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American Fiction

American Fiction

I haven't seen this literary satire, Cord Jefferson's debut film, based on a 2001 book by Percival Everett, but I was fully intending to until I saw the trailer. It put me off. Judging a film by its trailer is a bit like judging a book by its cover, but you can in...

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FrightFest 2023

FrightFest 2023

FrightFest has a new sponsor and is now the Pigeon Shrine FrightFest. It has to be said that Pigeon Shrine isn't the most inspiring name – 'the Pigeon Shrine FrightFest' sounded suspiciously like a bargain basement version of the original, and my fears seemed to be...

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Talk To Me / Asteroid City / Nope

Talk To Me / Asteroid City / Nope

TALK TO ME Directors Danny and Michael Phillipou come to us from YouTube, where they operate some sort of channel apparently, which may explain why this BFI showing was full of young people. They were probably taking advantage of the BFI under-25's offer (as if youth...

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Caged Women: Hounds of Love, Berlin Syndrome, The Beguiled

HOUNDS OF LOVE In 1987 sullen Australian teenager Vicki (Ashleigh Cummings) seethes with resentment at her mum, who has chosen to split with surgeon dad, necessitating a move to a seedier part of town – still, things could be worse, as she soon discovers when...

BFI London Film Festival 2017: Casting, 9 Fingers

In the toilets next to NFT2 a man was calling out for someone called Antonio – he had been asked to do so by a woman outside. Antonio didn't pipe up, although one of the cubicles was in use I noticed. Conceivably Antonio was inside - asleep, dying, or simply unwilling...

Strongroom (1962)

Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...

Enlightened Horror, The Backlash – The Cabinet of Caligari (1962)

Ever since I coined the term 'enlightened horror' three seconds ago there has been, I expect, a massive reaction on the internet, most of it negative ('Enlightened horror? – enfeebled horror more like!') and I can quite understand. The idea of a form of horror that...

Emmanuelle 5 (1987)

My interest in Polish director Walerian Borowczyck came about by accident. Back in the early 80's I saw his 1971 film Blanche described in the Daily Mail's TV listings as one of the most frightening ghost stories ever filmed - at any rate, this is what I remember. As...

Gentrified Horror: The Nightcomers (1971) and Us

THE NIGHTCOMERS In Nick Pinkerton's positive Sight and Sound review of Puppet Master: The Littlest Reich (which I thought was shit by the way) I first encountered the phrase 'gentrified horror', a pejorative term for the kind of upmarket horror that plays to...

The Devil’s Rain (1975)

I've taken to listening to Shaun Keaveny on BBC6 Music in the mornings, via my TV – specifically Freeview 707. A couple of months ago my just-awoken fingers were fumblingly pressing those figures out on the remote and hesitated too long, inadvertently accessing 70, at...

Damnation Alley (1977)

Given Roger Zelazny's reputation as an SF writer I can only assume that this is a bowlderized version of his 1969 novel. The very fact that it's showing at 8:00 of a Saturday morning on the Horror Channel suggests that it may not be very challenging. Still, I've set...

mother!

The release of Darren Aronofky's latest film was preceded by a director interview by Trevor Johnston in Sight & Sound urging viewers not to read it until they'd seen the film, since (even more than is usually the case) the more you knew about this film in advance...

Sleepaway Camp (1983)

This was prefaced by a talk from BFI programmer Michael Blyth around LBGT horror which pleasingly focused on less obvious titles – The Ghost Ship, Homicidal, Alucarda – even if he did seem to be stretching a point sometimes. Passing allusions to Dr. Jekyll And Mister...

Some more reviews.

LFF 2019: Jallikattu/Saint Maud

LFF 2019: Jallikattu/Saint Maud

Ah yes, the London Film Festival. I remember that. Well it did happen this year, it was just 'different' – they even tried to suggest that the festival we had (mostly online) represented some kind of exciting innovation rather than an attempt to pretend that a film...

Phantoms of the Opera

Phantoms of the Opera

IL MOSTRO DELLA OPERA (1964) In the days before the cities became tombs and the cinemas morgues I went to a showing of this obscure Italian film at the Barbican on a Saturday morning, only to discover that I was encroaching upon a Phantom Of The Opera symposium. Who...

Rabid (1977) / Black Magic 2 (1976)

Rabid (1977) / Black Magic 2 (1976)

RABID (1977) I watched this (on Arrow Video Blu-Ray) quite early on in lockdown, before the later symptoms of COVID-19 like frothing at the mouth with blue foam and biting people in the neck appeared. Oh no wait, that hasn't happened yet has it? Nevertheless this is...

Privilege (1967) / Duck Soup (1933)

Privilege (1967) / Duck Soup (1933)

PRIVILEGE On this BFI DVD you get a couple of early short films from director Peter Watkins, one of which is 1961's The Forgotten Faces, an urgent, authentic-seeming account of the 1956 people's uprising in Hungary, filmed in Canterbury. Therein lies the moral of much...

LOCKDOWN! The Giant Claw (1957)

LOCKDOWN! The Giant Claw (1957)

How often have I fantasized about the government forbidding me to leave the house so that I am finally compelled to watch all the DVDs I have accumulated over the years? Well never, since that would have been absurd, even for a fantasy. Nevertheless here we are. Or at...

The Burning (1981)

The Burning (1981)

CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...

In Fabric / Little Joe

In Fabric / Little Joe

IN FABRIC Peter Strickland's follow-up to the excellent Duke Of Burgundy is a bumpier ride, but you get to enjoy that after a while. Apparently it's set in 1993 – I read this on the Sight and Sound letters page – but it seems to be taking place in some kind of...

Horrors Of The London Film Festival 2019

Horrors Of The London Film Festival 2019

DEERSKIN Horror films have fielded some unlikely 'monsters' over the years and director Quentin Dupieux has already supplied a notable one with 2010's Rubber, whose 'villain' was a spare tyre. His new film explores the malign potential of a jacket. Filling it out, and...

Burke And Hare (1971)

Burke And Hare (1971)

This is director Vernon Sewell’s last film and there’s something fitting about that: after two ventures into the more fantastical side of horror (The Blood Beast Terror and The Curse Of The Crimson Altar from 1966 and 1968 respectively) neither of which went out of...