Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Mothra (1961)
by Martin | July 12, 2014 | movies, reviews | 0 Comments
After a self-imposed double-bill of Camille Claudel 1915 and Miss Violence at the Curzon Soho, what better way to cool off than with a showing of Mothra, at the Prince Charles off Leicester Square? So I reasoned. And it only cost a pound, if you were a member. I was....
Frightfest 2017: Outliers
by Martin | November 5, 2017 | movies, reviews | 0 Comments
DHOGS I'm a genre lightweight really, a dilettante. Of all the films I saw at Frightfest this year, only one – The Glass Coffin - could really be called a horror film, and that was probably the least of them. Why, I wasn't even wearing a black T-shirt. Dhogs isn't...
BFI London Film Festival 2017: Rift, My Friend Dahmer, Hagazussa – A Heathen’s Curse
by Martin | December 3, 2017 | movies, reviews | 0 Comments
RIFT Apparently the Icelandic title of Rift (Rökkur) more closely corresponds to 'Twilight', but that title, as the director Erlingur Thoroddsen drily points out, was already taken. Though not terribly exciting as a title, Rift is apt enough for this story of two gay...
Comings Of Age – Three Attempts From The BFI London Film Festival 2015
by Martin | December 28, 2015 | movies, reviews | 0 Comments
DER NACHTMAHR Not German for 'nightmare', ein nachtmahr is more like a thing from a nightmare, so the director - German artist AKIZ – tells us. In the case of his film that thing is a strange creature resembling a cross between Belial from Basket Case and Garfield,...
Crimes At The Dark House and elsewhere – some films with Tod Slaughter 1937-1946
by Martin | August 19, 2017 | movies, reviews | 0 Comments
Crimes At The Dark House (1940) is nominally a version of Wilkie Collins' novel The Woman In White in which Tod Slaughter is Sir Percival Glyde – or rather he isn't, he's an impostor first seen hammering a tent peg into the real Sir Percival's left ear. Which is to...
Bad Luck Banging, Or Loony Porn
by Martin | February 13, 2022 | movies, reviews | 0 Comments
Ah, masks! Still de rigeur at the ICA at this point (this was before Plan B kicked in). During the London Film Festival I dared to go in there unmasked, which felt like a transgressive act, but hey, it was a festival and anyway isn't the ICA supposed to welcome...
A Cure For Wellness
by Martin | March 25, 2017 | movies, reviews | 0 Comments
A slice of Hollywood Eurogothic from Gore Pirates of the Caribbean Verbinski, this begins quite promisingly in a vein of deadpan camp – a mode which serves it well enough until it goes (almost literally) down the toilet. Lockhart (Dane DeHaan), a young, reptilian Wall...
Sins Of The Fleshapoids (1965)/Orphans Of The Cosmos (2008)
by Martin | January 18, 2015 | movies, reviews | 0 Comments
I settled down for this Kuchar Brothers double-bill at the BFI with three cushions (Christmas presents for Mum) in carrier bags, a burden bulky enough to suggest that I should have splashed out on another ticket. With an amused gay man on my left and Brian Sewell...
Everlasting Love (Amor Eterno)
by Martin | April 26, 2015 | movies, reviews | 0 Comments
Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...
A Brexit Trilogy
by Martin | March 24, 2018 | movies, reviews | 0 Comments
GOD'S OWN COUNTRY (2017) Brexit – is it humanity asserting its freedom to be perverse in the face of global capitalism, or is it just a backward-leaning movement composed of people whose preciousness about their 'British identity' makes you wonder who the real...