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Frightfest 2014: Cheerleaders, Show Pieces, and the Babadook

by Martin | September 14, 2014 | movies, reviews | 0 Comments

ALL CHEERLEADERS DIE As is well-known, the only way in which girls can achieve any kind of power in that hellish jock-dominated microcosm of American society known as high school is either by means of their bodies or through witchcraft. And witchcraft doesn't work. Or...

Frightfest 2017: The Glass Coffin

by Martin | September 23, 2017 | movies, reviews | 0 Comments

Some kind of religious revival seems to be going on outside Frightfest's new (old) home, the Cineworld (formerly Empire) Leicester Square. A sign saying 'Repent or Perish' has been held aloft. I wonder if this is particularly aimed at the Frightfest crowd. Maybe it's...

LFF 2018: Tumbbad / The Nightshifter

by Martin | January 13, 2019 | movies, reviews | 0 Comments

TUMBBAD Indian horror films are something of a rarity, but Kothanodi was one of my highlights of 2015's London Film Festival, and that was a horror film – sort of. This one, my first film of this year's festival, definitely is - or wants to be. It begins with an...

THE UNTAMED RAW NOCTURAMA

by Martin | January 15, 2017 | movies, reviews | 0 Comments

THE UNTAMED This London Film Festival showing represented my first visit to the Picturehouse Central. Entering, you feel like you've walked into a bar, and a busy one – and you have. Retreating in horror from all this socialising, which is not what I come to the...

Ghost Theatre / Yakuza Apocalypse

by Martin | January 24, 2016 | movies, reviews | 0 Comments

GHOST THEATRE Hideo Nakata, director of the Ring movies and the excellent Dark Water returns with this theatrical tale that never comes to life – unlike the dummy being used as a prop in the play Ghost Theatre revolves around. The dummy's head, you see, comes from a...

Everlasting Love (Amor Eterno)

by Martin | April 26, 2015 | movies, reviews | 0 Comments

Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...

Sleepaway Camp (1983)

by Martin | March 20, 2016 | movies, reviews | 0 Comments

This was prefaced by a talk from BFI programmer Michael Blyth around LBGT horror which pleasingly focused on less obvious titles – The Ghost Ship, Homicidal, Alucarda – even if he did seem to be stretching a point sometimes. Passing allusions to Dr. Jekyll And Mister...

New Year’s Evil (1980) / Bloody New Year (1987)

by Martin | February 11, 2018 | movies, reviews | 0 Comments

New Year is, as everybody knows, a massive anticlimax. We all get frantically excited about what turns out to be just a glib transition into more of the same. Here are two films (showing in the BFI's Cult strand) which try to give New Year some genuine significance...

Pride And Prejudice And Zombies

by Martin | October 23, 2016 | movies, reviews | 0 Comments

In theory this could be my ideal film, uniting art and trash with no middle ground; but there's a difference between theory and practice. I remember years ago, when I used to work in Waterstones, looking at the cover of the book this is based on and wondering if there...

Strongroom (1962)

by Martin | August 31, 2019 | movies, reviews | 0 Comments

Vernon Sewell's career in British film started, weirdly enough, with a German film - Morgenrot (1933) a collaboration with Gustav Klimt's illegitimate son (one of them) that premiered in front of Adolf Hitler. Apparently Hitler liked it. His next collaborative...