Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Frightfest 2017: The Glass Coffin
by Martin | September 23, 2017 | movies, reviews | 0 Comments
Some kind of religious revival seems to be going on outside Frightfest's new (old) home, the Cineworld (formerly Empire) Leicester Square. A sign saying 'Repent or Perish' has been held aloft. I wonder if this is particularly aimed at the Frightfest crowd. Maybe it's...
BFI London Film Festival 2017: The Wound, Most Beautiful Island
by Martin | January 28, 2018 | movies, reviews | 0 Comments
THE WOUND Up for the Sutherland First Feature Award was this South African tale whose hero Xolani (Nakhane Touré) returns every year to the countryside to become a 'caregiver' to initiates in a tribal ritual wherein boys become men by dint of such activities as...
Two Takes on Modern Etiquette at the BFI London Film Festival 2015
by Martin | December 13, 2015 | movies, reviews | 0 Comments
THE INVITATION This showed (at the Vue Islington) in the Cult strand, but it deserves the widest possible audience. Struggling to get over the accidental death of his son two years previously, Will (Logan Marshall-Green) goes to a reunion dinner of old friends hosted...
New Year’s Evil (1980) / Bloody New Year (1987)
by Martin | February 11, 2018 | movies, reviews | 0 Comments
New Year is, as everybody knows, a massive anticlimax. We all get frantically excited about what turns out to be just a glib transition into more of the same. Here are two films (showing in the BFI's Cult strand) which try to give New Year some genuine significance...
Frankenstein 1970
by Martin | April 20, 2019 | movies, reviews | 0 Comments
This begins generically but effectively with a screaming girl being pursued across the (German, it turns out) countryside by a nightmarishly-contorted Frankenstein's monster whose face we never see; this proves, however, to be part of a TV programme being shot in the...
Burke And Hare (1971)
by Martin | January 26, 2020 | movies, reviews | 0 Comments
This is director Vernon Sewell’s last film and there’s something fitting about that: after two ventures into the more fantastical side of horror (The Blood Beast Terror and The Curse Of The Crimson Altar from 1966 and 1968 respectively) neither of which went out of...
The Burning (1981)
by Martin | April 24, 2020 | movies, reviews | 0 Comments
CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...
Mothra (1961)
by Martin | July 12, 2014 | movies, reviews | 0 Comments
After a self-imposed double-bill of Camille Claudel 1915 and Miss Violence at the Curzon Soho, what better way to cool off than with a showing of Mothra, at the Prince Charles off Leicester Square? So I reasoned. And it only cost a pound, if you were a member. I was....
More Madness: Madeline’s Madeline and Thunder Road (LFF 2018)
by Martin | December 24, 2018 | movies, reviews | 0 Comments
MADELINE'S MADELINE The new film from director Josephine Decker (Thou Wast Mild And Lovely) is a gripping and vivid account of some days in the life of the eponymous schizophrenic teenager (an impressive Helena Howard), who has joined a theatrical troupe which seems...
Cold-Blooded Beast / Bloodsucking Freaks
by Martin | April 8, 2018 | movies, reviews | 0 Comments
COLD-BLOODED BEAST (1971) 88 Films' Italian Collection yields this giallo in which a masked murderer stalks an all-female (the patients not the staff) mental institution but the occupants are all too busy playing with themselves and each other to notice, at least...