Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Mandy / Knife + Heart / Suspiria
by Martin | February 16, 2019 | movies, reviews | 0 Comments
MANDY Mandy sold out very quickly at the London Film Festival, so I was pleased, having failed to secure a ticket, to see that it was showing in that very same week at the Prince Charles Cinema, which meant that I could see it for a fiver rather that sixteen quid. It...
The Substance / The Driver’s Seat (1974)
by Martin | November 10, 2024 | movies, reviews | 0 Comments
THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...
Universal Soldier: Day Of Reckoning (2012)
by Martin | August 3, 2014 | movies, reviews | 0 Comments
Normally I unearth the cultural artefacts that interest me by dint of patient digging in obscure corners, but sometimes something comes barrelling out of the internet during an idle hour to catch me off guard rather like MMA fighter Andrei 'The Pitbull' Arlovski keeps...
Crimes At The Dark House and elsewhere – some films with Tod Slaughter 1937-1946
by Martin | August 19, 2017 | movies, reviews | 0 Comments
Crimes At The Dark House (1940) is nominally a version of Wilkie Collins' novel The Woman In White in which Tod Slaughter is Sir Percival Glyde – or rather he isn't, he's an impostor first seen hammering a tent peg into the real Sir Percival's left ear. Which is to...
Downton Abbey (2019) / Ray and Liz (2018)
by Martin | April 7, 2021 | movies, reviews | 0 Comments
DOWNTON ABBEY For many years the TV series Downton Abbey, created by Julian Fellowes, mined the Sunday night craving for reassurance about the past, presenting it as a world in which everyone knew their place. The past, at least the past we never knew personally, is a...
Possession of Joel Delaney (1972) / The Vigil (2019) / Hatching (2022)
by Martin | October 22, 2022 | movies, reviews | 0 Comments
POSSESSION OF JOEL DELANEY This screening (part of Dukefest, a small festival curated by the Duke Mitchell Film Club) was busy, though thankfully not so busy that when a person of enormous stature sat in front of me I couldn't just shift to the seat next to me. What...
THE UNTAMED RAW NOCTURAMA
by Martin | January 15, 2017 | movies, reviews | 0 Comments
THE UNTAMED This London Film Festival showing represented my first visit to the Picturehouse Central. Entering, you feel like you've walked into a bar, and a busy one – and you have. Retreating in horror from all this socialising, which is not what I come to the...
Eyeball (1975) / Short Night Of Glass Dolls (1971) / Spasmo (1974)
by Martin | August 5, 2020 | movies, reviews | 0 Comments
EYEBALL The original Italian title of Umberto Lenzi's Eyeball translates as Red Cats In A Glass Labyrinth, which makes very little sense and is all the more impressive for it. However, there is no doubt that Eyeball is more to the point. This giallo is about a busload...
Popcorn (1991)
by Martin | May 4, 2015 | movies, reviews | 0 Comments
Although I don't think it has been languishing in obscurity exactly (it's showing on the Horror Channel as I write) Popcorn is a film I've somehow missed. Luckily Michael Blyth, masterminding the BFI’s Cult strand, has given it an airing and thus allowed me to atone...
Mirror Mirror (1990) / Happy Deathday (2017) / Thelma (2017)
by Martin | September 9, 2018 | movies, reviews | 0 Comments
MIRROR MIRROR 'Long may it continue', I said earlier in the year about the BFI's 'Cult' strand. Well now it has ended (though replaced by something very similar called Terror Vision) but at least its last showing, curated by feminist film collective the Final Girls,...