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American Fiction

American Fiction

I haven't seen this literary satire, Cord Jefferson's debut film, based on a 2001 book by Percival Everett, but I was fully intending to until I saw the trailer. It put me off. Judging a film by its trailer is a bit like judging a book by its cover, but you can in...

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FrightFest 2023

FrightFest 2023

FrightFest has a new sponsor and is now the Pigeon Shrine FrightFest. It has to be said that Pigeon Shrine isn't the most inspiring name – 'the Pigeon Shrine FrightFest' sounded suspiciously like a bargain basement version of the original, and my fears seemed to be...

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Talk To Me / Asteroid City / Nope

Talk To Me / Asteroid City / Nope

TALK TO ME Directors Danny and Michael Phillipou come to us from YouTube, where they operate some sort of channel apparently, which may explain why this BFI showing was full of young people. They were probably taking advantage of the BFI under-25's offer (as if youth...

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Don’t Step On It, It Might Be Jake Gyllenhaal: Nightcrawler/Enemy

Lou Bloom (Jake Gyllenhaal), the central figure of Dan Gilroy's Nightcrawler, resembles nothing so much as a cockroach that has unaccountably taken on human form – emerging out of the LA night as a petty thief with aspirations, he soon graduates into a 'nightcrawler',...

Pacifiction/Infinity Pool/The Outwaters/Beau Is Afraid

PACIFICTION Back in 2013 I almost killed myself hurrying from a London Film Festival showing of Denis Coté's Vic And Flo Saw A Bear on the South Bank, to Albert Serra's Story of My Death in Leicester Square. Given the title of Serra's film, it would have been an...

Exhibition

Director Joanna Hogg's first two films – Unrelated (2007) and Archipelago (2010) – are about upper-middle class English families on holiday in Tuscany and the Scilly Isles respectively. They were more interested in absorbing you in a landscape and situation than in...

A Prince, The Animal Kingdom, Behind The Mountains and Birth/Rebirth

A PRINCE Pierre Creton's film featured in both John Waters' top ten and Sight and Sound's top 50, so it should have been made for me – but there's no accounting for taste. All I can say is that it certainly gives you the feeling that director/co-writer Creton knew...

Censor / Surge

CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...

BFI London Film Festival 2017: The Wound, Most Beautiful Island

THE WOUND Up for the Sutherland First Feature Award was this South African tale whose hero Xolani (Nakhane Touré) returns every year to the countryside to become a 'caregiver' to initiates in a tribal ritual wherein boys become men by dint of such activities as...

BFI London Film Festival 2014: The Duke Of Burgundy

When nervous maid Cynthia (Sidhe Babett Knudson) turns up at the mansion of entomologist Evelyn (Chiara D'Anna) our first impression – as she harshly calls into question Cynthia's ability to wash knickers - is that Evelyn is an exacting, even cruel, mistress. But...

Nosferatu / Babygirl / Companion

NOSFERATU 'Yes we have Nosferatu, we have Nosferatu today.' Not much chance of this (the best joke in Mel Brooks' 1995 spoof Dracula: Dead and Loving It) making it into Robert Eggers' latest spin on F. W. Murnau's 1922 film, an unauthorised version of Dracula also...

Winnie The Pooh: Blood and Honey / The Brain From Planet Arous (1957)

WINNIE THE POOH: BLOOD AND HONEY Not all bad films are good. The inspiration behind Winnie The Pooh: Blood and Honey was apparently writer-director Rhys Frake-Waterfield's understanding that A.A. Milne's characters were going out of copyright, and so fair game for...

Don’t Be Afraid Of The Dark

I've wanted to see the 1973 made-for-TV movie Don't Be Afraid Of The Dark ever since I read about it in Halliwell's Film Guide in the early 80's. I never have, but no doubt it would be just as disappointing as Troy Nixey's 2010 remake, which I watched – in order to...

Some more reviews.

LFF 2019: Jallikattu/Saint Maud

LFF 2019: Jallikattu/Saint Maud

Ah yes, the London Film Festival. I remember that. Well it did happen this year, it was just 'different' – they even tried to suggest that the festival we had (mostly online) represented some kind of exciting innovation rather than an attempt to pretend that a film...

Phantoms of the Opera

Phantoms of the Opera

IL MOSTRO DELLA OPERA (1964) In the days before the cities became tombs and the cinemas morgues I went to a showing of this obscure Italian film at the Barbican on a Saturday morning, only to discover that I was encroaching upon a Phantom Of The Opera symposium. Who...

Rabid (1977) / Black Magic 2 (1976)

Rabid (1977) / Black Magic 2 (1976)

RABID (1977) I watched this (on Arrow Video Blu-Ray) quite early on in lockdown, before the later symptoms of COVID-19 like frothing at the mouth with blue foam and biting people in the neck appeared. Oh no wait, that hasn't happened yet has it? Nevertheless this is...

Privilege (1967) / Duck Soup (1933)

Privilege (1967) / Duck Soup (1933)

PRIVILEGE On this BFI DVD you get a couple of early short films from director Peter Watkins, one of which is 1961's The Forgotten Faces, an urgent, authentic-seeming account of the 1956 people's uprising in Hungary, filmed in Canterbury. Therein lies the moral of much...

LOCKDOWN! The Giant Claw (1957)

LOCKDOWN! The Giant Claw (1957)

How often have I fantasized about the government forbidding me to leave the house so that I am finally compelled to watch all the DVDs I have accumulated over the years? Well never, since that would have been absurd, even for a fantasy. Nevertheless here we are. Or at...

The Burning (1981)

The Burning (1981)

CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...

In Fabric / Little Joe

In Fabric / Little Joe

IN FABRIC Peter Strickland's follow-up to the excellent Duke Of Burgundy is a bumpier ride, but you get to enjoy that after a while. Apparently it's set in 1993 – I read this on the Sight and Sound letters page – but it seems to be taking place in some kind of...

Horrors Of The London Film Festival 2019

Horrors Of The London Film Festival 2019

DEERSKIN Horror films have fielded some unlikely 'monsters' over the years and director Quentin Dupieux has already supplied a notable one with 2010's Rubber, whose 'villain' was a spare tyre. His new film explores the malign potential of a jacket. Filling it out, and...

Burke And Hare (1971)

Burke And Hare (1971)

This is director Vernon Sewell’s last film and there’s something fitting about that: after two ventures into the more fantastical side of horror (The Blood Beast Terror and The Curse Of The Crimson Altar from 1966 and 1968 respectively) neither of which went out of...