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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

BFI London Film Festival 2017: Brawl In Cell Block 99 and Let The Corpses Tan

BRAWL IN CELL BLOCK 99 Violence. It can leave a nasty taste in the mouth, and perhaps it ought to. Brawl In Cell Block 99 certainly left a nasty taste in my mouth, but I'm almost convinced that this was intentional. Not intentional as regards just my mouth of course....

The Colossus Of New York (1958) / The Alligator People (1959)

In American monster movies of the early 50's the monstrous generally had a scientific explanation – of course the science didn't always stand up to close examination, but then it rarely got any. It was only required to generate panic - for the length of the film, at...

Frightfest 2014: R100

What's that you say? Are Japanese films still as bonkers as they used to be? Why yes, and here is the proof. In Hitoshi Matsumoto's beguiling oddity a furniture salesman (Nao Ômori) attempts to escape the drudgery of his existence (wife in coma, young son to raise) by...

LFF 2018: Tumbbad / The Nightshifter

TUMBBAD Indian horror films are something of a rarity, but Kothanodi was one of my highlights of 2015's London Film Festival, and that was a horror film – sort of. This one, my first film of this year's festival, definitely is - or wants to be. It begins with an...

Frightfest 2016 Day One

This year Frightfest disconcerted me by moving temporarily to the Vue in Shepherd's Bush. I don't like change. As we sat in the Pizza Express near Soho Square beforehand, which is where we always go on Frightfest Friday, Dave tried to reassure me by showing me the new...

Pride And Prejudice And Zombies

In theory this could be my ideal film, uniting art and trash with no middle ground; but there's a difference between theory and practice. I remember years ago, when I used to work in Waterstones, looking at the cover of the book this is based on and wondering if there...

Death Bed: The Bed That Eats (1977)

Outside the screen at the BFI stands horror film critic and musician Stephen Thrower (author of several enormous books on horror films which I would love to read if only I had the time - and money) next to a cake in the shape of a four-poster bed - though smaller, of...

Don’t Be Afraid Of The Dark

I've wanted to see the 1973 made-for-TV movie Don't Be Afraid Of The Dark ever since I read about it in Halliwell's Film Guide in the early 80's. I never have, but no doubt it would be just as disappointing as Troy Nixey's 2010 remake, which I watched – in order to...

Don’t Step On It, It Might Be Jake Gyllenhaal: Nightcrawler/Enemy

Lou Bloom (Jake Gyllenhaal), the central figure of Dan Gilroy's Nightcrawler, resembles nothing so much as a cockroach that has unaccountably taken on human form – emerging out of the LA night as a petty thief with aspirations, he soon graduates into a 'nightcrawler',...

Theatre Of Blood (1973)

Mark Kermode once stated that anyone who said they'd guessed the ending of The Usual Suspects was lying. I have never quite forgiven him for this - I guessed it, but what proof do I have? Essentially he was out there calling me a liar and I had no redress. However, I...