Select Page

Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Empire of the Ants (1977) / Contamination (1980) / Alien 2: On Earth (1981)

EMPIRE OF THE ANTS (1977) Bert I Gordon, director of such vintage extravaganzas as 1958's Attack Of The 50ft Woman briefly returned to cinema screens in the 1970's with a couple of films which were, nominally, adaptations of H G Wells stories, though B.I.G. (note...

BFI London Film Festival 2022: Lockdown Lingers

COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...

American Fiction

I haven't seen this literary satire, Cord Jefferson's debut film, based on a 2001 book by Percival Everett, but I was fully intending to until I saw the trailer. It put me off. Judging a film by its trailer is a bit like judging a book by its cover, but you can in...

THE UNTAMED RAW NOCTURAMA

THE UNTAMED This London Film Festival showing represented my first visit to the Picturehouse Central. Entering, you feel like you've walked into a bar, and a busy one – and you have. Retreating in horror from all this socialising, which is not what I come to the...

The Red Queen Kills Seven Times (1972) / Effie Gray (2014)

Before he (apparently) disappeared into thin air, Emilio P. Miraglia made a couple of films blending the giallo with the Gothic, 1971's The Night Evelyn Game Out of the Grave, and this, his last film. The giallo and the Gothic are simultaneously very different (the...

Universal Soldier: Day Of Reckoning (2012)

Normally I unearth the cultural artefacts that interest me by dint of patient digging in obscure corners, but sometimes something comes barrelling out of the internet during an idle hour to catch me off guard rather like MMA fighter Andrei 'The Pitbull' Arlovski keeps...

Post-Horror: Men / Bergman Island

MEN I see that the Barbican are putting on a summer season of 'post-horror' films. Is that a film you see after a horror film, for light relief perhaps? Well no, apparently – it's just another iteration of our old friend 'elevated horror'. So the films in question...

Barbarous Mexico

Raindance! It’s the London film festival I always forget about, tucked as it is into the gap between Frightfest and the BFI London Film Festival but in 2015 I made it to one lunchtime screening at the Vue Piccadilly. It was busy, chaotic even, in the waiting area...

Phantoms of the Opera

IL MOSTRO DELLA OPERA (1964) In the days before the cities became tombs and the cinemas morgues I went to a showing of this obscure Italian film at the Barbican on a Saturday morning, only to discover that I was encroaching upon a Phantom Of The Opera symposium. Who...

The Burning (1981)

CAUTION: Contains unlicensed film theory Carol Clover's Men Women and Chainsaws is most famous for drawing our attention to the figure of the Final Girl. Clover had been struck by the way that slasher films, aimed (as she saw it) at an audience of adolescent males and...