Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Strongroom (1962)
by Martin | August 31, 2019 | movies, reviews | 0 Comments
Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...
BFI London Film Festival 2017: Casting, 9 Fingers
by Martin | November 18, 2017 | movies, reviews | 0 Comments
In the toilets next to NFT2 a man was calling out for someone called Antonio – he had been asked to do so by a woman outside. Antonio didn't pipe up, although one of the cubicles was in use I noticed. Conceivably Antonio was inside - asleep, dying, or simply unwilling...
Foxcatcher/Whiplash
by Martin | March 1, 2015 | movies, reviews | 0 Comments
I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...
BFI London Film Festival 2014: The Duke Of Burgundy
by Martin | November 16, 2014 | movies, reviews | 0 Comments
When nervous maid Cynthia (Sidhe Babett Knudson) turns up at the mansion of entomologist Evelyn (Chiara D'Anna) our first impression – as she harshly calls into question Cynthia's ability to wash knickers - is that Evelyn is an exacting, even cruel, mistress. But...
Kinoteka 2019. Monument
by Martin | May 4, 2019 | movies, reviews | 0 Comments
'It won't be easy', warned writer-director Jagoda Szelc before her second film began, which was possibly an example of what she later referred to as her as her 'dry humour' – does anyone go to the Polish Film Festival expecting uncomplicated fun and games? Not that...
In Pictures 2: Rope (1948) /Possessor (2020)
by Martin | August 30, 2021 | movies, reviews | 0 Comments
ROPE On the extras on my DVD of Alfred Hitchcock's Rope screenwriter Arthur Laurents nails several of the reasons why this adaptation of Patrick Hamilton's play (based on the Leopold/Loeb case in which a couple of students felt entitled to kill a 14 year old boy...
Frightfest 2014: The Green Inferno
by Martin | August 30, 2014 | movies, reviews | 0 Comments
Movies such as Umberto Lenzi's Cannibal Ferox and Ruggero Deodato's powerful Cannibal Holocaust really do seem to belong to a certain time and place – 70 and early 80's Italy – so it was intriguing to see how Eli Roth of Cabin Fever and Hostel fame would fare in...
Slack Bay (2016) / Zombie Lake (1977)
by Martin | April 22, 2017 | movies, reviews | 0 Comments
It was last November that I went to the Cine Lumiere to catch up with the latest offering from Bruno Dumont, showing at the French Film Festival, and it has taken me up until now to process it. In fact that's a lie – I still haven't processed it. In Slack Bay Dumont...
BFI London Film Festival 2017: Good Manners
by Martin | January 13, 2018 | movies, reviews | 0 Comments
The first film by Brazilian directorial duo Juliana Rojas and Marco Dutra was 2011's Hard Labour in which a woman's attempt to get her small business (a grocery store) off the ground is undermined by the corpse of a werewolf lurking behind one of the walls – and also...
Amulet /Master
by Martin | May 2, 2022 | movies, reviews | 0 Comments
AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...