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Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

The Invisible Life

It was a lovely day, sunshine sparkling on the Thames, Green Park bustling with life. The freshness in the air seemed almost to be trying to dissuade me against seeing a bleak existential drama about death at the ICA, but I was determined - even if, in the event, it...

Salvo

Mafia hitman Salvo (Saleh Bakri) kills a guy but instead of despatching his sister Rita (Sara Serraiocco) - a witness to the crime - he chooses to hide her in an abandoned factory and keep her fed and watered. Why? Love? Pity? Or is he caught on the horns of a...

BFI London Film Festival 2014: Hard To Be A God

What better way to ease yourself gently into a film festival than with a nearly-three-hour black and white Russian film based on an sf novel I've never read? Aleksei German's film (based on a novel by Arkady and Boris Strugatsky)  is set on a planet which has been...

Our Time / Once Upon A Time In Hollywood

OUR TIME There was quite a high turnout for this three-hour epic of directorial self-laceration from Mexican director Carlos Reygadas, although admittedly this was at the Minema screen at the Curzon Bloomsbury, which seats about 20 people. I had a guy ahead of me...

Three Against Nature

THE SAILOR WHO FELL FROM GRACE WITH THE SEA (1976) 'An insult to any audience' concludes the review of Lewis John Carlino's film The Sailor Who Fell From Grace With The Sea (hereafter referred to as Sailor) in my damaged-in-transit Waterstones-freebie edition of the...

London Film Festival 2019: Vivarium / Scales (and End Of The Century)

VIVARIUM Director Lorcan Finnegan and writer Garrett Shanley's second film sadly doesn't manage to fulfil the promise of their previous feature, 2016’s Without Name. The LFF brochure compares it to The Twilight Zone and Black Mirror but while it could pass for one of...

New Year’s Evil (1980) / Bloody New Year (1987)

New Year is, as everybody knows, a massive anticlimax. We all get frantically excited about what turns out to be just a glib transition into more of the same. Here are two films (showing in the BFI's Cult strand) which try to give New Year some genuine significance...

Foxcatcher/Whiplash

I may boast of my aversion to the mainstream but do I ever really escape it, or is it like Christopher Marlowe said: ‘Where we are is the mainstream and the mainstream is where we ever are’? (OK, he was talking about Hell but it’s the same idea.) I have been slightly...

GUILT-FREE CINEMA? The New York Ripper (1982) / Hitch Hike To Hell (1977)

At some point in the run-up towards Christmas I found myself watching a documentary on BBC4 by Catherine Bray that encouraged us not to feel 'guilty' about watching 'bad' films. It seemed to be right up my alley and for a good twenty minutes all seemed to be well....

A Prince, The Animal Kingdom, Behind The Mountains and Birth/Rebirth

A PRINCE Pierre Creton's film featured in both John Waters' top ten and Sight and Sound's top 50, so it should have been made for me – but there's no accounting for taste. All I can say is that it certainly gives you the feeling that director/co-writer Creton knew...