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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Camille Claudel 1915

This meeting of two arthouse legends – Bruno Dumont, a director who has previously always refused to work with professional actors, and Juliette (Chocolat) Binoche – is heralded by posters screaming BINOCHE CLAUDEL DUMONT, in the manner of ads for an action movie...

BFI London Film Festival 2014: Hard To Be A God

What better way to ease yourself gently into a film festival than with a nearly-three-hour black and white Russian film based on an sf novel I've never read? Aleksei German's film (based on a novel by Arkady and Boris Strugatsky)  is set on a planet which has been...

London Film Festival 2016 – Further Off The Beaten Track

EYES OF MY MOTHER This curious little black-and-white number, from America, has received some acclaim but to these eyes was not quite curious enough. It's the story of Francisca, who at the start of the film is a young girl leading an idyllic existence in a remote...

Strongroom (1962)

Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...

Gentrified Horror: The Nightcomers (1971) and Us

THE NIGHTCOMERS In Nick Pinkerton's positive Sight and Sound review of Puppet Master: The Littlest Reich (which I thought was shit by the way) I first encountered the phrase 'gentrified horror', a pejorative term for the kind of upmarket horror that plays to...

O Lucky Man! (1973) etc….

My introduction to Lindsay Anderson was being shown the 1968 film If.... in (judiciously edited) half hour portions at secondary school in the 70's in a lesson called 'Design for Living', a rather random class which was used to dispense whatever we had in the way of...

Evolution (BFI London Film Festival 2015)

Not to be confused with a 2001 David Duchovny film I've never seen, Lucile Hadžihalilović's second feature cranks the eeriness of 2004's Innocence up a notch, coming on like an anxiety dream H P Lovecraft might have had as a child. On a remote volcanic island, a group...

FrightFest 2023

FrightFest has a new sponsor and is now the Pigeon Shrine FrightFest. It has to be said that Pigeon Shrine isn't the most inspiring name – 'the Pigeon Shrine FrightFest' sounded suspiciously like a bargain basement version of the original, and my fears seemed to be...

Ghost Theatre / Yakuza Apocalypse

GHOST THEATRE Hideo Nakata, director of the Ring movies and the excellent Dark Water returns with this theatrical tale that never comes to life – unlike the dummy being used as a prop in the play Ghost Theatre revolves around. The dummy's head, you see, comes from a...

Enlightened Horror, The Backlash – The Cabinet of Caligari (1962)

Ever since I coined the term 'enlightened horror' three seconds ago there has been, I expect, a massive reaction on the internet, most of it negative ('Enlightened horror? – enfeebled horror more like!') and I can quite understand. The idea of a form of horror that...