....
Strongroom (1962)
by Martin | August 31, 2019 | movies, reviews | 0 Comments
Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...
The Revenant
by Martin | May 29, 2016 | movies, reviews | 0 Comments
Early reports of this film had audiences scandalised by the sight of star Leonardo di Caprio being raped by a bear. Three times. I suspect that this was hype worked up by the studio's marketing department, but I suppose it depends on whether you think people are more...
In Fabric / Little Joe
by Martin | March 21, 2020 | movies, reviews | 0 Comments
IN FABRIC Peter Strickland's follow-up to the excellent Duke Of Burgundy is a bumpier ride, but you get to enjoy that after a while. Apparently it's set in 1993 – I read this on the Sight and Sound letters page – but it seems to be taking place in some kind of...
And Soon The Darkness (1970)
by Martin | June 27, 2015 | movies, reviews | 0 Comments
Forget everything I said about the Horror Channel, like for example that it’s 99% shit. In fact it has been keeping me fed with delightful tidbits without over-stimulating me – what more could anyone ask for? This is a case in point. Like The Devil’s Rain it was...
American Fiction
by Martin | February 24, 2024 | movies, reviews | 0 Comments
I haven't seen this literary satire, Cord Jefferson's debut film, based on a 2001 book by Percival Everett, but I was fully intending to until I saw the trailer. It put me off. Judging a film by its trailer is a bit like judging a book by its cover, but you can in...
The Substance / The Driver’s Seat (1974)
by Martin | November 10, 2024 | movies, reviews | 0 Comments
THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...
New Year’s Evil (1980) / Bloody New Year (1987)
by Martin | February 11, 2018 | movies, reviews | 0 Comments
New Year is, as everybody knows, a massive anticlimax. We all get frantically excited about what turns out to be just a glib transition into more of the same. Here are two films (showing in the BFI's Cult strand) which try to give New Year some genuine significance...
BFI London Film Festival 2017: The Wound, Most Beautiful Island
by Martin | January 28, 2018 | movies, reviews | 0 Comments
THE WOUND Up for the Sutherland First Feature Award was this South African tale whose hero Xolani (Nakhane Touré) returns every year to the countryside to become a 'caregiver' to initiates in a tribal ritual wherein boys become men by dint of such activities as...
Privilege (1967) / Duck Soup (1933)
by Martin | May 5, 2020 | movies, reviews | 0 Comments
PRIVILEGE On this BFI DVD you get a couple of early short films from director Peter Watkins, one of which is 1961's The Forgotten Faces, an urgent, authentic-seeming account of the 1956 people's uprising in Hungary, filmed in Canterbury. Therein lies the moral of much...