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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Final Destination: Bloodlines / Bogancloch / The Shrouds

FINAL DESTINATION: BLOODLINES Horror franchises are noted for their unkillable villains, constantly being resurrected, but the Final Destination films cut to the chase in that the villain is death itself, and who is going to kill him? Or her. Or them. The films settle...

Frightfest 2015 Day Three

Over Your Dead Body The vexing question of what to see and what not to see at these festivals often results in me scouring the internet for reviews from other festivals. It didn't do me a lot of good in this case since I found two reviews for OYDB, one of which...

FrightFest 2024 – Mental Health Issues

The big screen at the relocated FrightFest (Odeon Leicester Square) is almost scarily big now: I couldn't face it. For single ticket buyers like me the seating options weren't promising anyway. So I stuck with the Discovery Screens and found myself in another cinema...

The Substance / The Driver’s Seat (1974)

THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...

Killer’s Moon (1978)

I've always been put off by Redemption DVDs because they seem to be marketed at sadomasochistic lesbian vampire Goths and (moreover) their male admirers - and I am neither. Look beyond the packaging, however, and you will often find a decent transfer of a hard-to-find...

Kinoteka 2019. Monument

'It won't be easy', warned writer-director Jagoda Szelc before her second film began, which was possibly an example of what she later referred to as her as her 'dry humour' – does anyone go to the Polish Film Festival expecting uncomplicated fun and games? Not that...

Death Bed: The Bed That Eats (1977)

Outside the screen at the BFI stands horror film critic and musician Stephen Thrower (author of several enormous books on horror films which I would love to read if only I had the time - and money) next to a cake in the shape of a four-poster bed - though smaller, of...

Frightfest Halloween 2018

Yes I know, we are already well into 2019 but let me take you back, BACK to when the self-service checkouts in Poundland were still speaking in the voice of Bela Lugosi ('Have a spooooky day!') In truth I wasn't all that inspired by the films on offer at Frightfest...

A Girl Walks Home Alone At Night

An Iranian vampire Western? Is this what the world really needs? On the evidence presented here – yes. Not that this is really Iranian, since it is shot in America and is set in a fictional (Iranian) place called ‘Bad City’. Not that it’s really a Western either,...

The Red Queen Kills Seven Times (1972) / Effie Gray (2014)

Before he (apparently) disappeared into thin air, Emilio P. Miraglia made a couple of films blending the giallo with the Gothic, 1971's The Night Evelyn Game Out of the Grave, and this, his last film. The giallo and the Gothic are simultaneously very different (the...