Martin P. Lumbridge (not his real name) persists in writing about film even though he has no professional qualifications or compelling reason to be believed. Expect spoilers.
Possession of Joel Delaney (1972) / The Vigil (2019) / Hatching (2022)
by Martin | October 22, 2022 | movies, reviews | 0 Comments
POSSESSION OF JOEL DELANEY This screening (part of Dukefest, a small festival curated by the Duke Mitchell Film Club) was busy, though thankfully not so busy that when a person of enormous stature sat in front of me I couldn't just shift to the seat next to me. What...
Ghost Theatre / Yakuza Apocalypse
by Martin | January 24, 2016 | movies, reviews | 0 Comments
GHOST THEATRE Hideo Nakata, director of the Ring movies and the excellent Dark Water returns with this theatrical tale that never comes to life – unlike the dummy being used as a prop in the play Ghost Theatre revolves around. The dummy's head, you see, comes from a...
A Nightmare On Elm Street Part II: Freddy’s Revenge (1985)
by Martin | May 4, 2014 | movies, reviews | 0 Comments
The London Lesbian and Gay Film Festival has renamed itself Flare. I'm not sure what I think about this – immediate associations that spring to mind (trousers, nostrils, distress signals) are not exactly encouraging. Also, if someone told me: 'I'm going to Flare', my...
Gentrified Horror: The Nightcomers (1971) and Us
by Martin | July 21, 2019 | movies, reviews | 0 Comments
THE NIGHTCOMERS In Nick Pinkerton's positive Sight and Sound review of Puppet Master: The Littlest Reich (which I thought was shit by the way) I first encountered the phrase 'gentrified horror', a pejorative term for the kind of upmarket horror that plays to...
White Devils: Get Out, The Transfiguration and Whity (1971)
by Martin | May 21, 2017 | movies, reviews | 0 Comments
GET OUT In Get Out a black American guy Chris (Daniel Kaluuya) goes with his white girlfriend Rose (Allison Williams) to visit her (rich) family, only to find them a little overbearing in their acceptance of him. Sure, they're liberal, but as he wearily agrees with...
Koko-Di-Koko-Da / Swallow
by Martin | December 15, 2019 | movies, reviews | 0 Comments
KOKO-DI-KOKO-DA (LONDON FILM FESTIVAL 2019) Johannes Nyholm's film starts with a mother, Erin (Ylva Gallon) suffering a bout of food poisoning which leaves her face swollen so that she looks, as her husband Tobias (Leif Edlund Johansson) jests, like Freddy Kruger. The...
BFI London Film Festival 2022: Lockdown Lingers
by Martin | January 29, 2023 | movies, reviews | 0 Comments
COMA I am increasingly belated. Already it is 2023 and I still haven't got around to dealing with the 2022 London Film Festival. However, in many respects the festival itself hadn't yet escaped the preceding lockdown years – obviously nobody was expected to wear a...
Horrors Of The London Film Festival 2019
by Martin | February 22, 2020 | movies, reviews | 0 Comments
DEERSKIN Horror films have fielded some unlikely 'monsters' over the years and director Quentin Dupieux has already supplied a notable one with 2010's Rubber, whose 'villain' was a spare tyre. His new film explores the malign potential of a jacket. Filling it out, and...
Hail Caesar! / High Rise
by Martin | May 1, 2016 | movies, reviews | 0 Comments
One of the funnier scenes in the Coen Brothers' 50's Hollywood-set latest has Ralph Fiennes as a fussy English director struggling to incorporate studio-imposed Western star Hobie Doyle (Alden Ehrenreich) into his drawing room comedy Merrily We Dance. Before his utter...
Monster On The Campus (1958)
by Martin | May 1, 2016 | movies, reviews | 0 Comments
This begins with college professor Donald Blake (Arthur Franz) completing his collection of busts depicting the various stages of human evolution with one of 'Modern Woman', taken from his fiancée's face. Subsequently, as if this is the peak of evolution and there's...