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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

The Lady From Shanghai (1947) and The Spooky Bunch (1980)

Orson Welles' Irish accent in The Lady From Shanghai is perfectly emblematic of the film itself: you can't quite believe it yet you can't quite disbelieve it either. Welles' character, a sailor called Michael O'Hara, falls in love with Rita Hayworth's lady of the...

Enlightened Horror, The Backlash – The Cabinet of Caligari (1962)

Ever since I coined the term 'enlightened horror' three seconds ago there has been, I expect, a massive reaction on the internet, most of it negative ('Enlightened horror? – enfeebled horror more like!') and I can quite understand. The idea of a form of horror that...

Hereditary

In theory it ought to be possible to respond to a film without taking into account to the critical reaction to it, but once you are aware of that reaction and have seen it pasted on the sides of buses, there's not much you can do about that: it's already in you. But...

La Grande Bouffe (1973)

Marco Ferreri’s 1973 film La Grande Bouffe has airline pilot Marcello Mastroianni, chef Ugo Tognazzi, TV director Michel Piccoli and judge Philippe Noiret gathering in Noiret’s old family pile to indulge themselves in hedonistic pleasures until the toilet backs up -...

So This Is Real Life – Three Documentaries

FURTHER BEYOND This is a film about the making of a biopic about Ambrosio O'Higgins, who – back in the 18th century - travelled from Ireland to Spain to Chile, where he became quite a big deal and his son Bernardo even more of one. In a Tristram Shandy kind of fashion...

BFI London Film Festival 2021: Between Feast and Famine

THE FEAST I remember overhearing a punter at the London Film Festival one year asking the guy next to him what he'd seen and he replied: 'A lot of films that could have been better'. My experience this year (last year) was a bit like that. Even before it started I had...

Strongroom (1962)

Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...

Our Time / Once Upon A Time In Hollywood

OUR TIME There was quite a high turnout for this three-hour epic of directorial self-laceration from Mexican director Carlos Reygadas, although admittedly this was at the Minema screen at the Curzon Bloomsbury, which seats about 20 people. I had a guy ahead of me...

Monster On The Campus (1958)

This begins with college professor Donald Blake (Arthur Franz) completing his collection of busts depicting the various stages of human evolution with one of 'Modern Woman', taken from his  fiancée's face. Subsequently, as if this is the peak of evolution and there's...

Frightfest 2022

'Keep On Rollin', says a T-shirt on a little girl outside the Prince Charles Cinema, which I at first imagined was a reference to Jean Rollin, French director of sex vampire films and subject of the documentary Orchestrator of Storms, showing at Frightfest. The image...