Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
GUILT-FREE CINEMA? The New York Ripper (1982) / Hitch Hike To Hell (1977)
by Martin | January 24, 2021 | movies, reviews | 0 Comments
At some point in the run-up towards Christmas I found myself watching a documentary on BBC4 by Catherine Bray that encouraged us not to feel 'guilty' about watching 'bad' films. It seemed to be right up my alley and for a good twenty minutes all seemed to be well....
Blink Twice and Heretic meet The Phantom of the Monastery (1934)
by Martin | January 2, 2025 | movies, reviews | 0 Comments
BLINK TWICE Waitress Frida (Naomi Ackie) and her friend Jess (Alia Shawkat) accept an invite to the private island of tech billionaire Slater King (Channing Tatum), where everybody seems to be having a fantastic time – or are they? Well, maybe not the women, who have...
Horromford
by Martin | May 19, 2024 | movies, reviews | 0 Comments
Soon every town in the country will have its own horror film festival, which I suppose is no bad thing, although I could hardly keep up when it was just Frightfest. I saw one film that escaped me at Frightfest (Austin Jennings' Eight Eyes) in late January at...
Censor / Surge
by Martin | October 10, 2021 | movies, reviews | 0 Comments
CENSOR Prano Bailey-Bond's Censor makes a link between censorship and (emotional, psychological) repression that's pretty obvious, but the film has a knack of making the obvious work – which has the additional virtue of being thematically appropriate. After all, the...
Kothanodi (BFI London Film Festival 2015)
by Martin | November 1, 2015 | movies, reviews | 0 Comments
Indian horror films are hard to come by – and this isn't one either, or not exactly. Nevertheless, Kothanodi (it means 'river of fables'), a compendium of four interlinked folk tales from Assam, is almost grim enough to qualify. In the most optimistic of these tales...
Amulet /Master
by Martin | May 2, 2022 | movies, reviews | 0 Comments
AMULET Can horror be 'progressive'? Actor and now director Romola Garai talks about 'changing the narrative' of horror with her first film but I'm not sure that she's managed it (what is this 'narrative' anyway?) though she might have thrown a few spokes in its...
The Mad Ghoul (1943)
by Martin | January 2, 2016 | movies, reviews | 0 Comments
Director James Hogan's film begins with an unusually delicate situation for a mad scientist flick – the heroine Isabel (Evelyn Ankers) has fallen out of love with the hero Ted (David Bruce). Isabel confides this melancholy fact to Dr. Alfred Morris, Ted’s chemistry...
Everlasting Love (Amor Eterno)
by Martin | April 26, 2015 | movies, reviews | 0 Comments
Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...
The Hart Of London (1970)/Sodom (1989)
by Martin | May 23, 2015 | movies, reviews | 0 Comments
Experimental cinema – you either love it or you hate it. Or you don’t know what to think. The BFI’s Will Fowler assembled this double bill in January 2015 under the heading of ‘Transcendence’. And rightly so, I think. The Hart of London confounds our expectations from...
A Brexit Trilogy
by Martin | March 24, 2018 | movies, reviews | 0 Comments
GOD'S OWN COUNTRY (2017) Brexit – is it humanity asserting its freedom to be perverse in the face of global capitalism, or is it just a backward-leaning movement composed of people whose preciousness about their 'British identity' makes you wonder who the real...