Select Page

Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.

Winnie The Pooh: Blood and Honey / The Brain From Planet Arous (1957)

WINNIE THE POOH: BLOOD AND HONEY Not all bad films are good. The inspiration behind Winnie The Pooh: Blood and Honey was apparently writer-director Rhys Frake-Waterfield's understanding that A.A. Milne's characters were going out of copyright, and so fair game for...

The Revenant

Early reports of this film had audiences scandalised by the sight of star Leonardo di Caprio being raped by a bear. Three times. I suspect that this was hype worked up by the studio's marketing department, but I suppose it depends on whether you think people are more...

Popcorn (1991)

Although I don't think it has been languishing in obscurity exactly (it's showing on the Horror Channel as I write) Popcorn is a film I've somehow missed. Luckily Michael Blyth, masterminding the BFI’s Cult strand, has given it an airing and thus allowed me to atone...

Frightfest 2014: Open Windows, Nekromantik and Der Samurai

OPEN WINDOWS In an age when you can watch films on your phone, here's another novelty – going to the cinema to see a film whose action takes place entirely on someone's laptop screen. I think it did, anyway – I was frankly a little befuddled by the end. Bear in mind...

Frightfest 2015: Day Two

Tenderness Of The Wolves (1973) Don't you just love a true story? This is the one about serial killer Fritz Haarman, who preyed (sexually and murderously) on young boys and drank their blood in post WWI Germany, and who also provided the inspiration for Fritz Lang's...

Crimes At The Dark House and elsewhere – some films with Tod Slaughter 1937-1946

Crimes At The Dark House (1940) is nominally a version of Wilkie Collins' novel The Woman In White in which Tod Slaughter is Sir Percival Glyde – or rather he isn't, he's an impostor first seen hammering a tent peg into the real Sir Percival's left ear. Which is to...

Death Bed: The Bed That Eats (1977)

Outside the screen at the BFI stands horror film critic and musician Stephen Thrower (author of several enormous books on horror films which I would love to read if only I had the time - and money) next to a cake in the shape of a four-poster bed - though smaller, of...

A Prince, The Animal Kingdom, Behind The Mountains and Birth/Rebirth

A PRINCE Pierre Creton's film featured in both John Waters' top ten and Sight and Sound's top 50, so it should have been made for me – but there's no accounting for taste. All I can say is that it certainly gives you the feeling that director/co-writer Creton knew...

A Girl Walks Home Alone At Night

An Iranian vampire Western? Is this what the world really needs? On the evidence presented here – yes. Not that this is really Iranian, since it is shot in America and is set in a fictional (Iranian) place called ‘Bad City’. Not that it’s really a Western either,...

Everlasting Love (Amor Eterno)

Showing at BFI Flare, Marçal Forés’ Everlasting Love presents a more plausible woodland cruising ground than did Alain Guiraudie’s overpraised Stranger By The Lake, even if this one does feature teenage cannibals. Forés’ last (and first) film was Animals, which...