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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

The Hart Of London (1970)/Sodom (1989)

Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...

Crazy About Love: Fingernails, Vincent Must Die, and Tchaikovsky’s Wife

FINGERNAILS Love is lighter than air, sings Stephen Merritt of The Magnetic Fields. It floats away when you let go. Love therefore needs to be grounded: in Greek director Christos Nikou's follow-up to his debut film Apples it is grounded in having your fingernails...

Bone Tomahawk / Chronic

There is, or there was, a 'projection issue' in the Curzon Bloomsbury's Phoenix Screen. A sheet of A4 paper warns you of it just before you go in – though after you have paid for your ticket. It doesn't make it entirely clear, or maybe I didn't read it closely enough,...

FrightFest 2024 – Mental Health Issues

The big screen at the relocated FrightFest (Odeon Leicester Square) is almost scarily big now: I couldn't face it. For single ticket buyers like me the seating options weren't promising anyway. So I stuck with the Discovery Screens and found myself in another cinema...

Barbarous Mexico

Raindance! It’s the London film festival I always forget about, tucked as it is into the gap between Frightfest and the BFI London Film Festival but in 2015 I made it to one lunchtime screening at the Vue Piccadilly. It was busy, chaotic even, in the waiting area...

Sins Of The Fleshapoids (1965)/Orphans Of The Cosmos (2008)

I settled down for this Kuchar Brothers double-bill at the BFI with three cushions (Christmas presents for Mum) in carrier bags, a burden bulky enough to suggest that I should have splashed out on another ticket. With an amused gay man on my left and Brian Sewell...

Don’t Be Afraid Of The Dark

I've wanted to see the 1973 made-for-TV movie Don't Be Afraid Of The Dark ever since I read about it in Halliwell's Film Guide in the early 80's. I never have, but no doubt it would be just as disappointing as Troy Nixey's 2010 remake, which I watched – in order to...

Peeping Tom (1960)

I used to say that Michael Powell's Peeping Tom was my favourite film. That I don't say it now has nothing to do with the quality of the film or my changing perception of it; more, it's down to a realisation that there are too many films, and that I have too many...

Microwave Massacre (1983)

It's a truism that when horror goes wrong it can easily turn into comedy – but what happens when a horror comedy goes wrong? Microwave Massacre, available on Arrow Video, provides one possible answer - a vision of Hell made all the more hellish by the awareness that...

The Revenant

Early reports of this film had audiences scandalised by the sight of star Leonardo di Caprio being raped by a bear. Three times. I suspect that this was hype worked up by the studio's marketing department, but I suppose it depends on whether you think people are more...