Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Frankenstein 1970
by Martin | April 20, 2019 | movies, reviews | 0 Comments
This begins generically but effectively with a screaming girl being pursued across the (German, it turns out) countryside by a nightmarishly-contorted Frankenstein's monster whose face we never see; this proves, however, to be part of a TV programme being shot in the...
A Girl Walks Home Alone At Night
by Martin | March 1, 2015 | movies, reviews | 0 Comments
An Iranian vampire Western? Is this what the world really needs? On the evidence presented here – yes. Not that this is really Iranian, since it is shot in America and is set in a fictional (Iranian) place called ‘Bad City’. Not that it’s really a Western either,...
Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife
by Martin | March 3, 2024 | movies, reviews | 0 Comments
FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...
Evolution (BFI London Film Festival 2015)
by Martin | November 15, 2015 | movies, reviews | 0 Comments
Not to be confused with a 2001 David Duchovny film I've never seen, Lucile Hadžihalilović's second feature cranks the eeriness of 2004's Innocence up a notch, coming on like an anxiety dream H P Lovecraft might have had as a child. On a remote volcanic island, a group...
Censor / Surge
by Martin | October 10, 2021 | movies, reviews | 0 Comments
CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...
BFI London Film Festival 2022: Lockdown Lingers
by Martin | January 29, 2023 | movies, reviews | 0 Comments
COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...
BFI London Film Festival 2014: Hard To Be A God
by Martin | October 25, 2014 | movies, reviews | 0 Comments
What better way to ease yourself gently into a film festival than with a nearly-three-hour black and white Russian film based on an sf novel I've never read? Aleksei German's film (based on a novel by Arkady and Boris Strugatsky) is set on a planet which has been...
LFF 2019: Jallikattu/Saint Maud
by Martin | November 14, 2020 | movies, reviews | 0 Comments
Ah yes, the London Film Festival. I remember that. Well it did happen this year, it was just 'different' – they even tried to suggest that the festival we had (mostly online) represented some kind of exciting innovation rather than an attempt to pretend that a film...
Gentrified Horror: The Nightcomers (1971) and Us
by Martin | July 21, 2019 | movies, reviews | 0 Comments
THE NIGHTCOMERS In Nick Pinkerton's positive Sight and Sound review of Puppet Master: The Littlest Reich (which I thought was shit by the way) I first encountered the phrase 'gentrified horror', a pejorative term for the kind of upmarket horror that plays to...
Final Destination: Bloodlines / Bogancloch / The Shrouds
by Martin | September 27, 2025 | movies, reviews | 0 Comments
FINAL DESTINATION: BLOODLINES Horror franchises are noted for their unkillable villains, constantly being resurrected, but the Final Destination films cut to the chase in that the villain is death itself, and who is going to kill him? Or her. Or them. The films settle...