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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

London Film Festival 2019: Vivarium / Scales (and End Of The Century)

VIVARIUM Director Lorcan Finnegan and writer Garrett Shanley's second film sadly doesn't manage to fulfil the promise of their previous feature, 2016’s Without Name. The LFF brochure compares it to The Twilight Zone and Black Mirror but while it could pass for one of...

Final Destination: Bloodlines / Bogancloch / The Shrouds

FINAL DESTINATION: BLOODLINES Horror franchises are noted for their unkillable villains, constantly being resurrected, but the Final Destination films cut to the chase in that the villain is death itself, and who is going to kill him? Or her. Or them. The films settle...

Tales That Witness Madness (1973)

In 1965 Dr. Terror's House of Horrors kicked off a series of 'anthology' horror films, mostly made by Amicus, of which Tales That Witness Madness (not made by Amicus) is often dismissed as a peculiarly ropey example, although its director Freddie Francis - who also...

Frightfest 2016 Day One

This year Frightfest disconcerted me by moving temporarily to the Vue in Shepherd's Bush. I don't like change. As we sat in the Pizza Express near Soho Square beforehand, which is where we always go on Frightfest Friday, Dave tried to reassure me by showing me the new...

Don’t Be Afraid Of The Dark

I've wanted to see the 1973 made-for-TV movie Don't Be Afraid Of The Dark ever since I read about it in Halliwell's Film Guide in the early 80's. I never have, but no doubt it would be just as disappointing as Troy Nixey's 2010 remake, which I watched – in order to...

Everlasting Love (Amor Eterno)

Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...

BFI London Film Festival 2014: Metamorphoses/White God

METAMORPHOSES Christophe Honoré's film is based on something I've not read – Ovid's Metamorphoses – but no need to be alarmed: the stories are spelled out very clearly. Indeed, almost too clearly. The set-up is that Europa (Amira Akili) is a schoolgirl learning about...

Rabid (1977) / Black Magic 2 (1976)

RABID (1977) I watched this (on Arrow Video Blu-Ray) quite early on in lockdown, before the later symptoms of COVID-19 like frothing at the mouth with blue foam and biting people in the neck appeared. Oh no wait, that hasn't happened yet has it? Nevertheless this is...

A Girl Walks Home Alone At Night

An Iranian vampire Western? Is this what the world really needs? On the evidence presented here – yes. Not that this is really Iranian, since it is shot in America and is set in a fictional (Iranian) place called ‘Bad City’. Not that it’s really a Western either,...

L’il Quinquin

My jaw dropped when I heard that divisive auteur Bruno Dumont's next film would be a comedy about cops, and remained in that state throughout the three-hour plus length of the film (actually a four-part TV series, served up in a single showing at the London Film...