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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Barbarous Mexico

Raindance! It’s the London film festival I always forget about, tucked as it is into the gap between Frightfest and the BFI London Film Festival but in 2015 I made it to one lunchtime screening at the Vue Piccadilly. It was busy, chaotic even, in the waiting area...

GUILT-FREE CINEMA? The New York Ripper (1982) / Hitch Hike To Hell (1977)

At some point in the run-up towards Christmas I found myself watching a documentary on BBC4 by Catherine Bray that encouraged us not to feel 'guilty' about watching 'bad' films. It seemed to be right up my alley and for a good twenty minutes all seemed to be well....

Burial Ground (1981)

In the prologue to this plot-free Italian zombie opus, also known as The Nights of Terror, a professor raises the dead from an Etruscan tomb just in time for the arrival of a group of privileged merry-makers down for a weekend at the adjoining country house. With one...

Who Killed Teddy Bear (1965)

At one point in this the man who I suppose we'll have to call the hero for want of any other more suitable candidate – Lt. Dave Madden ( Jan Murray) - is told that he has 'crossed a line'. Well this film has crossed a line before it's even started, as the credits roll...

Popcorn (1991)

Although I don't think it has been languishing in obscurity exactly (it's showing on the Horror Channel as I write) Popcorn is a film I've somehow missed. Luckily Michael Blyth, masterminding the BFI’s Cult strand, has given it an airing and thus allowed me to atone...

American Fiction

I haven't seen this literary satire, Cord Jefferson's debut film, based on a 2001 book by Percival Everett, but I was fully intending to until I saw the trailer. It put me off. Judging a film by its trailer is a bit like judging a book by its cover, but you can in...

BFI London Film Festival 2017: The Wound, Most Beautiful Island

THE WOUND Up for the Sutherland First Feature Award was this South African tale whose hero Xolani (Nakhane Touré) returns every year to the countryside to become a 'caregiver' to initiates in a tribal ritual wherein boys become men by dint of such activities as...

Crimes At The Dark House and elsewhere – some films with Tod Slaughter 1937-1946

Crimes At The Dark House (1940) is nominally a version of Wilkie Collins' novel The Woman In White in which Tod Slaughter is Sir Percival Glyde – or rather he isn't, he's an impostor first seen hammering a tent peg into the real Sir Percival's left ear. Which is to...

Goodnight Mommy

TV presenter Mommy (Suzanne Wuest) returns from plastic surgery with a bandaged face and a bad temper, so that her twin boys Elias and Lukas start to wonder if she's really Mommy at all, the question mark over her identity deftly conveyed in a scene where she plays a...

Theatre Of Blood (1973)

Mark Kermode once stated that anyone who said they'd guessed the ending of The Usual Suspects was lying. I have never quite forgiven him for this - I guessed it, but what proof do I have? Essentially he was out there calling me a liar and I had no redress. However, I...