Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Hail Caesar! / High Rise
by Martin | May 1, 2016 | movies, reviews | 0 Comments
One of the funnier scenes in the Coen Brothers' 50's Hollywood-set latest has Ralph Fiennes as a fussy English director struggling to incorporate studio-imposed Western star Hobie Doyle (Alden Ehrenreich) into his drawing room comedy Merrily We Dance. Before his utter...
Frightfest 2015 Day Three
by Martin | October 24, 2015 | movies, reviews | 0 Comments
Over Your Dead Body The vexing question of what to see and what not to see at these festivals often results in me scouring the internet for reviews from other festivals. It didn't do me a lot of good in this case since I found two reviews for OYDB, one of which...
Jeanne Dielman, 23 Quay De Commerce, 1080 Bruxelles (1975)
by Martin | April 14, 2020 | movies, reviews | 0 Comments
CAUTION: Pre-lockdown content. May include allusions to leaving the house. Are there awards for audiences? Sometimes I feel that I deserve recognition for the efforts I make to catch one-off showings of alienating arthouse films – or at least, that they should pay me...
Theatre Of Blood (1973)
by Martin | June 29, 2014 | movies, reviews | 0 Comments
Mark Kermode once stated that anyone who said they'd guessed the ending of The Usual Suspects was lying. I have never quite forgiven him for this - I guessed it, but what proof do I have? Essentially he was out there calling me a liar and I had no redress. However, I...
Kinoteka 2019: Love Express and Fugue
by Martin | May 11, 2019 | movies, reviews | 0 Comments
LOVE EXPRESS: THE DISAPPEARANCE OF WALERIAN BOROWCZYK Kuba Mikurda's documentary presents a pretty standard view of Borowczyk, which won't be a problem for people who have no idea who Borowczyk is I suppose, and they are the vast majority of the population, and...
Strongroom (1962)
by Martin | August 31, 2019 | movies, reviews | 0 Comments
Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...
Popcorn (1991)
by Martin | May 4, 2015 | movies, reviews | 0 Comments
Although I don't think it has been languishing in obscurity exactly (it's showing on the Horror Channel as I write) Popcorn is a film I've somehow missed. Luckily Michael Blyth, masterminding the BFI’s Cult strand, has given it an airing and thus allowed me to atone...
Final Destination: Bloodlines / Bogancloch / The Shrouds
by Martin | September 27, 2025 | movies, reviews | 0 Comments
FINAL DESTINATION: BLOODLINES Horror franchises are noted for their unkillable villains, constantly being resurrected, but the Final Destination films cut to the chase in that the villain is death itself, and who is going to kill him? Or her. Or them. The films settle...
Sins Of The Fleshapoids (1965)/Orphans Of The Cosmos (2008)
by Martin | January 18, 2015 | movies, reviews | 0 Comments
I settled down for this Kuchar Brothers double-bill at the BFI with three cushions (Christmas presents for Mum) in carrier bags, a burden bulky enough to suggest that I should have splashed out on another ticket. With an amused gay man on my left and Brian Sewell...
The Boxer’s Omen (1983) / Goodbye Dragon Inn (2003)
by Martin | May 15, 2021 | movies, reviews | 0 Comments
THE BOXER'S OMEN I saw this in late 2016 at the Barbican in a season called Cheap Thrills, a celebration of bad taste. Is this then a 'bad film'? If so, we need to dismiss any judgmental qualities that might still be clinging to the word 'bad'. We are not condemning...