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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Tales That Witness Madness (1973)

In 1965 Dr. Terror's House of Horrors kicked off a series of 'anthology' horror films, mostly made by Amicus, of which Tales That Witness Madness (not made by Amicus) is often dismissed as a peculiarly ropey example, although its director Freddie Francis - who also...

BFI London Film Festival 2017: Rift, My Friend Dahmer, Hagazussa – A Heathen’s Curse

RIFT Apparently the Icelandic title of Rift (Rökkur) more closely corresponds to 'Twilight', but that title, as the director Erlingur Thoroddsen drily points out, was already taken. Though not terribly exciting as a title, Rift is apt enough for this story of two gay...

Barbarous Mexico

Raindance! It’s the London film festival I always forget about, tucked as it is into the gap between Frightfest and the BFI London Film Festival but in 2015 I made it to one lunchtime screening at the Vue Piccadilly. It was busy, chaotic even, in the waiting area...

The Revenant

Early reports of this film had audiences scandalised by the sight of star Leonardo di Caprio being raped by a bear. Three times. I suspect that this was hype worked up by the studio's marketing department, but I suppose it depends on whether you think people are more...

Caged Women: Hounds of Love, Berlin Syndrome, The Beguiled

HOUNDS OF LOVE In 1987 sullen Australian teenager Vicki (Ashleigh Cummings) seethes with resentment at her mum, who has chosen to split with surgeon dad, necessitating a move to a seedier part of town – still, things could be worse, as she soon discovers when...

Bad Luck Banging, Or Loony Porn

Ah, masks! Still de rigeur at the ICA at this point (this was before Plan B kicked in). During the London Film Festival I dared to go in there unmasked, which felt like a transgressive act, but hey, it was a festival and anyway isn't the ICA supposed to welcome...

Frightfest 2018 Part Two: Awks

KILLING GOD In this Spanish offering from directors Caye Casas and Albert Pintó, various members of a family gather in an old dark house for New Year's Eve, only to be joined by a dwarf who emerges from the toilet (the room, not the bowl – at least as far as we can...

Censor / Surge

CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...

London Film Festival 2016 – Further Off The Beaten Track

EYES OF MY MOTHER This curious little black-and-white number, from America, has received some acclaim but to these eyes was not quite curious enough. It's the story of Francisca, who at the start of the film is a young girl leading an idyllic existence in a remote...

Frightfest 2014: Bad Milo!

Frightfest has relocated from the Empire Leicester Square to the Vue Leicester Square, which seems to be a good thing. No more cramped Discovery Screens, we now have the run of numerous larger screens over several floors. And it's even nearer Burger King, where I sit...