Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Universal Soldier: Day Of Reckoning (2012)
by Martin | August 3, 2014 | movies, reviews | 0 Comments
Normally I unearth the cultural artefacts that interest me by dint of patient digging in obscure corners, but sometimes something comes barrelling out of the internet during an idle hour to catch me off guard rather like MMA fighter Andrei 'The Pitbull' Arlovski keeps...
Possession of Joel Delaney (1972) / The Vigil (2019) / Hatching (2022)
by Martin | October 22, 2022 | movies, reviews | 0 Comments
POSSESSION OF JOEL DELANEY This screening (part of Dukefest, a small festival curated by the Duke Mitchell Film Club) was busy, though thankfully not so busy that when a person of enormous stature sat in front of me I couldn't just shift to the seat next to me. What...
A Girl Walks Home Alone At Night
by Martin | March 1, 2015 | movies, reviews | 0 Comments
An Iranian vampire Western? Is this what the world really needs? On the evidence presented here – yes. Not that this is really Iranian, since it is shot in America and is set in a fictional (Iranian) place called ‘Bad City’. Not that it’s really a Western either,...
The Burning (1981)
by Martin | April 24, 2020 | movies, reviews | 0 Comments
CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...
Frightfest 2017: The Glass Coffin
by Martin | September 23, 2017 | movies, reviews | 0 Comments
Some kind of religious revival seems to be going on outside Frightfest's new (old) home, the Cineworld (formerly Empire) Leicester Square. A sign saying 'Repent or Perish' has been held aloft. I wonder if this is particularly aimed at the Frightfest crowd. Maybe it's...
BFI London Film Festival 2017: Rift, My Friend Dahmer, Hagazussa – A Heathen’s Curse
by Martin | December 3, 2017 | movies, reviews | 0 Comments
RIFT Apparently the Icelandic title of Rift (Rökkur) more closely corresponds to 'Twilight', but that title, as the director Erlingur Thoroddsen drily points out, was already taken. Though not terribly exciting as a title, Rift is apt enough for this story of two gay...
The Witch
by Martin | April 9, 2016 | movies, reviews | 0 Comments
I saw this at the Odeon Covent Garden. Amazingly, they are only charging £6.00 a ticket at the moment for any showing Monday to Thursday. I hope this doesn't get out, or my chances of getting an entire screen to myself (that ever-elusive dream) will diminish even...
Norte: The End Of History
by Martin | August 17, 2014 | movies, reviews | 0 Comments
'You do know this film is four hours and ten minutes long?', asked the man doling out the tickets at the ICA. In fact, I knew about the four hours but not the ten minutes – but I said yes. He advised me to go to the toilet beforehand, as if I needed to be told. That...
Jeanne Dielman, 23 Quay De Commerce, 1080 Bruxelles (1975)
by Martin | April 14, 2020 | movies, reviews | 0 Comments
CAUTION: Pre-lockdown content. May include allusions to leaving the house. Are there awards for audiences? Sometimes I feel that I deserve recognition for the efforts I make to catch one-off showings of alienating arthouse films – or at least, that they should pay me...
The Substance / The Driver’s Seat (1974)
by Martin | November 10, 2024 | movies, reviews | 0 Comments
THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...