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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

In Fabric / Little Joe

IN FABRIC Peter Strickland's follow-up to the excellent Duke Of Burgundy is a bumpier ride, but you get to enjoy that after a while. Apparently it's set in 1993 – I read this on the Sight and Sound letters page – but it seems to be taking place in some kind of...

Frightfest 2019 Part Two

BLOOD AND FLESH: THE REEL LIFE AND GHASTLY DEATH OF AL ADAMSON The Cineworld discovery screen offered up David Gregory's documentary about Al Adamson, the 60's /70's exploitation director responsible for such films as 1965's Psycho-A-Go-Go and 1971's Blood of Ghastly...

Screen Time

MYSTERIES OF LISBON (2010) Lockdown was a good time to finally sit down, maybe even lie down, and watch those films whose running time demanded an entire day devoted to them, and their extras. The Chilean director Raúl Ruiz, in the extras on the New Wave Films DVD of...

White Bird In A Blizzard

This adaptation of Laura Kasischke's young adult novel finds director Gregg Araki in less than full-on mode, and my first impression, such is the uncertainty of tone here, is that when he isn't in full-on mode (eg: Nowhere, Kaboom) he doesn't know what he's doing. But...

Empire of the Ants (1977) / Contamination (1980) / Alien 2: On Earth (1981)

EMPIRE OF THE ANTS (1977) Bert I Gordon, director of such vintage extravaganzas as 1958's Attack Of The 50ft Woman briefly returned to cinema screens in the 1970's with a couple of films which were, nominally, adaptations of H G Wells stories, though B.I.G. (note...

A Prince, The Animal Kingdom, Behind The Mountains and Birth/Rebirth

A PRINCE Pierre Creton's film featured in both John Waters' top ten and Sight and Sound's top 50, so it should have been made for me – but there's no accounting for taste. All I can say is that it certainly gives you the feeling that director/co-writer Creton knew...

Goodnight Mommy

TV presenter Mommy (Suzanne Wuest) returns from plastic surgery with a bandaged face and a bad temper, so that her twin boys Elias and Lukas start to wonder if she's really Mommy at all, the question mark over her identity deftly conveyed in a scene where she plays a...

The Witch

I saw this at the Odeon Covent Garden. Amazingly, they are only charging £6.00 a ticket at the moment for any showing Monday to Thursday. I hope this doesn't get out, or my chances of getting an entire screen to myself (that ever-elusive dream) will diminish even...

Sleepaway Camp (1983)

This was prefaced by a talk from BFI programmer Michael Blyth around LBGT horror which pleasingly focused on less obvious titles – The Ghost Ship, Homicidal, Alucarda – even if he did seem to be stretching a point sometimes. Passing allusions to Dr. Jekyll And Mister...

Frankenstein 1970

This begins generically but effectively with a screaming girl being pursued across the (German, it turns out) countryside by a nightmarishly-contorted Frankenstein's monster whose face we never see; this proves, however, to be part of a TV programme being shot in the...