Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
BFI London Film Festival 2014: Hard To Be A God
by Martin | October 25, 2014 | movies, reviews | 0 Comments
What better way to ease yourself gently into a film festival than with a nearly-three-hour black and white Russian film based on an sf novel I've never read? Aleksei German's film (based on a novel by Arkady and Boris Strugatsky) is set on a planet which has been...
Tales That Witness Madness (1973)
by Martin | June 15, 2019 | movies, reviews | 0 Comments
In 1965 Dr. Terror's House of Horrors kicked off a series of 'anthology' horror films, mostly made by Amicus, of which Tales That Witness Madness (not made by Amicus) is often dismissed as a peculiarly ropey example, although its director Freddie Francis - who also...
Frankenstein 1970
by Martin | April 20, 2019 | movies, reviews | 0 Comments
This begins generically but effectively with a screaming girl being pursued across the (German, it turns out) countryside by a nightmarishly-contorted Frankenstein's monster whose face we never see; this proves, however, to be part of a TV programme being shot in the...
The Substance / The Driver’s Seat (1974)
by Martin | November 10, 2024 | movies, reviews | 0 Comments
THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...
Monster On The Campus (1958)
by Martin | May 1, 2016 | movies, reviews | 0 Comments
This begins with college professor Donald Blake (Arthur Franz) completing his collection of busts depicting the various stages of human evolution with one of 'Modern Woman', taken from his fiancée's face. Subsequently, as if this is the peak of evolution and there's...
FrightFest 2023
by Martin | October 21, 2023 | movies, reviews | 0 Comments
FrightFest has a new sponsor and is now the Pigeon Shrine FrightFest. It has to be said that Pigeon Shrine isn't the most inspiring name – 'the Pigeon Shrine FrightFest' sounded suspiciously like a bargain basement version of the original, and my fears seemed to be...
BFI London Film Festival 2021: Between Feast and Famine
by Martin | January 30, 2022 | movies, reviews | 0 Comments
THE FEAST I remember overhearing a punter at the London Film Festival one year asking the guy next to him what he'd seen and he replied: 'A lot of films that could have been better'. My experience this year (last year) was a bit like that. Even before it started I had...
Sins Of The Fleshapoids (1965)/Orphans Of The Cosmos (2008)
by Martin | January 18, 2015 | movies, reviews | 0 Comments
I settled down for this Kuchar Brothers double-bill at the BFI with three cushions (Christmas presents for Mum) in carrier bags, a burden bulky enough to suggest that I should have splashed out on another ticket. With an amused gay man on my left and Brian Sewell...
White Devils: Get Out, The Transfiguration and Whity (1971)
by Martin | May 21, 2017 | movies, reviews | 0 Comments
GET OUT In Get Out a black American guy Chris (Daniel Kaluuya) goes with his white girlfriend Rose (Allison Williams) to visit her (rich) family, only to find them a little overbearing in their acceptance of him. Sure, they're liberal, but as he wearily agrees with...
Amulet /Master
by Martin | May 2, 2022 | movies, reviews | 0 Comments
AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...