Select Page

Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

The Hart Of London (1970)/Sodom (1989)

Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...

Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife

FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...

Foxcatcher/Whiplash

I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...

Death Car On The Freeway (1979)

The critical appeal of the recent Mad Max sequel was so across-the-board that it even screened at arthouse venues like the Curzon Soho - while I was in there waiting for Christian Petzold’s (excellent) German drama Phoenix to start, a trailer for it played. The woman...

Damnation Alley (1977)

Given Roger Zelazny's reputation as an SF writer I can only assume that this is a bowlderized version of his 1969 novel. The very fact that it's showing at 8:00 of a Saturday morning on the Horror Channel suggests that it may not be very challenging. Still, I've set...

Kinoteka 2019: Love Express and Fugue

LOVE EXPRESS: THE DISAPPEARANCE OF WALERIAN BOROWCZYK Kuba Mikurda's documentary presents a pretty standard view of Borowczyk, which won't be a problem for people who have no idea who Borowczyk is I suppose, and they are the vast majority of the population, and...

Longlegs / Only The River Flows

LONGLEGS Longlegs has been subject to a lot of hype claiming that it is the scariest film of the year or decade or maybe even century, and it certainly maintains a tense and creepy atmosphere throughout, but the scariest moment comes before the credits, where the...

Stray Dogs

‘What is this life if, filled with care/We have no time to stand and stare?’, said the Victorian poet W. H. Davies. Good point, and a view clearly shared by Chinese director Tsai-Ming-liang, who transfixes (hopefully) his audience with fixed shots of his characters...

Barbican Nights: Into The Woods Part Two

EYES OF FIRE (1986) This, Josh Saco explains, is a 'lost' film, and just because it is here tonight screening in front of us that doesn't mean it has been found again. I mean, who are we to 'find' it? Even the director, Avery Crounse, was happy to let it go and move...

A Brexit Trilogy

GOD'S OWN COUNTRY (2017) Brexit – is it humanity asserting its freedom to be perverse in the face of global capitalism, or is it just a backward-leaning movement composed of people whose preciousness about their 'British identity' makes you wonder who the real...