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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

White Devils: Get Out, The Transfiguration and Whity (1971)

GET OUT In Get Out a black American guy Chris (Daniel Kaluuya) goes with his white girlfriend Rose (Allison Williams) to visit her (rich) family, only to find them a little overbearing in their acceptance of him. Sure, they're liberal, but as he wearily agrees with...

Koko-Di-Koko-Da / Swallow

KOKO-DI-KOKO-DA (LONDON FILM FESTIVAL 2019) Johannes Nyholm's film starts with a mother, Erin (Ylva Gallon) suffering a bout of food poisoning which leaves her face swollen so that she looks, as her husband Tobias (Leif Edlund Johansson) jests, like Freddy Kruger. The...

Our Time / Once Upon A Time In Hollywood

OUR TIME There was quite a high turnout for this three-hour epic of directorial self-laceration from Mexican director Carlos Reygadas, although admittedly this was at the Minema screen at the Curzon Bloomsbury, which seats about 20 people. I had a guy ahead of me...

Crimes At The Dark House and elsewhere – some films with Tod Slaughter 1937-1946

Crimes At The Dark House (1940) is nominally a version of Wilkie Collins' novel The Woman In White in which Tod Slaughter is Sir Percival Glyde – or rather he isn't, he's an impostor first seen hammering a tent peg into the real Sir Percival's left ear. Which is to...

Goodnight Mommy

TV presenter Mommy (Suzanne Wuest) returns from plastic surgery with a bandaged face and a bad temper, so that her twin boys Elias and Lukas start to wonder if she's really Mommy at all, the question mark over her identity deftly conveyed in a scene where she plays a...

Comings Of Age – Three Attempts From The BFI London Film Festival 2015

DER NACHTMAHR Not German for 'nightmare', ein nachtmahr is more like a thing from a nightmare, so the director - German artist AKIZ – tells us. In the case of his film that thing is a strange creature resembling a cross between Belial from Basket Case and Garfield,...

FrightFest 2023

FrightFest has a new sponsor and is now the Pigeon Shrine FrightFest. It has to be said that Pigeon Shrine isn't the most inspiring name – 'the Pigeon Shrine FrightFest' sounded suspiciously like a bargain basement version of the original, and my fears seemed to be...

Arrival

Denis Villeneuve's Arrival brings to our attention something about contact with alien life forms that to my knowledge hasn't been thoroughly explored up until now – how boring it might be. That's not to say that the film itself is boring – although it does hover on...

Sins Of The Fleshapoids (1965)/Orphans Of The Cosmos (2008)

I settled down for this Kuchar Brothers double-bill at the BFI with three cushions (Christmas presents for Mum) in carrier bags, a burden bulky enough to suggest that I should have splashed out on another ticket. With an amused gay man on my left and Brian Sewell...

Mirror Mirror (1990) / Happy Deathday (2017) / Thelma (2017)

MIRROR MIRROR 'Long may it continue', I said earlier in the year about the BFI's 'Cult' strand. Well now it has ended (though replaced by something very similar called Terror Vision) but at least its last showing, curated by feminist film collective the Final Girls,...