Select Page

Unworldly Views

Latest

American Fiction

American Fiction

I haven't seen this literary satire, Cord Jefferson's debut film, based on a 2001 book by Percival Everett, but I was fully intending to until I saw the trailer. It put me off. Judging a film by its trailer is a bit like judging a book by its cover, but you can in...

read more
FrightFest 2023

FrightFest 2023

FrightFest has a new sponsor and is now the Pigeon Shrine FrightFest. It has to be said that Pigeon Shrine isn't the most inspiring name – 'the Pigeon Shrine FrightFest' sounded suspiciously like a bargain basement version of the original, and my fears seemed to be...

read more
Talk To Me / Asteroid City / Nope

Talk To Me / Asteroid City / Nope

TALK TO ME Directors Danny and Michael Phillipou come to us from YouTube, where they operate some sort of channel apparently, which may explain why this BFI showing was full of young people. They were probably taking advantage of the BFI under-25's offer (as if youth...

read more

Nosferatu / Babygirl / Companion

NOSFERATU 'Yes we have Nosferatu, we have Nosferatu today.' Not much chance of this (the best joke in Mel Brooks' 1995 spoof Dracula: Dead and Loving It) making it into Robert Eggers' latest spin on F. W. Murnau's 1922 film, an unauthorised version of Dracula also...

Frightfest 2021

NIGHT DRIVE A mysterious fugue enveloped Frightfest last year – it's like it didn't really happen. But suddenly here I am again in the Empire Leicester Square, and – after a few 'missing' years - Dave is even back, and sitting next to me. It all feels suspiciously...

Slack Bay (2016) / Zombie Lake (1977)

It was last November that I went to the Cine Lumiere to catch up with the latest offering from Bruno Dumont, showing at the French Film Festival, and it has taken me up until now to process it. In fact that's a lie – I still haven't processed it. In Slack Bay Dumont...

The Boxer’s Omen (1983) / Goodbye Dragon Inn (2003)

THE BOXER'S OMEN I saw this in late 2016 at the Barbican in a season called Cheap Thrills, a celebration of bad taste. Is this then a 'bad film'? If so, we need to dismiss any judgmental qualities that might still be clinging to the word 'bad'. We are not condemning...

Frankenstein 1970

This begins generically but effectively with a screaming girl being pursued across the (German, it turns out) countryside by a nightmarishly-contorted Frankenstein's monster whose face we never see; this proves, however, to be part of a TV programme being shot in the...

Bad Luck Banging, Or Loony Porn

Ah, masks! Still de rigeur at the ICA at this point (this was before Plan B kicked in). During the London Film Festival I dared to go in there unmasked, which felt like a transgressive act, but hey, it was a festival and anyway isn't the ICA supposed to welcome...

Frightfest Halloween 2018

Yes I know, we are already well into 2019 but let me take you back, BACK to when the self-service checkouts in Poundland were still speaking in the voice of Bela Lugosi ('Have a spooooky day!') In truth I wasn't all that inspired by the films on offer at Frightfest...

Stray Dogs

‘What is this life if, filled with care/We have no time to stand and stare?’, said the Victorian poet W. H. Davies. Good point, and a view clearly shared by Chinese director Tsai-Ming-liang, who transfixes (hopefully) his audience with fixed shots of his characters...

Death Car On The Freeway (1979)

The critical appeal of the recent Mad Max sequel was so across-the-board that it even screened at arthouse venues like the Curzon Soho - while I was in there waiting for Christian Petzold’s (excellent) German drama Phoenix to start, a trailer for it played. The woman...

Frightfest 2014: Cheerleaders, Show Pieces, and the Babadook

ALL CHEERLEADERS DIE As is well-known, the only way in which girls can achieve any kind of power in that hellish jock-dominated microcosm of American society known as high school is either by means of their bodies or through witchcraft. And witchcraft doesn't work. Or...

Some more reviews.

LFF 2019: Jallikattu/Saint Maud

LFF 2019: Jallikattu/Saint Maud

Ah yes, the London Film Festival. I remember that. Well it did happen this year, it was just 'different' – they even tried to suggest that the festival we had (mostly online) represented some kind of exciting innovation rather than an attempt to pretend that a film...

Phantoms of the Opera

Phantoms of the Opera

IL MOSTRO DELLA OPERA (1964) In the days before the cities became tombs and the cinemas morgues I went to a showing of this obscure Italian film at the Barbican on a Saturday morning, only to discover that I was encroaching upon a Phantom Of The Opera symposium. Who...

Rabid (1977) / Black Magic 2 (1976)

Rabid (1977) / Black Magic 2 (1976)

RABID (1977) I watched this (on Arrow Video Blu-Ray) quite early on in lockdown, before the later symptoms of COVID-19 like frothing at the mouth with blue foam and biting people in the neck appeared. Oh no wait, that hasn't happened yet has it? Nevertheless this is...

Privilege (1967) / Duck Soup (1933)

Privilege (1967) / Duck Soup (1933)

PRIVILEGE On this BFI DVD you get a couple of early short films from director Peter Watkins, one of which is 1961's The Forgotten Faces, an urgent, authentic-seeming account of the 1956 people's uprising in Hungary, filmed in Canterbury. Therein lies the moral of much...

LOCKDOWN! The Giant Claw (1957)

LOCKDOWN! The Giant Claw (1957)

How often have I fantasized about the government forbidding me to leave the house so that I am finally compelled to watch all the DVDs I have accumulated over the years? Well never, since that would have been absurd, even for a fantasy. Nevertheless here we are. Or at...

The Burning (1981)

The Burning (1981)

CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...

In Fabric / Little Joe

In Fabric / Little Joe

IN FABRIC Peter Strickland's follow-up to the excellent Duke Of Burgundy is a bumpier ride, but you get to enjoy that after a while. Apparently it's set in 1993 – I read this on the Sight and Sound letters page – but it seems to be taking place in some kind of...

Horrors Of The London Film Festival 2019

Horrors Of The London Film Festival 2019

DEERSKIN Horror films have fielded some unlikely 'monsters' over the years and director Quentin Dupieux has already supplied a notable one with 2010's Rubber, whose 'villain' was a spare tyre. His new film explores the malign potential of a jacket. Filling it out, and...

Burke And Hare (1971)

Burke And Hare (1971)

This is director Vernon Sewell’s last film and there’s something fitting about that: after two ventures into the more fantastical side of horror (The Blood Beast Terror and The Curse Of The Crimson Altar from 1966 and 1968 respectively) neither of which went out of...