Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Censor / Surge
by Martin | October 10, 2021 | movies, reviews | 0 Comments
CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...
The Curious Dr. Humpp / Vengeanza Del Sexo (1967 or thereabouts)
by Martin | August 12, 2023 | movies, reviews | 0 Comments
I had reservations about going to see Brainwashed: Sex – Camera – Power, Nina Menkes' take on 'the male gaze' at the BFI, partly because it seemed like the kind of thing that would turn up on BBC4 or Sky Arts in a month or two, but there is a certain advantage to...
45 Years
by Martin | October 24, 2015 | movies, reviews | 0 Comments
Tom Courtenay and Charlotte Rampling play Geoff and Kate, a couple in their 70's who seem to think they are happily married until his ex-girlfriend Katya turns up, entombed in ice in a Swiss glacier and apparently unchanged since she fell into a fissure back in 1962....
The Witch
by Martin | April 9, 2016 | movies, reviews | 0 Comments
I saw this at the Odeon Covent Garden. Amazingly, they are only charging £6.00 a ticket at the moment for any showing Monday to Thursday. I hope this doesn't get out, or my chances of getting an entire screen to myself (that ever-elusive dream) will diminish even...
The Lady From Shanghai (1947) and The Spooky Bunch (1980)
by Martin | August 25, 2014 | movies, reviews | 0 Comments
Orson Welles' Irish accent in The Lady From Shanghai is perfectly emblematic of the film itself: you can't quite believe it yet you can't quite disbelieve it either. Welles' character, a sailor called Michael O'Hara, falls in love with Rita Hayworth's lady of the...
O Lucky Man! (1973) etc….
by Martin | August 25, 2024 | movies, reviews | 0 Comments
My introduction to Lindsay Anderson was being shown the 1968 film If.... in (judiciously edited) half hour portions at secondary school in the 70's in a lesson called 'Design for Living', a rather random class which was used to dispense whatever we had in the way of...
White Bird In A Blizzard
by Martin | April 12, 2015 | movies, reviews | 0 Comments
This adaptation of Laura Kasischke's young adult novel finds director Gregg Araki in less than full-on mode, and my first impression, such is the uncertainty of tone here, is that when he isn't in full-on mode (eg: Nowhere, Kaboom) he doesn't know what he's doing. But...
LFF 2018: Tumbbad / The Nightshifter
by Martin | January 13, 2019 | movies, reviews | 0 Comments
TUMBBAD Indian horror films are something of a rarity, but Kothanodi was one of my highlights of 2015's London Film Festival, and that was a horror film – sort of. This one, my first film of this year's festival, definitely is - or wants to be. It begins with an...
Everlasting Love (Amor Eterno)
by Martin | April 26, 2015 | movies, reviews | 0 Comments
Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...
BFI London Film Festival 2017: The Wound, Most Beautiful Island
by Martin | January 28, 2018 | movies, reviews | 0 Comments
THE WOUND Up for the Sutherland First Feature Award was this South African tale whose hero Xolani (Nakhane Touré) returns every year to the countryside to become a 'caregiver' to initiates in a tribal ritual wherein boys become men by dint of such activities as...