Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
LFF 2019: Jallikattu/Saint Maud
by Martin | November 14, 2020 | movies, reviews | 0 Comments
Ah yes, the London Film Festival. I remember that. Well it did happen this year, it was just 'different' – they even tried to suggest that the festival we had (mostly online) represented some kind of exciting innovation rather than an attempt to pretend that a film...
Arrival
by Martin | March 18, 2017 | movies, reviews | 0 Comments
Denis Villeneuve's Arrival brings to our attention something about contact with alien life forms that to my knowledge hasn't been thoroughly explored up until now – how boring it might be. That's not to say that the film itself is boring – although it does hover on...
The Entity (1982) / Night Watch (1973)
by Martin | June 29, 2025 | movies, reviews | 0 Comments
THE ENTITY It has always struck me that the general tone of life in America is one of hysteria. When I said this once to my cousin, who lives in Texas, she maintained that, rather than hysterics, Americans are 'survivors'. If someone claims to be a survivor merely on...
Talk To Me / Asteroid City / Nope
by Martin | September 23, 2023 | movies, reviews | 0 Comments
TALK TO ME Directors Danny and Michael Phillipou come to us from YouTube, where they operate some sort of channel apparently, which may explain why this BFI showing was full of young people. They were probably taking advantage of the BFI under-25's offer (as if youth...
Eyeball (1975) / Short Night Of Glass Dolls (1971) / Spasmo (1974)
by Martin | August 5, 2020 | movies, reviews | 0 Comments
EYEBALL The original Italian title of Umberto Lenzi's Eyeball translates as Red Cats In A Glass Labyrinth, which makes very little sense and is all the more impressive for it. However, there is no doubt that Eyeball is more to the point. This giallo is about a busload...
BFI London Film Festival 2017: Casting, 9 Fingers
by Martin | November 18, 2017 | movies, reviews | 0 Comments
In the toilets next to NFT2 a man was calling out for someone called Antonio – he had been asked to do so by a woman outside. Antonio didn't pipe up, although one of the cubicles was in use I noticed. Conceivably Antonio was inside - asleep, dying, or simply unwilling...
The Substance / The Driver’s Seat (1974)
by Martin | November 10, 2024 | movies, reviews | 0 Comments
THE SUBSTANCE Coralie Fargeat's The Substance is preposterous, which makes perfect sense. We're in the realm of showbiz, after all. Demi Moore is formidable as 'Elizabeth Sparkle', a fading star now fronting an aerobics show who is told by leering, vulgar producer...
Everlasting Love (Amor Eterno)
by Martin | April 26, 2015 | movies, reviews | 0 Comments
Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...
Jeanne Dielman, 23 Quay De Commerce, 1080 Bruxelles (1975)
by Martin | April 14, 2020 | movies, reviews | 0 Comments
CAUTION: Pre-lockdown content. May include allusions to leaving the house. Are there awards for audiences? Sometimes I feel that I deserve recognition for the efforts I make to catch one-off showings of alienating arthouse films – or at least, that they should pay me...
A Brexit Trilogy
by Martin | March 24, 2018 | movies, reviews | 0 Comments
GOD'S OWN COUNTRY (2017) Brexit – is it humanity asserting its freedom to be perverse in the face of global capitalism, or is it just a backward-leaning movement composed of people whose preciousness about their 'British identity' makes you wonder who the real...