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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Barbarous Mexico

Raindance! It’s the London film festival I always forget about, tucked as it is into the gap between Frightfest and the BFI London Film Festival but in 2015 I made it to one lunchtime screening at the Vue Piccadilly. It was busy, chaotic even, in the waiting area...

Under The Skin

I took a half day off work to see this, and thus missed Ann Widdecombe on the Jeremy Vine show talking about 'What It Means To Be Human'. However, this offered a roughly comparable experience. An attractive alien disguised as movie star Scarlett Johanssen drives round...

La Grande Bouffe (1973)

Marco Ferreri’s 1973 film La Grande Bouffe has airline pilot Marcello Mastroianni, chef Ugo Tognazzi, TV director Michel Piccoli and judge Philippe Noiret gathering in Noiret’s old family pile to indulge themselves in hedonistic pleasures until the toilet backs up -...

The Secret of Dorian Gray (1969)

Ah, Valentine's Day – my favourite feast day, since my single status means I don't have to observe it. Nevertheless I was moved to recognise it to the extent of braving rail replacement services to get to the Barbican, where film programmer Josh Saco (aka Cigarette...

Arrival

Denis Villeneuve's Arrival brings to our attention something about contact with alien life forms that to my knowledge hasn't been thoroughly explored up until now – how boring it might be. That's not to say that the film itself is boring – although it does hover on...

Salvo

Mafia hitman Salvo (Saleh Bakri) kills a guy but instead of despatching his sister Rita (Sara Serraiocco) - a witness to the crime - he chooses to hide her in an abandoned factory and keep her fed and watered. Why? Love? Pity? Or is he caught on the horns of a...

Amulet /Master

AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...

Winnie The Pooh: Blood and Honey / The Brain From Planet Arous (1957)

WINNIE THE POOH: BLOOD AND HONEY Not all bad films are good. The inspiration behind Winnie The Pooh: Blood and Honey was apparently writer-director Rhys Frake-Waterfield's understanding that A.A. Milne's characters were going out of copyright, and so fair game for...

Three Against Nature

THE SAILOR WHO FELL FROM GRACE WITH THE SEA (1976) 'An insult to any audience' concludes the review of Lewis John Carlino's film The Sailor Who Fell From Grace With The Sea (hereafter referred to as Sailor) in my damaged-in-transit Waterstones-freebie edition of the...

A Cure For Wellness

A slice of Hollywood Eurogothic from Gore Pirates of the Caribbean Verbinski, this begins quite promisingly in a vein of deadpan camp – a mode which serves it well enough until it goes (almost literally) down the toilet. Lockhart (Dane DeHaan), a young, reptilian Wall...