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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Office Killer (1997)

The first thing I knew about photographer Cindy Sherman making a sort of horror film was when I saw that feminist film club the Final Girls were screening it at the Prince Charles; either that, or I did actually see it at the cinema in the 90's and subsequently forgot...

THE UNTAMED RAW NOCTURAMA

THE UNTAMED This London Film Festival showing represented my first visit to the Picturehouse Central. Entering, you feel like you've walked into a bar, and a busy one – and you have. Retreating in horror from all this socialising, which is not what I come to the...

The Invisible Life

It was a lovely day, sunshine sparkling on the Thames, Green Park bustling with life. The freshness in the air seemed almost to be trying to dissuade me against seeing a bleak existential drama about death at the ICA, but I was determined - even if, in the event, it...

Frightfest 2017: Evil Twins

FASHIONISTA As regular readers would know (if they existed), Frightfest usually marks the one time in the calendar year where I don't go to the cinema alone: Dave comes along. Or at least he does for part of the time before he has to duck out due to work commitments...

Apples / In The Earth

APPLES Who on earth, returning to the cinema after – well OK, during – a global pandemic would go and see a film that is about the pandemic, even if obliquely? About six people (including me) is the answer, if this afternoon showing is anything to go by. Apples seems...

London Film Festival 2019: Tremors / La Llorona

TREMORS According to writer-director Jayro Bustamente only about four films are made in Guatemala per year. I have now seen two, which pretty much makes me an expert in Guatemalan cinema. I could probably write a book on it. Not to be confused with a Kevin Bacon film...

Strongroom (1962)

Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...

Burial Ground (1981)

In the prologue to this plot-free Italian zombie opus, also known as The Nights of Terror, a professor raises the dead from an Etruscan tomb just in time for the arrival of a group of privileged merry-makers down for a weekend at the adjoining country house. With one...

Monster Mulch: Vintage Creatures From Talking Pictures

I like to think that there is no such thing as a bad film. Philosophically speaking, there is no such thing as a film at all, since films only 'really' exist in the watching of them, and this is done by people, and no two people will experience precisely the same...

Three Against Nature

THE SAILOR WHO FELL FROM GRACE WITH THE SEA (1976) 'An insult to any audience' concludes the review of Lewis John Carlino's film The Sailor Who Fell From Grace With The Sea (hereafter referred to as Sailor) in my damaged-in-transit Waterstones-freebie edition of the...