Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Don’t Step On It, It Might Be Jake Gyllenhaal: Nightcrawler/Enemy
by Martin | April 4, 2015 | movies, reviews | 0 Comments
Lou Bloom (Jake Gyllenhaal), the central figure of Dan Gilroy's Nightcrawler, resembles nothing so much as a cockroach that has unaccountably taken on human form – emerging out of the LA night as a petty thief with aspirations, he soon graduates into a 'nightcrawler',...
Monster Mulch: Vintage Creatures From Talking Pictures
by Martin | May 7, 2018 | movies, reviews | 0 Comments
I like to think that there is no such thing as a bad film. Philosophically speaking, there is no such thing as a film at all, since films only 'really' exist in the watching of them, and this is done by people, and no two people will experience precisely the same...
Blue / Trog (1993 and 1970)
by Martin | November 1, 2015 | movies, reviews | 0 Comments
In his introduction to Derek Jarman's Blue John Waters, who selected it as one of his favourite British films for a celebration of all things JW at the BFI, recalled how the first time he saw it the cinema had posters up warning punters that Blue was a film that...
Horromford
by Martin | May 19, 2024 | movies, reviews | 0 Comments
Soon every town in the country will have its own horror film festival, which I suppose is no bad thing, although I could hardly keep up when it was just Frightfest. I saw one film that escaped me at Frightfest (Austin Jennings' Eight Eyes) in late January at...
Strongroom (1962)
by Martin | August 31, 2019 | movies, reviews | 0 Comments
Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...
Office Killer (1997)
by Martin | August 14, 2016 | movies, reviews | 0 Comments
The first thing I knew about photographer Cindy Sherman making a sort of horror film was when I saw that feminist film club the Final Girls were screening it at the Prince Charles; either that, or I did actually see it at the cinema in the 90's and subsequently forgot...
Frightfest 2014: R100
by Martin | August 31, 2014 | movies, reviews | 0 Comments
What's that you say? Are Japanese films still as bonkers as they used to be? Why yes, and here is the proof. In Hitoshi Matsumoto's beguiling oddity a furniture salesman (Nao Ômori) attempts to escape the drudgery of his existence (wife in coma, young son to raise) by...
Arrival
by Martin | March 18, 2017 | movies, reviews | 0 Comments
Denis Villeneuve's Arrival brings to our attention something about contact with alien life forms that to my knowledge hasn't been thoroughly explored up until now – how boring it might be. That's not to say that the film itself is boring – although it does hover on...
Kinoteka 2019: Love Express and Fugue
by Martin | May 11, 2019 | movies, reviews | 0 Comments
LOVE EXPRESS: THE DISAPPEARANCE OF WALERIAN BOROWCZYK Kuba Mikurda's documentary presents a pretty standard view of Borowczyk, which won't be a problem for people who have no idea who Borowczyk is I suppose, and they are the vast majority of the population, and...
Frightfest 2017: The Glass Coffin
by Martin | September 23, 2017 | movies, reviews | 0 Comments
Some kind of religious revival seems to be going on outside Frightfest's new (old) home, the Cineworld (formerly Empire) Leicester Square. A sign saying 'Repent or Perish' has been held aloft. I wonder if this is particularly aimed at the Frightfest crowd. Maybe it's...