Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
BFI London Film Festival 2017: Casting, 9 Fingers
by Martin | November 18, 2017 | movies, reviews | 0 Comments
In the toilets next to NFT2 a man was calling out for someone called Antonio – he had been asked to do so by a woman outside. Antonio didn't pipe up, although one of the cubicles was in use I noticed. Conceivably Antonio was inside - asleep, dying, or simply unwilling...
Monster Mulch: Vintage Creatures From Talking Pictures
by Martin | May 7, 2018 | movies, reviews | 0 Comments
I like to think that there is no such thing as a bad film. Philosophically speaking, there is no such thing as a film at all, since films only 'really' exist in the watching of them, and this is done by people, and no two people will experience precisely the same...
The Burning (1981)
by Martin | April 24, 2020 | movies, reviews | 0 Comments
CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...
Gentrified Horror: The Nightcomers (1971) and Us
by Martin | July 21, 2019 | movies, reviews | 0 Comments
THE NIGHTCOMERS In Nick Pinkerton's positive Sight and Sound review of Puppet Master: The Littlest Reich (which I thought was shit by the way) I first encountered the phrase 'gentrified horror', a pejorative term for the kind of upmarket horror that plays to...
THE UNTAMED RAW NOCTURAMA
by Martin | January 15, 2017 | movies, reviews | 0 Comments
THE UNTAMED This London Film Festival showing represented my first visit to the Picturehouse Central. Entering, you feel like you've walked into a bar, and a busy one – and you have. Retreating in horror from all this socialising, which is not what I come to the...
Attack Of The Giant Leeches (1959)
by Martin | July 23, 2016 | movies, reviews | 0 Comments
Into my life comes a dumpbin full of DVD's at £3.00 each, temporarily arresting my progress through Fopp. Movie Legends. They don't look promising. Murky covers and nothing on the back but a plot summary (that does however, in the case of Attack, include the ending)....
BFI London Film Festival 2021: Between Feast and Famine
by Martin | January 30, 2022 | movies, reviews | 0 Comments
THE FEAST I remember overhearing a punter at the London Film Festival one year asking the guy next to him what he'd seen and he replied: 'A lot of films that could have been better'. My experience this year (last year) was a bit like that. Even before it started I had...
BFI London Film Festival 2014: Three Horrors at the Odeon Covent Garden
by Martin | November 8, 2014 | movies, reviews | 0 Comments
SPRING If you thought Richard Linklater's Before Sunset might have been improved if Julie Delpy had periodically turned into a squid (and is there anyone who doesn't?), then this may well be the film for you. American backpacker Evan (Lou Taylor Pucci) hooks up with...
The Boxer’s Omen (1983) / Goodbye Dragon Inn (2003)
by Martin | May 15, 2021 | movies, reviews | 0 Comments
THE BOXER'S OMEN I saw this in late 2016 at the Barbican in a season called Cheap Thrills, a celebration of bad taste. Is this then a 'bad film'? If so, we need to dismiss any judgmental qualities that might still be clinging to the word 'bad'. We are not condemning...
In Pictures
by Martin | May 30, 2021 | movies, reviews | 0 Comments
BLOOD AND BLACK LACE (1964) Mario Bava's The Girl Who Knew Too Much (1963) is said to be the first giallo, but of Bava's films it is this that feels like the ur-giallo, a template for everything that came after – not just 70's gialli, but 80's slasher films as well....