Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
New Year’s Evil (1980) / Bloody New Year (1987)
by Martin | February 11, 2018 | movies, reviews | 0 Comments
New Year is, as everybody knows, a massive anticlimax. We all get frantically excited about what turns out to be just a glib transition into more of the same. Here are two films (showing in the BFI's Cult strand) which try to give New Year some genuine significance...
LOCKDOWN! The Giant Claw (1957)
by Martin | April 24, 2020 | movies, reviews | 0 Comments
How often have I fantasized about the government forbidding me to leave the house so that I am finally compelled to watch all the DVDs I have accumulated over the years? Well never, since that would have been absurd, even for a fantasy. Nevertheless here we are. Or at...
Tales That Witness Madness (1973)
by Martin | June 15, 2019 | movies, reviews | 0 Comments
In 1965 Dr. Terror's House of Horrors kicked off a series of 'anthology' horror films, mostly made by Amicus, of which Tales That Witness Madness (not made by Amicus) is often dismissed as a peculiarly ropey example, although its director Freddie Francis - who also...
BFI London Film Festival 2022: Lockdown Lingers
by Martin | January 29, 2023 | movies, reviews | 0 Comments
COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...
Enlightened Horror, The Backlash – The Cabinet of Caligari (1962)
by Martin | December 15, 2019 | movies, reviews | 0 Comments
Ever since I coined the term 'enlightened horror' three seconds ago there has been, I expect, a massive reaction on the internet, most of it negative ('Enlightened horror? – enfeebled horror more like!') and I can quite understand. The idea of a form of horror that...
London Film Festival 2016 – Further Off The Beaten Track
by Martin | January 29, 2017 | movies, reviews | 0 Comments
EYES OF MY MOTHER This curious little black-and-white number, from America, has received some acclaim but to these eyes was not quite curious enough. It's the story of Francisca, who at the start of the film is a young girl leading an idyllic existence in a remote...
O Lucky Man! (1973) etc….
by Martin | August 25, 2024 | movies, reviews | 0 Comments
My introduction to Lindsay Anderson was being shown the 1968 film If.... in (judiciously edited) half hour portions at secondary school in the 70's in a lesson called 'Design for Living', a rather random class which was used to dispense whatever we had in the way of...
LFF 2018: Tumbbad / The Nightshifter
by Martin | January 13, 2019 | movies, reviews | 0 Comments
TUMBBAD Indian horror films are something of a rarity, but Kothanodi was one of my highlights of 2015's London Film Festival, and that was a horror film – sort of. This one, my first film of this year's festival, definitely is - or wants to be. It begins with an...
Frightfest 2014: Open Windows, Nekromantik and Der Samurai
by Martin | September 21, 2014 | movies, reviews, Uncategorized | 0 Comments
OPEN WINDOWS In an age when you can watch films on your phone, here's another novelty – going to the cinema to see a film whose action takes place entirely on someone's laptop screen. I think it did, anyway – I was frankly a little befuddled by the end. Bear in mind...
Censor / Surge
by Martin | October 10, 2021 | movies, reviews | 0 Comments
CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...